For the Sake of Empire, I Load Unlimited Entries

To be honest, the growth type is quite good. It is relatively well written, and the plot is relatively concise. It is neither too complicated nor too simple, 👍, and the theme setting also feels more interesting.

It's a female author. She wrote such a soft-hearted protagonist and it made me feel physically uncomfortable.

Each one is better than the other, but the character of the protagonist is not that good. The cheats he uses are just as easy to use. The train crash scene is even more speechless. When it comes to women, it's better not to write emotional scenes. It's embarrassing.

There is no charm at all. He is frightened by everything he sees. He is frightened when he sees a prisoner holding a broken glass while holding a sword. He is frightened when he sees a wolf when he enters the military camp. David is more like the protagonist than the protagonist.

Rt, there are too many characters, the perspective change is confusing, the protagonist has no personality charm, even David is more likable than the protagonist War, suppression, train accident, intense plot seems to have written a lot, but I don't know where the effect is. What did the protagonist gain from it? What is his goal? Especially the connection of the plot before going to the battlefield made me confused. Why did you write such a plot about suppressing the people? Highlight the reactionary nature of the protagonist's army? Then I still watch the protagonist help them fight? I wish they would fail miserably. I see.

The protagonist is a cowardly and deficient king, and the plot is coherent. Let's put it this way, the supporting characters are more passionate and more human than the protagonist. The protagonist's overall performance is submissive, likes to hold back, and stands up at critical moments. However, the scenes are not as exciting as the supporting characters 😅 It is difficult to evaluate why the author wrote this

What is it about? The protagonist has no common sense and doesn't know how to go to the library to read history. He has to ask the supporting character about everything he sees. Doesn't the supporting character wonder how you got into Imperial University in six years? The train was scrapped, and the protagonist was so strong that he was beaten to pieces. Not only was Black Duck okay, but he could also quickly gather dozens of people? The protagonist is exhausted when the knight arrives. Do you think the writing is reasonable? The black ducks on the train are about to rebel. When they come out, they need to go to the toilet. Not only is the protagonist not alert at all, but he is also panicked when someone wants to fuck him. This kind of protagonist can survive without relying on your protagonist halo.

I just like this kind of plot, let this decadent empire burn, revolution, let this empire burn more thoroughly

Is this protagonist a growth-oriented character? Still such a coward

When I write an adventure novel in the same way as a group portrait novel, the perspective is not fixed on the protagonist, but the perspective is floating around. I don't know whose perspective I should read the story from, the protagonist? But the protagonist becomes the backdrop. In a supporting role? But the protagonist still has more perspective. It looks better in college

The cowardly and useless protagonist is really unlikable

I don't understand why you have to make the trek when the train derails? Can't we just wait for rescue?

The protagonist travels back and forth without sorting out his memory, so he doesn't know anything. Then when something happens, his expression shows everything, which really affects the perception.

I feel that there is a problem with the portrayal of the protagonist. I feel that the author wants to create a character similar to a hot-blooded comic, where an ordinary person from the lowest level steps up to the top, with an ordinary mind. But the look and feel is indeed not good. After all, you are writing a novel. Nowadays, the general demand is that the protagonist is at least firm and calm. Your description of the protagonist is too similar to the protagonist in the Wangdao Hot-blooded comic. Novels are different from comics. Comics are ready-made scenes, and the sense of immersion is similar to reading a story. Novels require imagination and a greater sense of immersion. You create a cowardly protagonist with no sparkle or opinion. Who wants to bring in such a protagonist's perspective, and who wants to become an ordinary protagonist. Nowadays, public aesthetics tend to favor cool writing. Even if you want to write about a person's growth history, you must have the ability to control the plot. From my personal point of view, after reading more than 70 chapters, I feel that the author wants to slowly shape the protagonist's growth, but in fact, I can't see where it is. It's in it, and it's about a hero's encounter. It feels like it's unnecessary. If you had a stronger protagonist, it would still be interesting. Alas, the plot is also slow. I don't know what to express. Maybe it has something to do with me watching it fast, but you really don't have the driving force to make people slow down and watch. Maybe what I said is wrong, because I rarely write reviews. Anyway, I feel that your writing skills are indeed good, but the plot advancement and the creation of the protagonist are a bit slow, and you don't need to describe too many supporting characters in the early stage. You can't set off the protagonist. It would be better if the protagonist was stronger, but the problem is that it only takes the name of a time traveler. The writing is not good, the spirit is not good, the head is green, the heart is not firm, naive, and there is no sense of crisis. There are too many flaws, and even if it wants to grow, it will be too slow. I don't see where the growth will be at the moment. Even if I don't write a cool article, I can at least make it interesting to readers. Otherwise, why write a novel? All in all, the protagonist's character growth is too slow. He is not like a normal person, not to mention a calm and mentally strong protagonist who caters to the public opinion. But as a protagonist, he must at least have a shining point, either benevolent, cold, cruel, firm, ambitious, or have a long-term plan. Even the protagonist in the comic has a passionate and innocent heart. You this. Well. I hope that the more I write, the better. I suggest that it is a bit messy and my expression skills are not good. Don't scold me. I've given you a monthly pass, so keep it for now. I hope that reading it again in a few months will surprise me, and of course, maybe scare me.

Anna on the dance floor

More than fifty chapters, it's just the beginning, it's not developed, it doesn't have any trump cards, it doesn't understand the situation, it doesn't understand the background, it's useless to read and read, the story is not told well, it's just a piece of cake.

The timid and cowardly protagonist…..

"Please add another chapter, please, brother, I feel like there are ten thousand ants crawling on me now. What did you add to this book..."

Shane Chambers

Well, it is recommended not to write the protagonist brother too powerfully. Sometimes it feels like David is the protagonist. If you want to write a group portrait, it is best to add a group portrait tag to the book {"NickName":"Book Friends 20250302032103532","UserId":467710975}

Specify which old monk reincarnated and re-educated. A newcomer cannot write like this.

The protagonist has a brain disease and will freeze in place for a long time, even when asked simple questions. He sleepwalks every day, like a moving wooden stake.

The left and right brains are fighting each other, leaving the author confused. The work is called entries, but the protagonist hesitates whether to merge and upgrade the entries; Obviously he is a military student, but he is not alert at all, and then he is almost killed by the black crow (prisoner). Is this the author of Ten Thousand Orders? Too poisonous, I ran away, I hope everyone knows.

What kind of taste does it feel like to watch a Western fantasy when you are a teenager~Write another Blasphemy, another Zichuan, and another Devil's Law hahaha

If you, the author, don't write anymore, you must tell everyone. I like your novel very much, because it really tells the story of an imperfect person. Maybe the group portrait description and some details are still not perfect. But I think this can be gradually improved through later training, but the willingness to create a world view cannot be improved through learning, but I think the author has this idea. Not everyone has such a seed. Now I have written 210,000 words, and I can clearly see the growth of the protagonist of the story and the people around him. This feels very good. I really don't want to read any more boring novels where the protagonist's personality and feelings remain unchanged from beginning to end. Well, don't pay attention to the criticism in the comment section. What they want is a protagonist who is perfect from the start. But you and I both know that doesn't exist in reality, and characters need to grow gradually. I think you were a little anxious when writing this book, maybe because the outline wasn't detailed enough. But at least I really like it. Don't be discouraged. If you want to continue writing, I will continue to follow you. If you can't continue writing this book, I also hope you can write the next one. I'm really looking forward to your next story. But if you really plan to cut this book, you must come out and tell everyone. Tell everyone why and give readers an explanation. Never leave without saying goodbye, it would be a loss of character.

It's okay as a biographical novel. If it were sword and sorcery, I would have to fail the war novel.

Pure garbage, the main character is pure garbage, the logic is wrong, there is no need to watch it, you can withdraw it

I've given you 25 monthly passes. Please write down well, brother.

I'm a little disappointed. Frankly speaking, many of the plots after returning to the empire were a bit sloppy, and some characters' actions in order to promote the plot broke the character setting. For example, Xavier is currently portrayed as being very close to the people and very normal, but later he became very class-oriented and looked down on common people. That's right, people with this kind of vision generally think that the big nobles look down on the small nobles, but they like the protagonist. If you only think about it from a team perspective, then OK. But it won't happen to match up the male and female protagonists, because he will feel that he is not worthy in his heart. Then there is the protagonist. The protagonist has gone through so many things. Generally, his actions are either sure of success or there is nothing he can do. You will be angry like this time, but he is not very important to the protagonist. The protagonist attacks out of mind and is obviously unable to defeat him, and then he is captured. . . . It's hard to tell

ʕ •ᴥ•ʔ... In the first chapter, the supporting character comes up with a sentence: "You can't recognize Taishan if you have eyes." So I'm curious about where Taishan is in the world view you set, the author, and how this allusion was derived.