Chinese Showbiz: I Can Find Short Videos from the Future

When reading entertainment novels these days, I first look at the synopsis, then at the female lead's card, and see if there's one I like. There's no time to take my time.

Is it permissible to copy a song that was published more than a year ago? A difference of three months might mean the song was written a long time ago but simply wasn't published.

After reading 60 chapters, it's definitely garbage. I won't comment on the minor toxicity at the beginning. What did that Tian do for you, or is he related to you, to send you a song? I left a message, and even after paying, I still didn't see anything—it's just spit-gas.

I was struck by a passage I read. I don't know when it started, but copyright issues have become an insurmountable hurdle for both readers and authors, even a kind of obsession. This has led many authors to become overly concerned and extreme, as if they can't get past this issue unless they're their own bosses or run their own studios.

Indigenous languages ​​are either brilliant or rubbish.

It's well-written, but the pacing is a bit too slow; the first album doesn't appear until over sixty chapters later.

If such a system exists, it should be directly handed over to the state, utilizing state power to develop its own entertainment industry.

It has the framework of a light novel, but the author insists on writing it in a literary and artistic style, like the era of the arts and literature. However, lacking the skill of those authors, the result is a hodgepodge that feels particularly awkward and out of place.

"Too Softhearted" has fifty chapters and is still not finished. Is it some kind of old lady's foot-binding cloth? At this rate, two albums with twenty songs could fill a thousand chapters.

What do you do when you see Old A's posts? I'm asking you, do you dare to film it? I collect Gundams in America, bravely venture to Lolita Island, and this kid is delicious?