My Years as a Fortuneteller on the Peninsula

Very good, above average appearance. From the beginning, the highlights are outstanding and there are only some flaws. General comments, first of all, most of the writing is smooth and natural, which can defeat more than half of the newcomers. Since the number of words is not many, the rhythm is not easy to evaluate, because the current plot content is in a novel state for readers, and it is not easy to see if there are rhythm problems. And judging from the current plot, at least it has a rough outline and is not so complicated. The following is a detailed review, first of all, let's talk about the advantages: 1. The heroine is very cute. A relatively niche and beautiful female idol is the first heroine (that is, Tian Ji Jin), which is a very good choice in Korean entertainment literature, or in cultural entertainment literature. One is to avoid the negative topics, crazy fans, and boredom brought about by high-profile female stars (just like domestic entertainment watching lyf every day, Tang Shixian as the heroine, Korean entertainment watching Bae Zhuhyun and Shirley every day, no matter how beautiful they are, they will easily get bored after watching too much). Second, there are niche female idols, which effectively avoid the situation of strong women and weak men. Many male protagonists in Korean entertainment have not yet debuted, or have no achievements or support. They are ambiguous and even cheating with seven or eight popular female idols. It is like using a cheating device in reality, which is very brainless and unpleasant. As a very capable fortune teller + graduate of a prestigious school, the male protagonist has a high status in Korea, both inside and outside the industry. When the male protagonist's career slowly develops, he can also use the status of the secondary female protagonist to attract traffic through those popular female idols. The third is that it is easy to break through the steps of love faster. It doesn't take many pictures to officially get together, you can do everything you want to do, and you can take on the early part of it quite well. (The truth is that it is indeed very exciting) Unlike some of them, just pulling and pulling requires dozens or hundreds of chapters, which is almost exhausting, and finally they are just qualified to be together (especially naming some domestic entertainment articles) Fourth, Oda is really! It's really beautiful, hehe... 2. The identity of the male protagonist is very good. It has the double benefit of being in it without being restrained. The key is that the logic is smooth. Firstly, on the Bangzi side, there is a real argument for superstition, and the Japanese and Korean cult Gemini... At the same time, the industry really pays attention to this. For example, Min at the beginning, she believed in this stuff in reality. Therefore, as a fortune teller, the male protagonist is naturally in a position of superiority and in short supply when it comes to people in the circle - this is true, and it can also be a source of excitement. Secondly, being able to deeply participate in the industry, idols and the like do not have a high status in Bangzi, but many times due to information channels, it is difficult for many high-quality figures who are strong in a certain field to interact with these beautiful female idols. And fortune tellers can participate in it without being constrained by it. For example, as mentioned above, if you are an idol or an actor, or any idol, no matter how popular you are, as long as you expose your love, your career will definitely be cut in half (see Girls' Generation becomes Love Era, EXO becomes a love planet.) If it is revealed that you have stepped on multiple boats, it will be even more difficult to save. Actors can avoid falling in love whenever they can in the early stage. Even after it becomes popular, it will still have an impact on their career. If it is revealed that they have multiple affairs, their career will easily be overturned. As the fortune teller behind the scenes, the male protagonist doesn't have to worry about this. Thirdly, the participation of the physiognomist in Korean entertainment is an innovative point. At least it is very novel for me to read. It is also a skill to write new ideas about familiar people and things from a new perspective. Although the relevant professional content is not very understandable, it still seems acceptable and not boring. 3. Career and love arrangements are currently relatively reasonable. Actually, because there are so few words, I don't even remember its structure, but it feels more natural to read it. At the beginning, Min's consultation is introduced to introduce the male protagonist's identity as a fortune teller and career status, and then it moves to the promotion line of Oda's love. Then this promotion line is mainly based on, supplemented by Min's consultation. The beginning of Bae Zhuhyun's career is more appropriately arranged. After Oda's love strategy was completed, Min's consultation became a daily branch line, and the content about Bae Zhuxuan's career was cut into a novel story in the professional field of photographers (that is, after a good beginning of leaving people, the novelty of this book began to show). After reading it, my impression was not particularly amazing, but it was okay. (Ps: Regarding politics, I won't talk much about the Gwangju incident and try to avoid the northern peninsula. Generally, I won't be criticized.) Then through Kwon Eun-bi's line, the male protagonist's career line officially started in the industry, which is quite good. 4. Some small arrangements, such as the fact that the male protagonist wins with good looks + outstanding temperament, I think are very good, because Bangzi's emphasis on appearance is really crazy, and after appearance reaches a certain stage, temperament is indeed the winner, which is very reasonable. As for the selection of heroines, I also like most of them. (Also, Qidian male channel, no matter how you put it, the harem is the least bad deal.) Although I don't really like Zhang Yuanying, but there are so many female protagonists, her status and plot proportion will not be too high. Then Tian Jizhen, Sister Mian, and Sister Pei are all relatively good. But the author seems to have a bit of a bad taste, and he always likes to form bonds, such as Tian Jizhen and Sister Mian, Sister Pei and Quan Eunfei. (Since there aren't many plots and I didn't read the character cards carefully, I don't know what else there are.) All I can say is that this bond is a good one. 🤓 The following are some minor flaws, here I only mention the ones that I felt strongly about after reading them: One is that when conquering Oda, the pulling effect was too immediate. In other words, Oda's mood swings were too great, and he suddenly felt like the sky fell, and suddenly he felt like crying. In fact, if he restrained his writing a little, he still retained the beauty of youthful ambiguity. , Some small discomforts, small joys are more expressive (or if there is a push and pull, it will not be revealed all at once. Everyone will insist on being strong for the sake of face, and then the more they think about it, the more bitter they become) So the best option is to change it to an operation that is more in line with youthful ambiguity. The disadvantage is that the subsequent treatment of the Shura field must be more logical, and the characters have more emotional depth. The advantage is that if it is well written, it will be popular. Another good idea is to calm down a little and avoid galgame-style push and pull to directly cheat the ultimate move, which is prone to distortion and greasiness (of course, it is not very greasy at the moment). The advantage is that it still maintains a bit of a superior's perspective, so you won't be so embarrassed when facing the Shura field, and the harem is easy to implement (that is, it doesn't overly describe emotional thoughts, the main character has more words, the female supporting character focuses on interests, and emotions are supplemented by collection). This is not too bad, and it is not demanding on writing skills. The best strategy is not to spend time revising it (although I feel there is only a little bit, it shouldn't be that laborious to revise?) Save the manuscript carefully and update it like crazy after it is put on the shelves, hehe. The second one was when I first met Park Soo-young and the others. The misunderstanding was a bit deliberate, which meant that the male protagonist's suspicion was a bit accidental and not logical enough. It can be described as fierce and the protagonist is frightened, and naturally takes a deviation, instead of writing the misunderstandings on both sides intertwined, which makes the initial deviation seem a bit abrupt. But the follow-up development is actually quite interesting. In short, I am very optimistic about this book. I will update it carefully. There should still be quality products. Come on!

I'm really tired of watching the four generations and the three phantom gods Can we fast forward to the sixth female one Zheng Yaxian and Li Yuanxi A Yigu likes the tender ones

Yaxian

To be honest, it's more interesting than whether you write about women or fortune telling.

Tian Jizhen

Come and take a look at this person. Can this person become president?

When I flipped through the list of heroines, I was so dazzled that I almost thought the author could even talk about Min Xizhen 😰

Choose a first heroine who has not been found. . Very bold

🐶

Six girls and one