Two Worlds: Becoming an Immortal After Failing to Establish My Foundation!

It's really nonsense to talk about cultivating immortals and selling products through live streaming. The essence of cultivating immortals is to understand the rules, evolve yourself, cultivate your mind and nature to better understand the Tao, and you also have to race against time and fight for your life, and you have to deal with cause and effect. How can you become an immortal by doing these worldly things?

The plot is too slow. There are various branches, either this enemy or that enemy. Either this one is in trouble or that one is in trouble. Such a good subject matter, such a good plug-in. I really think this plug-in is very good. Using the ancestor's account, you can pretend to be the ancestor, gain strength, and even show off in other worlds. Or you can follow your idea and get free skills and knowledge in the live broadcast room, and then crush the indigenous cultivators. What's the result? You keep dragging out various subplots, wearing down the readers' patience. It would be better if you had some foreshadowing before, but there is no foreshadowing at all. You come up to introduce you out of nowhere, and you are in trouble with who has a feud with whom. The sense of substitution is very poor. Then I thought that if you hurriedly ran to other small countries, you could secretly upgrade, improve your cultivation, and then pretend to be cool, and then it would be great. The plot ended up dragging on for several chapters. In the past life, it was written that he had trouble with the two women on the spaceship, and then it was written that the people from the sect traveled thousands of miles to catch up to find trouble. Because of the so-called little face, the enemy chased the protagonist from the sect to a small country, and wrote various branch plots, and wrote various branch plots that had no interesting meaning. The whole story is not about you and this person. If I have trouble, I have trouble with that person. I have written several chapters. I have not yet arrived in the small country, and I have not yet written about the refreshing feeling of developing secretly. I insist on writing various branch lines and various introductions. I have trouble with this person and trouble with that person. Couldn't you let the protagonist go to a small place as early as possible? Then he can survive in a small place, obtain powerful skills from the live broadcast room, and his strength will increase by leaps and bounds. , Others don't know that the protagonist's cultivation has improved by leaps and bounds, and this feeling is particularly good. Then you meet these two women again, and then surprise these two women with your cultivation. Then you meet Zeng Yang, this sect disciple who has been chasing trouble for thousands of miles, and then the other party is surprised by the protagonist's cultivation, and then is killed by the protagonist. How uncomfortable is this? It just so happens that you haven't felt comfortable yet, and you haven't felt like you have a sense of agency yet, so I introduced the background inexplicably, introduced the two women who had a grudge against the protagonist, and introduced this disciple who came to have a grudge against the protagonist for no apparent reason. The whole story is just about introducing these. Hey, I finally endured Chapter 1, Chapter 2. This chapter feels aggrieved, and then the next ten chapters have a good sense of substitution, and the feeling is refreshing. It can be highlighted very well, and there is a little bit of novelty and innovation. Then I just expect the protagonist to go to a small place to secretly develop and develop cheats. As a result, in the last three or four chapters, the style has suddenly changed, and it has returned to being aggrieved and refreshing. It's hard to explain in just one sentence. I introduced this and that, and didn't develop cheats or improve the protagonist's cultivation level. I watched it a few days ago when you updated it, but now I have no desire to click in. No matter what the author thinks of my evaluation, this is my true opinion.

I saw several book recommendations in one day.

Foundation building failed and I got a plug-in. Now in chapter 60, I can't even see the sign of rebuilding the foundation. Isn't this rhythm a bit wrong?

You don't need to read the first chapter to know that this is not a brainless piece of writing, right? A lot of people give it good reviews?

This protagonist's character, this plot development. So old

It's a magic sect. If you fail to build the foundation, you will be slapped in the face by the 6th floor. All the fellow sects will beat up the fallen dog.

I can't stand it anymore when I see what other live broadcasts there are about cultivating immortals.

The author's "I Have a World of Immortality" is the best novel about immortality that I have ever read. A modern world of cultivating immortals and an ancient world of cultivating immortals. The setting is so good. It turns out that I am the Immortal Prodigy used this setting of the author, and the introduction is similar. Now the results are very good, which shows that everyone likes this setting. The author can continue to write this setting like Tudou, and one move can be eaten all over the world. Tudou wrote the setting that everyone liked when he wrote Battle to Break the Sky, and it has remained unchanged since then. He also wrote Wu Dong Qian Kun, Great Master, and Yuan Zun, all of which have become the Central Plains Five Hundred. The author has 12 kings in one book. If you continue this setting, you can definitely become the next platinum god.

After identification: it is the waistcoat of the author Wan Ding, not the whitest crow.