Simultaneous Transmigration: Reflections Across the Myriad Worlds

This kind of simultaneous time travel, the reason why people are most likely to abandon the book is that several consecutive chapters follow the original plot, and you don't have to change the plot. Most of the chapters describe the original novel without any changes. If that's the case, I might as well read the original novel. There's no need to read it from your point of view. It's a fan fiction that doesn't change anything after adding another person.

It feels like the writing is more simple than Doupo. . . . .

The Dragon Clan doesn't talk about how to transform into a dragon, at least learn how to get violent blood. It's really unbearable to keep licking Xia Mi without considering the improvement of combat power.

Generally speaking, I always feel that the plot is written in a sloppy, careless and clumsy way, and it is a bit outdated to get the golden finger and be beaten to a life-or-death line and then use the golden finger to seek revenge.

The protagonist forgets some unimportant plot points after sharing memories. We are just saying that shared memory occupies memory, right? Then this is too secure. If you share it with a few people in the future, wouldn't it be a memory explosion? Sharing means sharing everything, not just the superficial ability memory, but also abstract things such as understanding, talent, physical fitness, spirit, etc. Are also shared. As a result, you curse the protagonist's memory and occupy the memory. Also, it is forcibly strengthened. The spell of the protagonist of the curse is to blend into the surroundings so that his sense of existence is integrated with the surrounding nature. The dragon protagonist distorts the light to become invisible but cannot hide his breath. As a result, the spell of the curse becomes to blend in with everything and change his own nature to adapt. There were signs of it during Dou Po. It was quite outrageous to fuse the heart fire and change one's body to adapt to the heart fire.

The author can't grasp the rhythm of entering the synchronization space. Every time, the protagonist encounters a crisis and is already in crisis before he starts to synchronize. For example, when you meet the Guardian of the Soul Palace this time, even if you enter the synchronization space at the moment after absorbing the Fallen Heart Flame, and then come out after synchronizing your strength, and meet the Guardian again, the protagonist will sigh that you are really unlucky, and then pretend to be cool, and the performance will be better than the current plot.

I can only say that I feel aggrieved 🙂

I can't see the positive impact caused by the protagonist's initiative, and it has always been passively promoted. Even if the protagonist takes the initiative to change, there will be no good ending, depression and no satisfaction.

The sharing mechanism that has not been weakened is good, but it is too poisonous to be knocked unconscious when entering the space.

Each world is about to reach the climax of the plot, and the world is cut away. The first part of each world is completely exhausted and imprisoned. After the second synchronization, it is immediately exhilarating. The protagonist wants to overturn all enemies in the world and immediately cuts away the camera to write a prison world. When writing a big scene, you need to go all at once, so that you can more smoothly mobilize the reader's emotions. If you simply give the reader a stop, you will most likely give yourself a stop. Will you still be able to find the emotion and state at that time when you return to Dou Po? In this way, the climax will not be written well, and then the book will go away as soon as the data rhythm breaks down.