Japan's No. 1 Otaku

This author has fallen into a weird circle. He doesn't even know what readers like to read. Ghosts like to read the rich second generation and the rich third generation. Your best book is about diaosi (ordinary people) to chaebols, not the third generation of ghosts. Can't you copy a model? Readers also like to read, reborn 15 years ago in 2010, doing the Internet in Japan, what is the Japanese version of WeChat, ins TikTok, and then deconstructing the chaebol, gray industry, entertainment industry, old America, and Hollywood

If you have money, you have money. If you don't have money, you don't have money. You don't have to be happy to pretend to be poor. It's too fake. Since it is better to set the male protagonist as a poor boy from the beginning, it also saves you from pretending to be poor. Nothing natural at all

Every time the protagonist chats with others, he will start talking about the current situation of society within two or three sentences. He also has to talk about the current situation of society when chatting with men and women. Without this routine, will the protagonist not be able to communicate with others?

The protagonist has always wanted to be poor, otherwise he wouldn't have been pretending to be poor. Wouldn't it be nice to give up his identity and become a real poor person? This fulfilled the protagonist's wish.

As usual, there is also a sister-in-law

1. The rhythm is sparse, the logic is full of flaws, the characters' actions have no motive, and the more you watch, the more awkward you become. ​ 2. The writing is as dry as a running account, the plot is old-fashioned and has no new ideas, and the whole process relies on the number of words to make up the space. ​ 3. The characters are seriously broken down, and the plot is forced to be witty, which makes people dig their toes into the ground and abandon the text.

That is to say, I don't like people who are older, I don't like people of the same age, and I don't like people who are younger.

Habitual eunuch😤

I can't stand it at all. There must be something wrong with this starting point. It keeps pushing junk books to me.

Sure enough, pretending to be a pig and eating a tiger is all about pretending to be a pig and pretending to be sweet.

I used to be obsessed with the timeline, but I no longer struggled with this book. It's good to read as a new story. Ishihara Masao is a pure background. The story of an illegitimate child is more interesting. Although the protagonist is not an illegitimate child, his identity is also special.

Speechless... I have been following updates every day, but this is the result?

Open up a new world view, you have too many eunuchs in the Karuizawa world.

The author is starting to enter collapse mode, and this book is a niche among niches.

I remember one year when you published a new book, I gave you my opinions and discussed it. No matter what the characters in your book do in Japan, in the end they are tied up by the Americans. Many Japanese animations are empty or simply not American. In reality, it doesn't matter if the mold can't be driven away. Why don't you dare to write a novel to get rid of the mold? A country like Japan would be better off in every aspect without mold.

I feel like the author was born at the wrong time. I remember reading The Investor and Karuizawa who wrote very well a few years ago. At that time, there were very few Tokyo articles in Qidian. Now, there are more Tokyo articles, but there are no splashes. It's a pity.

Write quickly! Don't pretend to be dead just because of trivial matters🐶! Don't you just write about the country between left and right! Can I use Blue Star Dongda instead? It's your fault that you still can't adapt as an adult! It's not a social problem!

I think it's pretty good, why don't you write it again?

Update soon, it will be better to stop for a few days.

Support, the author has read every book

The author still can't forget his Karuizawa and his rich second-generation chaebol family. They are bullshit and the writing is not interesting at all.

Being a fan of the author is undoubtedly a blessing, as there is a steady stream of extras to watch, but for new friends, it is a bit uncomfortable, and some things come out a little inexplicably, as if they are watching Japan in an imaginary way. This may be the point of criticism!

Come on, author, I'm already writing about the fourth generation. I can't write a plot conflict anymore. I have to create a plot for this generation that is the mess left by the previous generation. It's best to have a story about harem women raising children 😁. You can think about it and write about the philandering characters of the previous generation.

Update soon, don't stop updating.

The Karuizawa universe is not very easy to write about, so the author might as well write a new one with the background of the declining power of the old chaebol family. The protagonist can make up for it, and it can also link up with the Ishihara family.