Stop Big Thieves

"As long as the saints die, the thieves will continue." - A novel that describes two thousand years of Taoist fables burning in temples and rivers and lakes. A baby who was supposed to be a prince entered the den of thieves and became the king of thieves; a baby who was supposed to be a thief sat on the dragon throne and became the emperor. Feng Su rebuilds the righteous bandits and is known as the "little thief saint", but he is trapped in the shackles of "doing justice for heaven". After Mi Pu ascended the throne, he indulged in the inner demon of "becoming a holy king" and promoted the "Great Edict", opened a canal, and established a warehouse. The more he wanted to be a holy king, the more chaotic the country became. The two teenagers looked at each other in the teahouse and became brothers from then on. They fought side by side to break out of the Flying Tiger Gang and promised to stay together forever on the rooftop in the south of the city. But the rivers and lakes and the temple are each trapped, making the two of them unable to control themselves until the blade of the knife reaches the other's throat. In the end, the two stabbed each other three times, settling their grudges and breaking away from their obsession with "becoming a saint" - Feng Suyuan traveled to Southeast Asia and ruled by doing nothing; Mi Pu put down his desire for power and was lenient and obedient to the people. Thirty years later, two white-haired old men sat on the roof in the south of the city again, holding wine bowls and watching the lights of thousands of houses. It took them half a lifetime to understand that sentence - until the saint dies, there will be no more robbers. The whole book is intertwined with Jianghu thievery and the illusion of thousands of gates. It also describes the game in the court and the pain of the common people. It goes hand in hand and reveals the two sides of the "saint" and the "thief". For readers: Readers who like the depth of the court in "Celebrating More Than Years", the texture of the arena in "The Fighting Swordsman in the Snow", and the philosophical depth of "Under the World".