After Their Confession Failed, They Regretted It for the Rest of Their Lives.

There is nothing wrong with the male protagonist, except that his emotional intelligence is definitely low, like a human machine. But that doesn't stop him from doing his best for each of the heroines. At least for now, it looks like it's all the boy's unilateral contribution. The heroine deserves to be chased into the crematorium even if she refuses to confess her love. And where is the male protagonist playing with his emotions? Didn't he confess? The heroine didn't accept it and didn't allow the hero to find someone else? Among the several female protagonists that have appeared so far, have any of them done anything for the male protagonist? For example, the Japanese idol girl, I didn't see her caring about the male protagonist's physical condition before he died. Isn't it kind of cool to have to wait until the male protagonist left before trying to understand her? Since the male protagonist has given material things, shouldn't the female protagonist return emotional value? I think there are still too many in Guinan, China. By the way, the author is as good as an adult border collie in terms of naming. He is a genius who can come up with such a name that is difficult to pronounce and lacks in memory.

Let me put it bluntly, if this was a newcomer, the next day I would be approached by a transfer student with a Beijing household registration, a house in Shanghai, a Japanese student studying in the United States, a white-haired, arrogant, flat-chested, short tomboy, and a transfer student who said he was my childhood sweetheart. He rented a house next to my house and would wake me up in the morning pretending to be angry. With this peaceful smile on my lips, he secretly tapped my cheek with his finger. At noon, when I was having dinner with my roommate, he would sit next to me and pretend not to care, and give me a few pieces of beef, mutton, pork chops, chicken breast, meatballs, and tomato. During evening self-study, when he saw me chatting with other female classmates, he would angrily say not to make noise during self-study time, but in fact, his hand would gently pinch the corner of my clothes under the table. When I got home to do my homework in the evening, he would come over to help me and say, "Huh?" You can't even ask such a simple question. It seems that you can't do anything without me. There is no other way. I will teach you reluctantly. Before going to bed at night, she will say good night to me with a red face. When I say good night to her, she will run back to the next door like a frightened rabbit and say, I don't want to say good night to you. It's just basic etiquette. Don't misunderstand me.

None of the four girls currently appearing are qualified to criticize Xia Weichan. They have adequate emotional value, satisfied material wealth, help realize career ideals, and help get out of real difficulties... You can say that the male protagonist approaches the female protagonist with utilitarianism, but no one is qualified to deny everything he has done. At least for now, I can't see the female protagonist's contribution during the male protagonist's lifetime.

It seems that the author didn't understand the joy of living with regrets for the rest of his life.

They are worse than birds. When writing a romance, you must at least like each other At present, it seems that the male protagonist may have some feelings for these female protagonists due to the training required by the system, but he will restart immediately after death, regardless of the reason for the failure of the confession, and the status of his ex-girlfriend is not clear Even the reason the author made up for the failure of the confession makes it feel that the male protagonist can find out as long as he really likes the female protagonist a little bit This feels like the subsequent emotional scenes are not easy to write. It is difficult to write that the male and female protagonists like each other so much that the male protagonist cannot give up even the female protagonist, and the female protagonist is too in love to accept the harem.

Introduction The duplication check rate is too high. You, the male protagonist, have a tight lock that is almost overflowing. At the end of the previous book, I used the system to have a small climax. This time I just stopped it. The system and the male protagonist interacted with each other, right?

I specially compiled some book friends and then commented on it. The male protagonist has no love at all for several female protagonists. At most, he has given a lot, so he has a good impression. The more the book goes on, the more this feeling becomes. Of course, the male protagonist is pushed by the system, there is no doubt about it, but in your book, shouldn't it be interesting that the male protagonist and the female protagonist have feelings before and then pull them? The more I write, the more I feel that the male protagonist has no emotions at all. This looks very awkward, doesn't it? It's a bit difficult to write about a female protagonist tossing and turning for the male protagonist, but also feeling that the male protagonist has no love for them at all.

Just talk about why the protagonist is so bad and how cruel he is to the heroine. No, you don't care about why the protagonist treats the heroine well. Just say from the perspective of the heroine, is the protagonist sincerely 100% good to her? What the male protagonist wants is invisible to the female protagonist, so why do you care? Let's take an example of exaggerating the magic point: the master's task. A woman suddenly and inexplicably receives a mission from her master. I don't know who this master is, so I just treat it as God's will. This woman is also pure and flawless. She treats you wholeheartedly and loves you with all her heart. When you die, you don't even know that this woman only loves you because she was corrupted by God's will. Is this woman cruel to you? Now that the examples are complete, back to this book, it's obvious that the first three heroines are cruel, right? As a result, the male protagonist ended his life three times

I thought I had found a good idea before, but now I have to think about it again, and I am getting more and more frustrated. If the author makes a big deal later, I will come back and give feedback.

It doesn't give readers any positive feedback from the protagonist, which is a very bad experience. But the plot really makes readers happy. It feels bad that the system's behavior is all about holding things back, and the procrastinating and hesitating character created by your protagonist makes the water even more muddy. (Although this does create a lot of plot conflicts) The summary is that the God's perspective is good, but it is really disgusting to assume the protagonist's perspective. There is a feeling of being both upright and upright. While cutting off the first three terms, I was recalling crazily and with a vague attitude. (Actually, I have a feeling that the protagonist will be similar in this life)

The male protagonist is hypocritical and a clown, while the female protagonist has a divine love brain.

It feels like the other book, the more I write, the more out of control I get.

Old readers are already looking forward to the various dependence links that follow. Ha Ji Fei, it's really wonderful. I will probably never forget you in this life. Let's quickly bring up the family changes, dependence disorder, depression, separation anxiety, physical fitness, and Lao Xia's "Hey, can we reconcile?" These are all 🥵

The more I write now, the worse my impressions of the male and female protagonists become.

You must give me an accurate letter. Don't fall in love with a substitute and make love to yourself, okay? 😅 Otherwise, you won't dare to read anymore.

Is the male protagonist more and more ruining the perception? . . If you practice too much emotional intelligence, you will become stupid.

"About the fact that a divine author writes a divine novel about a divine male protagonist and a group of divine female protagonists"

For the sake of refinement, I would like to ask, how many female protagonists are there? There are too many female protagonists, and you, the author, can't control them. If you write those distinctive female protagonists, it will already be awesome. Instead of turning it into a bad novel later on, recruiting female leads like crazy and destroying the character of the protagonist. It would be better to fine-tune four or five female protagonists. It also perfects the character of the protagonist.

Bold prediction: There is a masked person at the end of this book, please be cautious.

It's a man-machine male protagonist, the portrayal of the female protagonist, and the writing style, could it be that she is an old friend? Still?

Are you Vori, the one from Tokyo Love Sickness?

The most important thing in a relationship is the male protagonist. From the perspective of a work, the male protagonist is the one who gets the most attention. Only when the male protagonist is written well can the writing be interesting and interesting. It doesn't matter if you set the male protagonist to be a god. If you really write him as a god, it won't look very good.

I feel that the male protagonist went too far. If I swap the genders, I will know that the female protagonist wants both. It is the relationship between Party A and Party B. Besides, this is also the plot arrangement of the author. This is very interesting. I support the author.

Why are there so many people criticizing the male protagonist? Is there anything the male protagonist is not doing well? It's said to be a deception, but did the male protagonist ask them to pay anything? It's all about the male protagonist who keeps giving, okay? It is said that the male protagonist does not understand the girl's heart, why not say that the female protagonist does not understand the male protagonist? Let me ask. I hope that all those of you who criticize the male protagonist will live like the female protagonist in your future lives. It's all about being a dog.

I'm scolding you because there are too few updates. Who can withstand being thorough in EQ every day for a week or two? Either write more or write less about EQ, otherwise it will be difficult to read.

The so-called transparent emotional intelligence is actually treating others with a game mentality.

Haha, it's better for the male protagonist to lock up with the female protagonist. Don't act like a stranger in the beginning. All I can say now is 🙂🙂

The more I read, the more I hate the heroine. In other words, some of the words used by the author to portray the heroine to attract readers only aggravate this disgust And the stomachache feeling in this type of article is not concentrated enough

All I ask is that you don't want The Eunuch. If you continue to spend money to watch The Eunuch, I will really lose confidence in the new author.

The writing is good, but the behavior and character of the male protagonist are really a bit awkward, which makes people uncomfortable watching it.