Twenty-Four Ink

Introduction to the work "Twenty-Four Ink" Lin Yan, an e-commerce artist, graduated from the Department of Traditional Chinese Painting. His daily job is to change the five-color black for Party A. Until that day, when he used the family heirloom inkstone to study ink, the painting realm opened up - the thousand-year-old Mo Niang came out of the painting and told him: the ancient paintings handed down from ancient times are fading, the beasts of the mountains and seas corresponding to the twenty-four solar terms are being broken, and the cultural context will be cut off, and he is the holder of the ink heart that comes once in a thousand years. PS thinking guides the operation of the brush, including circle selection, filling, and undoing. He uses the logic of retouching to repair ancient paintings. The ferocious beasts at the beginning of spring, the ferocious beasts, the ferocious beasts of rain... Twenty-four solar terms, twenty-four scenes of life and death in the painting. Every time a spiritual jade is repaired, the flower god will appear and bless him; every time a ferocious beast is sealed, he is one step closer to the truth. But the truth is far more terrifying than the beast. Grandpa died in battle sixty years ago, and the words "Don't trust Mo Niang" are carved on the stone wall; Mo Niang's old scar on her wrist oozes ink and blood, and her fan is about to be broken into pieces; Bao'er, the troublemaker, breaks the Seal of Mountains and Seas, what's the hidden story behind it? What else is there beyond the beast? What's the conspiracy behind it? Twenty-four solar terms, twenty-four spiritual jade, and twenty-four flower gods. A social animal artist, with a wolf-brush pen and an inkstone, must maintain the roots of Chinese culture between the painting and reality.