The Sound of Ink Sent to the River

In the autumn of 1937, beacon fires were raging across the south of the Yangtze River. In the reed marshes on the banks of the Fuchun River, Lu Jiangchen, an underground party member, was on a mission to find "Dwelling in the Fuchun Mountains: The Remaining Mountains" and was involved in a decades-long battle to protect cultural relics. The pen and ink serve as a medium, hiding the secrets of family and country; the sound of the river serves as a companion, carrying the ups and downs of troubled times. From the secret search in western Zhejiang to the relocation of cultural relics in the south of the Yangtze River, from the espionage battle in Shanghai to the difficult protection of the southwest, from the distance between the two sides of the Taiwan Strait to the reunion at the National Palace Museum in Taipei, Lu Jiangchen, Shen Yanzhi, Su Qingyuan and other patriots joined hands with patriotic scholars and Jianghu martyrs to fight against Japanese plunder and traitor plots, guarding the Chinese cultural heritage with an innocent heart, and shouldering the national justice with blood. "Ink to the River" takes the search and combination of "Dwelling in the Fuchun Mountains" as the main line, connecting the years of the Anti-Japanese War. It not only has the elegant character of Jianghu, but also the tragedy of the war-torn home and country, as well as the concern and perseverance across the strait. It expresses the core feelings of "what the pen and ink conveys is that the country is safe; what the river expresses is the deep love for the family and country", and writes a legend of troubled times and the memory of the family and country hidden in calligraphy.