From Zombie Face to Actor

Ma Rong➕Song Zhe, right? That's awesome, brother

The focus of male channel Huayu is on playing female stars, not acting

Lao Ao is an author that I feel is really a pity. His writing style is not bad and his characters are interesting. Why do you have to write these difficult-to-explode stories? Didn't you write Red Mansions just to make money? Or normal Huayuwen will do.

First of all, the advantage of Lao Ao is undoubtedly the ability to rationalize women's desires. Whether it's Aunt Xue from Red Mansion or Lu Liping from China Entertainment, everyone may not like these characters (real-life images or novels, film and television images), but every time Lao Ao writes the process of getting the male protagonist and these people together very wonderfully, it is a highlight of the plot. Especially focusing on each woman's personality and psychological motivations, and then putting them together, it's changeable and reasonable, very exciting! My personal evaluation is that in terms of female character creation, overall ability is among the top ten (only the top 100 monthly ticket gangs are discussed). If we talk about women with evil tendencies, they would be in the top five. This is a relatively conservative evaluation, and I don't want to attract hatred to Lao Ao. The shortcomings of Lao Ao are very serious. This only represents my personal opinion. I hope to give some opinions from different perspectives. First, the protagonist is still too evil. This is not to say that the protagonist is too bad. The protagonist is not a human being. It is a matter of writing skills. For example, the third young master of the Tang family, the moral character of the protagonist is almost all... However, from novels to animation to film and television, the protagonist has not been banned, which shows the problem. The essential morality is not the same as the morality seen by readers. This is a matter of writing skills. For example, the protagonist of "Lao Ai" always gives people a feeling of moral corruption. Most people feel that this person is a rapist. It is really impossible to replace him and there is a huge moral shadow. Yes, it should be very satisfying for the protagonist to get a woman, but the protagonist is strong. Oh, when I read the novel, why do I still feel guilty? There is definitely something wrong with the way Lao Ao is written. The most important thing is that the protagonist always shows a kind of aggression and initiative. Many evil things are always written as the protagonist actively doing them (this is the case in some plots), which leads to a very bad impression of the protagonist. Again, this is a matter of writing skills, not practical morality. In most novels, the protagonist is actually a blank slate with almost no characteristics. They are just labels. Lao Ao wonders why they bother to write the protagonist in the direction of a pervert. Is it true that only a pervert can get together with many women? How can I have sex with a woman without feeling burdened? Ordinary writers will put crazy labels on such characters. For example, the protagonist is not a woman who can do anything, such as so-and-so, character or some other reason, the protagonist will never touch such. What is important is to justify your explanation. It's not reasonable. What Lao Ao did wrong was that the protagonist was too proactive and showed too much desire. He could have described a certain female who was particularly sexually attracted, but there was no need to describe the things that the protagonist was attracted to and dominated by desire. If the protagonist was patched more, the look and feel would be much better. Secondly, there is a problem with the description of the entertainment industry. It is a big problem. I care too much about whether the entertainment industry is a cesspit. Almost every plot proves that the entertainment industry is a cesspit. This is not a question of whether the facts are true or not, but that the protagonist lives in the entertainment industry. I have never said that any author needs to prove it to the best of his ability. The entertainment industry is a cesspit, and readers have a feeling that there is no need to prove that the protagonist is sober all the time. The protagonist knows that the entertainment industry is a cesspit. It is unnecessary and disgusting. After all, it is the foundation of the protagonist's career. Don't you think it is very inconsistent for the protagonist to always want to wallow in a cesspool even though he clearly knows that the entertainment industry is a cesspit? The protagonist does not need to care about these things. We must eliminate this inner default thought and firmly believe that the protagonist played a role and sang a song. It is awesome and that is enough. There is no need to prove anything or explain anything. It is unnecessary and useless to write down the place where one started his career in such a shitty manner. The above are problems that I see from my personal perspective. They may not be correct. I just felt great discomfort in these aspects while reading the book. It is not a problem of the author's style, nor is it a problem of whether the author is good at it, but a problem of writing skills that should be avoided and can be avoided.

I just don't understand. In an era when there was almost no AI, you still wrote The Detective in the Red Mansions and You're So Beautiful. Why did you suddenly focus on entertainment?

You have already written two entertainment books, and you must write another one. If you don't write about Dream of Red Mansions, you can write about traveling through The Eight Parts of Heaven and Dragon, where Wang Yuyan's slaves live in romance in Yanziwu, and the countryside surrounds the city, replacing Murong Fu. You can also write about traveling through the Song Dynasty, Li Qingzhao, and Li Shishi. It can also be used as a carrier of your entertainment content, and you can also write poems to show b

It's been a long time since I wrote about Red Mansions. . .

Entertainment fiction? There are so many flaws in the plot at the beginning that I don't know how to complain about it.

This protagonist is really a combination of Ma Rong and Song Zhe, with top-notch backstabbing

Why are you always doing abstraction? Last time it was a murderer, this time a zombie face?

Empty? Directly advise you to quit. There are so many people who advise you not to be idle, but you don't listen at all. Please write slowly.

Writing about entertainment from afar is not a parallel world. . . It's 80% likely to be innate. . . Lao Ao, what are you thinking about 🤔

But Ao Shi Peak definitely can. Because Aoshifeng is good at portraying characters, every supporting character is flesh and blood, and the psychological description is very delicate. The advantage of being independent is that the scale is larger and the development can be more arbitrary. I am optimistic about this book.

Does entertainment make money? His grades are average, and he always gets red marks. I still think Detective in the Red Mansions and So Many Girls in the Red Mansions are pretty.

Boss, come back and write about Red Mansion. Red Mansion can't live without you! I can't read the current Red Mansions 😭

I think the main reason why fictional entertainment articles are not very popular is that the celebrities they write about are not familiar to them and there is no sense of empathy. So when writing about these fictional celebrities, can we just say that they look like a certain celebrity in the real world? Then wouldn't there be a reference?

Lao Ao, you have two choices now, either return to your comfort zone and write Red Mansions. With your writing style, this can keep the minimum limit. The red building is also your signature. After all, your previous book Red Mansion was very good but you failed to finish it. Everyone saw that you haven't read enough of Red Mansion. Either write historical harem stories (Three Kingdoms, Northern and Southern Dynasties, Late Sui Dynasty, Five Dynasties). In short, write whichever dynasty has the most beauties. This is a subject that you have not tried at all but is very suitable for you! I strongly recommend that you find the opportunity to open a historical harem novel! The focus is on the harem, stop doing forensics and writing about things that have nothing to do with the harem! Making money by leveraging your strengths in your comfort zone is the way to go!

The upper limit of overhead is high and it is not easy to target, but it is really not to my liking. Besides, don't you want to support your family? Why not put this kind of experiment in a small cell? . .

It's okay to write about Water Margin, Water Margin is also good to read, Wu Dalang's book is also good to read, but it's too short, and both Ming Dynasty's Resurrection of Spirits ended in a hurry.

To be honest, I would like to write something else that is much better than China Entertainment. I'm not optimistic about it

It should be just a little overhead and make some changes to the timeline. I just don't feel like the zombie face setting.

The temple is small and the wind is strong, and the pond is shallow and there are many bastards.

Lao Ao has actually started a new book. I've been following several of them. I've read the beginning of the last one. Come on.

The author was scared and wrote fictitious stories, right? So as not to collapse halfway again

Huayu, you write Xiaolu so well.

The protagonist's aggressive nature has caused dissatisfaction among some turtles.

It's a good idea, but it's a pity that it's empty

Why don't you come into contact with more female stars when you enter domestic entertainment?

I haven't read any good historical novels recently. Otherwise, I enjoyed reading Wu Dalang's book. The war scenes are a bit exaggerated, but it is really enjoyable. The subsequent Red Mansions novels are also becoming more and more mellow and comfortable, and the descriptions of the characters are amazing. However, it is too painful to read the information in historical novels and very tiring to write.