Dragon Raja: Lu Mingfei, Let Them Regret It for the Rest of Their Lives

Author, believe me, as long as you master Herzog, you will definitely become popular. If you can write about the kiss with Herzog in more detail, I will be very impressive.

Let me tell you, in fact, you need to be able to defeat the aunt, then attack the fat boy's brother to make some food, and then pay for the wooden rice. Believe me, you will be popular.

If you want it to look good, you can't just say that he died and she was sad. The key points should be written in three parts 1. The time when we met and fell in love How we met, those days of tacit understanding, the warm daily life, the two people who followed each other like a shadow, the cakes they shared, and the hands that touched each other while eating popcorn and watching movies. It means that in the days when they are in trouble and doubt, the protagonist helps and resolves each other, and supports each other, the protagonist should be like a drop of ink, leaving his own color in their lives. Every step of the protagonist should help them move towards a better life, and the protagonist should become the cornerstone or light in their lives during this simulation. There is also a hidden thread for the death of the protagonist. People in the story see everything flourishing, while people outside the story see the flower withering. 2. Before death - see how Daxue ages and how the building collapses Don't let the death of the protagonist be just an accident, let the death be caused by their careful choices in every step, and let them make the choice for the good of the protagonist. When death is approaching, it is necessary to write that they have realized but cannot believe it, and are constantly holding on to luck or self-deception, deceiving themselves that everything is normal. They can be somewhat alienated during this period. The protagonist can also take the opportunity to bring them unprecedented tenderness or gifts during this period. They can accept it or be an ostrich; this rhythm should continue until the main character The moment before the character dies, as long as the rhythm and description are in place, it is enough. The method of death is used to sweeten the plot and emotion. Death is not important. What is important is that the death of the protagonist should not have anything to do with them. On the contrary, the death of the protagonist is caused by the choices they made and did not make. Let them know that it is because of themselves that this happened. 3. The Day After Tomorrow - The blank space left after you left Don't end the story hastily with death, but describe it to them, and write about how they spent the days after the death of the protagonist. The habitual two cups of Coke, the empty pillow, only one photo together, and the swing together; their lover/indispensable half body/the light in their heart became a small box, or their bones were gone. To write about the part they got from the protagonist, such as language/character/habits/hobbies, every time the part they got is used, they should think of the acquired owner and the dead protagonist; you can also add some flavor snacks: the diary that was read after the loss, the record of the first meeting that was accidentally opened on a certain day of the year, month and day after death, the missing and irreparable holes. If you want to have a good life with regrets, then it is best for them to be mutilated and broken after the death of the protagonist, like a wild dog without a home, like a person with a broken spine. The great impact of death must be written, so that they can regret it all the time, hate every choice they made in the past, and even become the enemy of their past self. In short, a good life with regrets will definitely leave a deep impression on people, and the deep impression will not only come from the death of the protagonist, but more from every happy day together and the long pain after death, which is the before and after the loss.

I have seen many cheating thieves who are powerful and continue Wenqing, and are forced to follow Mingze's script, which is quite abstract Someone also suggested that Lu Mingze should not obtain simulated memories all the way, and distinguish Lu Mingze in the simulator from reality. Don't give memories unless he simulates them. If you give them directly, it will appear that Lu Mingfei is still under his control and takes the path he wants Lu Mingfei to take. This perception is quite bad

Please read the latest chapters. Now the online articles are getting more and more complicated. Dear readers, please help the little author, Wadasi, Ounegai (♡>𖥦<)/♥

After finishing it, you still wrote about Chu Zihang and Xia Mi's secret love. I'm really confused. I don't understand the meaning of writing this.

I've picked up several books on the road of gods.

The Duality of Gods and Ghosts This book is very flavorful in laying out certain emotions, such as the analysis and emotional changes of Lu after a short period of memories. However, at the same time, the author often mixes high-dimensional complaints that jump out of the article into the writing. The impression is not very good. Maybe it will be much better after finishing the draft and revising it.

But the wording is really bad. For example, "Little Heavenly Girl" is replaced by "Sister Qiang". It's really bad, you know? Also, the dungeon was pushed too fast. If Lu Mingfei knew that information in advance, it would be easy to mess up later developments.

I'm curious how many female protagonists there will be and who they will be.