The Legend Begins with Sword Wind

It can be seen that what the author wants to write is "a ray of light in the legend of Jianfeng". The protagonist Li Lian Kuanglan has rewritten many tragedies. So far, the writing style is very good, and the overall tone also disappoints many Jianfeng fans who write a lot of crap and abuse the main character. , But the "subjective initiative" of the protagonist is very worrying. I understand that the protagonist's deep scheming will destroy the positive and sunny side, but the protagonist of the online novel is brainless and reckless, like the protagonist of the early passionate comics, right? After all, we need a little bit of roughness and fineness, and a bit of wisdom and foolishness, right? Otherwise, if you encounter some scheming villains, the protagonist will be plotted against you if you don't have good luck, and you will end up with all kinds of dead relatives and friends. . . The other thing is that the protagonist is a time traveler. He is a bit too assimilated. His first thought when encountering problems is basically that of an aboriginal. Even if he is an honest person in reality who believes that good people are rewarded, or he does not do evil, he has People who can do some good deeds when they have spare energy, or people who once believed in the light and wanted to be a partner of justice, but were baptized by reality and buried in their hearts when they grew up. These templates include the protagonist of the recently aired movie "Want to Become a Kamen Rider" The kind of template that still hasn't given up on childhood fantasies and is still struggling in middle age In fact, it is much better than the current protagonist's silly, naive, and various setting contradictions. The current chapter has really not described the protagonist's multi-faceted character, nor It's just that he really has something in his mind, he runs away as he pleases, and he follows the mercenary group as he pleases. If this is still the case in the future, and the protagonist relies on other plots to force him to do anything, then... It really seems that the protagonist has no brains.

And the most important thing is that this kind of character will make the protagonist face various complicated changes in the situation, especially the sudden deterioration of the situation in the original plot, without any prior preparation or possibility of making changes. Because the protagonist is purely passive and is pushed by the plot. The children in the landlord's house are just as silly and happy, and they will not do anything that threatens the cradle. If you want to write more about "historical reproduction", the plot Plot correction can make many tragedies happen again in the original plot. If the protagonist does not change anything and makes amends every time, then there is no essential difference from those scum articles, and it will eventually become an abusive article. This contradiction is inevitable in the protagonist's character. Unless a "smart" part is added, we can only write about how the protagonist has good luck every time and discover threats in advance to solve them. Otherwise, we can only write about all kinds of bad things happening as usual and all kinds of poison.

In addition, there is actually a book that the author can refer to. I happened to read it recently, especially the character design of the protagonist, and how to deal with "let the protagonist actively change the plot reasonably" Demon Slayer: My Breathing Technique Can Add Points The protagonist in this book even has an attitude of playing games, and does not even take human life as his life. But starting from the perspective of personality, he uses many techniques to cleverly avoid conflicts with other characters and builds a good relationship. On the other hand, the final goal is to clear the level. Many times, he uses gentle treatment to let the protagonist lead the team and help other members improve their strength, so as not to look like a nanny At this point, what is the ultimate goal of this protagonist? Why do you mix with the protagonists in the future, why do you help the original characters, and why do you change tragedies (especially the thankless ones), these are actually very important.