Tokyo: Lord of Spells

You can talk about it on the Internet, but after being invincible in reality, who wouldn't want to rush and arrange a few women for themselves, and then stage a messy relationship 😆😆

The more I write, the more stinky it gets, and I never listen to readers. The heroine with unknown meaning is invisible and licks the dog. She has no will to fight and lets the heroine act cool in front of the stage. She is pimped to get the cp. The Pegasus trio who have fixed supporting roles will never be defeated and escorted all the way. The mastermind behind the scenes? A nanny is sent behind the scenes. . This emotional drama and the dog-licking plot are really difficult. Although you won't accept it, you must lick it.

Are you planning to write a love line again? Don't you know how bad your love line is?

I'm really convinced. Can you cut off your emotional line? The existence of these three heroines has no meaning at all. These three are not even tools. They have no effect on promoting the plot, telling the story, or shaping the characters. Their only function is to allow you to write a few more useless chapters. Their characters are as flat as a blank piece of paper, and even if they are all hidden, it will not affect the current story. The latest chapters are almost giving me a headache. They have a bunch of people coming out to be used as cushions to forcefully carry the harem. Are you tired of reusing routines all the time? Whether you are tired of writing or not, I feel tired just watching. Also, when you write behind-the-scenes stories, why are you so obsessed with letting the protagonist come to the stage to show off? (This last point does not apply to this book, only to the previous one)

The author has written two books. He obviously doesn't have the writing skills to write emotional dramas, so he still has to write nonsense. If he writes it, he will be annoying and not popular. Why should he insist on it?

I don't understand why the author insists on writing a love line. This is not an urban youth romance novel. If the author writes a good love line, it would be okay, but the author cannot write a love line at all. The love lines of Pirates' childhood sweetheart and Naruto's sister are not plus points in any book, but are all deducted. Now most of the criticism in the comment area is about the love line problem. I also have a personal question, why do these books have the small group of Pegasus? I don't think any of these people play a big role in the book. After asking, I found out that they are characters in comics. Is it to attract comic fans or does the author just like them?

The author has discovered one thing: Different worldviews have a great impact on supernatural creatures. For example, are those evil creatures still afraid of sunlight (the sun god or positive energy) and silver (purification attribute)? There is no positive energy realm and no gods of order in the physical universe. I am afraid that the evil race will not just dance in the sun and slap a wave of humans. Human beings are so scared that they kneel down and beg the gods to come back quickly. Human beings miss you.

Even if Nanbeng keeps writing Tokyo + Chakra, it won't be like this. I expected you to surpass that old eunuch. It seems that the influence of high sequence is still too strong.

When we scolded the author, we didn't see you come out to protect him. Now the update is discontinued and it is said that it was our fault for scolding the author. Then I say, you are also at fault. Maybe when we scolded him, you would not have broken down and stopped updating, right right

I'm afraid that if you let your woman appear so quickly, you will create a big mess for this book and make it difficult to write.

You're not just trying to give others strength and watch others show off, are you? This type of genre is so boring. No one behind the scenes knows the main character, and it's not exciting at all.

After reading the first book, there is no need to read it again. Routines are serious. No one says that routines are bad. The problem is that your routines really don't bring progress at all. Starting from the first book, the emotional line was crappy, and it continued to be crappy in the second book, and it was still crappy in the third book, and I couldn't stand it anymore. As for the god-man operating officer, he is even more of a god among gods. I venture to believe that he was hired by the author as a promotion operator. Otherwise, it is incomprehensible that he has spoken in almost every book, every chapter, and every section of the author's books, and he is trying to find ways to stir up the popularity, but the way of doing so is very dinner-like. Regarding the discussion between chaebols and warlords in South Korea, he was able to give me the so-called divine conclusion that warlords are better than chaebols. I don't know what to say. The author himself replied to me in the comment area, but he didn't dare to scold me directly. He said that it was very popular now, so he could only write like this, and I can understand it. But this godlike operating officer is trying to prove that today's chaebols are not as good as the warlords in the past by using harsh words, criticizing others, and using personal attacks. I can only say that it is the minority that oppresses the majority. Is there any big difference if they are all shit in the cesspit? Not to mention almost all contemporary Korean chaebols, which one was not supported by these warlords? I don't want to say anything more. The marketing trumpet is now being blown, and some people are washing it like this. Quan Xiaojiang, Quan Xia Youzhi, might have laughed out loud. They were more filial than their own grandchildren. All the young general's grandchildren know that what their grandfather did is a bit unflattering. This is what various marketing accounts like to brag about. I can only tell you about the so-called 800 red envelope. As long as you and those marketing accounts can find so-called evidence, I won't say anything. On the contrary, I have evidence that the Korean army was not well fed even when it was a junior general. I digress, let's talk about the godman's operation. If he is not run by a god, I really suggest that the author bans him as soon as possible. On the surface, he is here to increase the popularity, but the reality is that he can criticize anyone who does not support him in the comment area, and as for his opinions, 90% of them come from marketing accounts.

What about the new book? Aren't you going to change your number again?

I still don't see any improvement, and it has even regressed compared to the Divine Tree. Why are you always making the most of the Divine Tree's shortcomings?

🥵Brother, why are you a eunuch? Has the Taoist heart been defeated?😭

Watched the behind-the-scenes of Tokyo Solo from the starting point again. As the originator of the novel, The Night Rain Knife can be said to be a classic, and the writing style is also very good, but because it is the first one, it is not interesting enough. Your book Sacred Tree can be said to be the pinnacle of this genre. It is fun and long enough. It's just a pity that there is a lot that could be expanded upon because of structural issues and there was no room to write about it later. This is because you blend in so naturally. It is equivalent to using this behind-the-scenes stream to reproduce many classic animations. It's obvious that you really wanted to write your last Pirates book well, but because you really wanted to distinguish it from the Divine Tree book, you worked very hard. In terms of plot, you didn't want to incorporate the Japanese anime themes that you had used before. However, the new anime game that incorporates the themes has a small audience, and its popularity is not as high as expected. People can't get the themes, but it creates dyslexia. Then this one came. After learning from the pain, I felt that the failure of the previous book was essentially due to the monotony of the pirate system, so I chose the most complete and versatile dnd system. But it's obvious that when this system is used as a system, comparing chakra is complicated. Because the system is perfect, there are many restrictions. I think, one, you can use the chakra system to play a Tokyo Behind the Scenes, which is something in your comfort zone. This system is the one you are most familiar with, the most tolerant, and can support your integration. The second one is to sort out your ideas and create a worldview that can support your integration. Stop clinging to Tokyo + a certain combat power system) behind-the-scenes leaks

As expected, Eunuch. I just took the outline of the sacred tree and revised it. There are too many similarities in the plot and there is no progress.

Although the author's emotional scenes are terribly awkward and the heroine in the work has no personality charm, he wrote it the best among the Tokyo behind-the-scenes movies I've watched. Extraordinary people should have the privilege not to eat beef. The difference between extraordinary people and ordinary people is not a difference in rights, money or status, but a difference in life levels. Just like in the book about the Divine Tree, the dragon level can conquer the entire world by itself. Other behind-the-scenes novels are about protagonists who dare not appear in the open and are sneaking around in secret (specifically referring to the protagonist of the old eunuch who is the originator of the behind-the-scenes story in Tokyo Naruto). The behind-the-scenes story does not have to be in the dark, engaging in intrigues, as long as you don't know that you did it. I read other Tokyo scene stories. The backward flow feels very strange. For example, if you appear before extraordinary events happen around you or before extraordinary events happen, once it can be said to be a coincidence, but if it appears more than twice, it is okay for you to blame. If you give the protagonist an appearance of strength that is the same as the current extraordinary version, it can be explained with some reason. You can get preferential treatment and privileges without having to be discovered Aizen is a good mastermind, but he will disguise himself and hide his strength at the captain level, which is not very strong. He is living a prosperous life, gets along well with other captains, and is trusted by his subordinates. There is no so-called weak person to provoke him.

You haven't avoided the same pitfalls as The Divine Tree. You've already written two books. Every time you write the protagonist's emotional drama, it's like shit. Shouldn't it be like the previous books, where the heroine wears a vest and goes out to show off?

The author was scolded again. Sorry, I ordered all

If the author writes a variety comic, it's best to write more variety comic characters! ! Otherwise, writing both original and comprehensive comics will only displease both sides! !

There are many holes in the sacred tree and it is finished without filling them, and then it is connected to the eunuch

Tokyo: I am the God of Creation, from Eggplant

I read it pretty well, but why are there so many bad reviews? Did someone buy Blackwater Army? Why can't the plug-in issue be the Book of All Laws? You can refer to The Little Nun in A Certain Magical Index, both in the East and the West. It is comprehensive, plentiful and comprehensive. Ninjutsu, spells, magic, divine arts, celestial arts, and rituals can all be stuffed into it. There is no need to explain what kind of magic disguises it and what kind of abilities it has.

In fact, there is no problem in repeatedly writing about the combination of Tokyo and Naruto's chakra system. As long as the plot can flow smoothly and the characters are well drawn, it is a qualified work. After all, novels are stories. As for the opinions in the comment area, they are for reference only. In addition, you cannot abandon the number, otherwise it will not be found.

The author has taken a look at the Reborn Ruler, it is absolutely explosive, trust me, but you have to control the scale.

Get your life in order first! Write more books! You have worked hard!

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