Water Margin of the Song Dynasty: Crane Huating

During the Xuanhe period of the Northern Song Dynasty, the situation was prosperous and in crisis. In Bianliang, Tokyo, the strange stones of Genyue are stacked like clouds, and the calligraphy and painting in the Xuanhe Hall are still wet. Zhao Ji, Emperor Huizong of the Song Dynasty, was so immersed in his Taoist fairy dream and artistic utopia that he had no idea that the empire behind him was already riddled with holes. Cai Jing's abacus, Tong Guan's military talismans, and Gao Qiu's Cuju all played the prelude to the country's subjugation in this bustling fire. He is Zhao Kai, King Yun of the Song Dynasty. Everyone in the world knows that King Yun is a romantic man. His poetry, calligraphy and painting are among the best in the world. He understands the aesthetics and loneliness of the official family best. He is an out-and-out wealthy and leisurely king. But no one knew that this seemingly generous prince was actually a political beast lurking in the brocade. He understands Taoist talismans in order to understand his father's arrogance; He wrote Thin Gold Style in order to figure out the power of power; He hooked up with Master Li in order to build the most secretive intelligence network in Tokyo. When the Songjiang River in Yunzhou, Shandong Province raised its pole, and when the "Practice for Heaven" flag in Liangshanbo was erected, the court was shaken, but Zhao Kai was the only one who smiled. In his eyes, Liangshan is not a rebel, but a knife. A dragon-slaying knife that can be used to cut off Cai Jing's gang members, purge redundant officials, and even force his father to abdicate.