Hello, editor!
This realistic-themed work is about the intersection and integration of Li Brocade intangible cultural heritage protection and AI artificial intelligence.
Fu Yaling, a pattern archivist at the Hainan Provincial Intangible Cultural Heritage Protection Center, saw something wrong at a brand co-branding conference - the "most standard Li brocade" hanging in the center was generated by a model, and there was only one type of frog pattern on the entire picture. There are more than 300 types of frog patterns that actually exist.
She wanted to prove the picture wrong. The conditions given to her by her superiors were simple: come up with the correct edition of Li Brocade artwork. So she made five calls and asked the conservation units in five counties the same question, and got five different answers.
She asked weavers from each of the three dialect areas to weave a section. All three people knitted and knitted three things, none of which were the same as the picture.
Tracking down a videotape that brought her back ten years ago. In the picture was her grandmother, speaking to the camera - in Li dialect that she couldn't understand a word of. And her own name was written on the signature line of the person in charge of the tape.
She objected. The objection was accepted, the review was suspended, and the mother's heir declaration was postponed for one year. My mother is fifty-five and can afford to wait. And the old weaver is seventy-eight years old, and her hands still have ten threads per centimeter - less than eleven threads, and double-sided embroidery will no longer be possible.
No one did anything wrong. All the right things put together weigh on a hand that can't wait.
The manuscript has not been published publicly on any platform yet and the full text has been completed. If the contract is successfully signed and put on the shelves and marked as completed, a backend application document will be planned to support the project. Looking forward to your feedback.
