National Beauty and Tianxiang Yunjinji

In the rainy season in the south of the Yangtze River, in the Shen family's old house deep in Weaving Lane, the sound of the machine has been silent for a long time. Twenty-eight-year-old Shen Wan is the last guardian of this century-old brocade skill. Faced with her grandmother's admonition to "conform to the times", the shadow of her father's death due to his perseverance, and the impact of external machine mass production and Internet celebrity trends, she chose the loneliest path - to restore the unfinished "Phoenix Through Peony". This is not only a technical rescue, but also a soul dialogue. In the process of searching for the fragments of the "Light and Shadow Weaving" left behind by her father, Shen Wan met Lu Yuan, an ancient building restorer who seemed cynical but was actually secretive. During the renovation of the old house and the restart of the loom, the two went from misunderstanding to understanding each other. Lu Yuan uses modern mechanics to deconstruct ancient mortise and tenon joints, while Shen Wan uses traditional silk threads to weave oriental aesthetics. Between the dust and threads, they jointly explore how traditional culture can survive in the present. This is a story about "keeping". Shen Wan used her flexible hands to weave a pure land in the impetuous world. She proved that the real national trend is not a gimmick of labeling, but elegance that grows from the flesh and blood. When the brocade that had been dormant for a hundred years finally shined, she not only resurrected the intangible cultural heritage, but also weaved the independence and dignity of contemporary women.