Here I Come: the Wind Rises in Shanghai

Summary of the highlights of this chapter: The atmosphere is created first-rate: red lanterns, the sound of wind, shadows in the alley, footsteps... Everywhere is like a movie shot, with a strong visual sense. The protagonist has a three-dimensional image: Zhang Long is not an invincible God of War. He is tired, coughs, pretends to be sick, tests the enemy, and even hands chestnuts to a child in the end - this is the real human touch. The villains are handled ingeniously: the three killers are not stereotyped villains. They have hatred, obsession, and self-awareness. Zhang Long did not kill them, but revealed their motives, turning the conflict from a "life-and-death showdown" to a "human torture." The foreshadowing is recycled naturally: the crazy Taoist priest, Qingcheng Mountain Night Gong, the silver needle bone-penetrating nail in the medicine box... These details are not idle strokes, but hooks laid for the follow-up. The ending has a long aftertaste: the man surnamed Liu appears just right, neither abrupt nor procrastinating, suggesting that the forces in the world are beginning to pay attention to Zhang Long and paving the way for the next chapter. I hope more friends will join the discussion

Author, how long do you spend writing in a day?