Empress of the Galaxy: Eastern Divine Realm

Introduction to "Empress of the Galaxy: Eastern Divine Realm" By the Yellow River, Huang Jiuge, a female high school student who was about to take the college entrance examination, had an inappropriate thought about the turbid river during a heavy rainstorm - "There is something wrong with this river." It was this thought that shocked the Taichu system that had been sleeping for hundreds of millions of years. The golden light beam penetrated the rain curtain, and she was drawn into an Eastern universe where immortality and technology coexisted: the Kunlun Immortal Gate hung in the sea of ​​clouds, twelve artifacts were scattered in the sky, and starships were engraved with talismans and sailed through the nebula. And there is a surname code hidden in her body that even she herself does not know - Huang, the Huang of the Yellow River is also the Huang of Xuanyuan. From the handyman disciples on Kunlun Mountain to the rebels who stirred up the order of the immortal world; from the warriors who awakened the Phoenix Wings bloodline to the Eastern Empress who rules the sea of ​​​​stars - Huang Jiuge. Along the way, a group of people gathered around her: Su Ye who chased her to the end of the universe, Ye Qingluan who fought from the Yellow River to the galaxy, and the mechanical girl Bai Ling who couldn't change her words "You're welcome". However, when civilization reaches the end of the universe, she finally sees the truth clearly: the so-called "end" is not the enemy, but the rule of the life cycle of the universe - the flower that blooms when the seed grows to the end. You can't kill the flower. What you can do is plant the seeds on the bank of the next river. So, in the final battle when the world collapsed, the woman who once said, "I don't deserve to be a sword in anyone's hand" made the gentlest and most decisive choice in the book - she scattered herself into stardust. This book takes the Eastern cosmology as its soul: it does not talk about conquest, but about symbiosis; it does not talk about ending, but about cycle. The Yellow River changed its course twenty-six times, and each time it was not the end. A million-word long fantasy·Ten volumes of the book