I Don't Want to Break the Statue, so I'm Looking for a Home in Another World

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This is a warm, strange, romantic and adventurous fantasy story with a unique temperament. - [Preview evaluation: An adult fairy tale about finding a home in wandering] - If you are looking for a long fantasy story with a slow pace, a warm tone, and is not driven by "slap in the face and upgrade" but focuses on "encounter and companionship", this work may surprise you. - Style and temperament: An "alien version of the Bug Master" that combines Eastern mythical monsters and Western-style road adventure. The story has a mist-like sense of alienation, and the writing style is delicate. Rather than depicting grand battle scenes, it focuses more on describing strange folk customs, strange races, and the subtle and restrained bonds between characters. - Core highlights: 1. A slow-burning and profound adventure: no system, no quick travel, and no brainless dragon Aotian. The protagonist is a young man who was exiled because he "didn't want to break the statue of his ideals." His journey is a long wandering in search of where "home" is. Following his perspective, you will encounter all kinds of "inexplicable" strange things and people who insist on their own beliefs. 2. Atypical "invincible flow" and "CP line": the protagonist is very powerful, but the story does not focus on suppressing combat power. The emotional line is "1v1 double strong", but it is light and long-term. It is the kind of tacit understanding and mutual support that gradually sprouts during the long journey, not industrial saccharine. 3. Character portraits and puzzles: Although it contains elements of suspense reasoning, the focus is not on brain-burning logical tricks. The story is more like exploring the stories behind the characters (such as the weird sacrificial rituals in another world, the "traveler's syndrome" that can't stop), and the puzzles serve the fate and growth of the characters. - Possible "lightning points" (dissuade warning): · The narrative rhythm is slow: the beginning may make readers who are pursuing "three chapters and one explosive point" feel uncomfortable. The author spends a lot of time laying out the world view and the psychological state of the protagonist. · The writing style is old-school/literary: the text has a sense of a narrated story, even a bit like a "fairy tale" or "fable", rather than the high-density complaints or jokes that are popular today. · Weird imagination: Contains many bizarre elements that do not conform to the norm (such as the discussion of "slime swallowing black holes"), suitable for readers who like fantastic ideas, but may find it "inexplicable" for readers who pursue "cool logic". - Summary: This is a "road movie" novel that needs to be read with calmness and concentration. If you like the tranquil style with a touch of sadness and warmth in "The Bug Master" and "Kino's Journey", or you like to see the protagonist resolve the barriers with kindness and understanding in a strange world, then this book may become your favorite. If you are more looking forward to a "cool" story where the protagonist quickly slaps you in the face and dominates a different world, then this may not be your cup of tea. - Suggestion: You might as well try reading Chapter 1 (Part 1) and Chapter 1 (Part 2) first. If you can accept the protagonist Bai Huyue's off-line and calm style of "hanging on the ceiling chatting with strange teenagers", then you will most likely enjoy watching it later.