My Uncle Jules Really Has a Million Pounds of Gold

In fact, the setting and plot are still very good. Although the path setting and some abilities seem familiar, the settings such as Yule and the secret realm are still very good and interesting. However, it is a pity that the author's writing style is not good in many places. The plot is originally very good, but the feeling cannot be expressed in the writing. For example, when Jüle first took the crayon, it was too brief and did not show enough shock and dignity. For another example, when catching the serial killer, a few chapters were spent describing the various people in that building, maybe to lament the destruction of life or something like that? But from the reader's point of view, it is very frustrating. There is also a red light engulfing the building opposite. Anna plans to enter in advance. The protagonist persuades her to go there. It was originally a good character-building plot, but the cruel and urgent atmosphere was not written. The dialogue between the two was like a running account. I'm going to save those people. You don't have to go if your teammates don't come. I have to go for the lives of ordinary people... That's about it, it seems very inexplicable... Then the protagonist is very poorly portrayed and not three-dimensional. The protagonist seems to know everything (perhaps it is difficult to avoid the author's ignorance of various settings when writing), so the writing is very flat, such as seeing Chaofan (the puppeteer) for the first time, being surprised and then accepting it instantly, and suddenly paying attention at the press conference. Without this, Yu Le must be saved... The writing is too strange, not because it has to be like this, but the plot is developed rigidly according to the setting... And the protagonist does not have very clear personality characteristics, and looks like another puppet being manipulated - of course, this is actually true. Then there are some jokes mixed in. It can only be said that the baggage is thrown out, and the sound is very small. I read another layer of meaning in the jokes, but it didn't make me laugh. In short, it would be good to improve the writing style, make the protagonist look like a human being, don't be too anxious to push the plot content, but add a little more necessary foreshadowing. All in all, the setting is very eye-catching. If these areas are improved, then there is hope for the future.

First of all, their poverty is of course related to themselves. For example, their inheritance was swallowed up by Yule, and they were squandered by their lack of knowledge and skills. But after all, the father of the original protagonist is a public servant, and his mother is extremely thrifty. And when Jules went to America, he didn't go to the Americas on an exile ship to French Guiana. They shouldn't be that poor. The problem is that things were a little bit worse in France at the time. First of all, it was the Franco-Prussian War. Napoleon III, who was not Napoleonic at all, lost in a mess. The good news was that Bismarck only wanted Alsace-Lorraine, but the bad news was that he had to pay 5 billion francs. Did you think that was the end of it? Even leaving aside the loss of the Lorraine iron mines, France still needs to strengthen nationalist education, strengthen the army, expand railway construction, and strengthen heavy industry... Add to this the losses caused by the siege of Paris during the Paris Commune, and the impact caused by the return of soldiers mobilized during the war to society. No matter how rich France is, it cannot bear to do this. So what should we do? We can only suffer the French people. Especially those farmers, urban proletarians, temporary workers, low-level civil servants... As for how are those gentlemen in the city doing? Don't worry about that. Of course, for novels, it doesn't matter if the vision is not so broad, as long as it's good-looking, but I still think that adding some historical background can give a more historical immersion.

I wanted to watch my uncle Jules for many years, but I imagined that Jules was the protagonist, and it was really a rich man meeting them.

Has the introduction been changed? By the way, I was attracted by the title of the book. When I was studying, I saw the text about my uncle Jüle and I really had a sudden idea to give him a good ending.

It's just Kong Yiji's name, but it actually has no connection at all.

The more you write it, the weirder it becomes. Why does it feel like it has become a romance novel? Can I get some new copies? When I saw the latest pictures, I just saw the male protagonist leading the two women to compete with each other every day and making them jealous.

The cover is Swordsman... Is there such a cover?

Just let Yule Kong Yiji explode with them

It's too stream of consciousness, the transition is too fragmented

Yule's oysters are a product similar to the Philosopher's Stone, which can help those in the secret realm evolve, so that's why so many people buy it, right?🙂

The front is good, but the back is a bit strange

The theme setting is really good. If you polish and polish the words carefully, there is still a lot of room for improvement.

It's okay, but the sense of déjà vu in "Chicago" is a bit too strong.

Please read it! Dear readers, please keep reading is very important to humble authors! There are already more than 100,000 words 😡😡, Roman can do anything!

Yes, it's quite interesting. It's also a bit interesting to do the Lord God thing.

I thought this Kong Yiji was also a new S secret realm, no, that's boring. I thought you noticed that the plot was getting less and less strange, and returned to the focus, but what the hell was going on again?

🎭 Character design: a very novel thing, as you can see from the introduction 🎬 Plot: So far so good, 25-35 is a bit out of control, but after 35 it goes back again ✒️Writing: Lots of jokes, but not bad ones

A book that looks very plain, but is surprisingly readable.

The beginning is really good, but I still don't know what to expect next.

Ordinary people's three-dimensional additions are all 1, and those close to the extraordinary are 5. The number of first-level transcendental beings is in the dozens, the second-level beings are in the twenties, and the third-level ones are in the 30s. Right?