Mythical Card Making: but Start with Liu Xuande

I'm so afraid of this subject. There aren't many completed projects on this subject.

A very key point of this kind of world is that in the non-magic world, authors will publish their stories and communicate with each other for fame, money, etc. After hundreds or thousands of years, various ideas will change and mature But this kind of world will not. The author can directly become a strong man and create a family with himself as the leader. If he thinks of a key point, it will become the secret of his family. There will even be rules such as passing on male rather than female, so they cannot communicate and have unique ideas. It will only collide among a few core people, and even if it is communicated, it will only be popular things, or things written when the extraordinary is not revealed If Li Bai was born in an era when extraordinary was revealed, then his various ancient poems will not flow out in the world. There will only be one Li family that dominates the country with various unique cards based on ancient poems, and even changes in dynasties In this way, their writing techniques will be difficult to change, and for the bottom, the genre of the story will be difficult to change.

Who can seize the fruit of the mythical card text?

The plot is quite satisfactory and the setting is interesting. Writing cards means writing about the expansion of the cards.

Ask your friends who have read it what they think of this book. The name Ye Leng is still too discouraging to me...

Actually there is a question about copy output. You can get various materials (cards) in the dungeon, so what is its refresh frequency. Where do the things in the copy come from? He is a rootless tree, nothingness. The latest chapter said that the copy can be changed, which means that it is actually constantly evolving, but it just needs an external opportunity. And is the source of the copy a world formed by various stories/parallel worlds/novels, etc.? But as I said above, what is your material or energy source? I think the national organization will definitely study it and make use of it. I think copy may be the least cost-effective form of expression, but it is the most stable. Then, what about the card world, the history of the world itself. The heroes produced by our own history are logically the most suitable for this world. But I haven't seen it yet, and I don't realize that there is something wrong with my own resources, and I just rely on making up stories. Just like willing to erase the history of this world. There is also the interaction with the card. As a card (tool), I hope that the card is a tool as a tool, and everything is for the better use of the tool. Even the hidden favorability is for better use, rather than treating him as an equal. He is not a living thing, unlike Pokémon itself which is a living thing and can be bound to evolve.

If you have any opinions and suggestions, please feel free to express them.

This subject matter is really amazing, and there is a god who made it bad. The subject matter is good, and I have to write it. I just make cards as a context and then write the competition, secret realm, and alien race one by one. But because it is basically unfinished, no one pays to subscribe, and the results are not good, and the author wants to pigeon 🤓

This subject is not easy to write about. The fairy is too weak to read, but the fairy is too strong to read and the opponent is too arrogant. After all, Zeus seems to have no abilities except lightning and the ability to produce life.

It's hard to say how well our country's history blends with mythology and fantasy.

Update it faster, it's too slow and I don't have much desire to read.

The panel is a bit like the one that was popular before. I hope I can continue writing about it.

Isn't the world view of card making novels also a kind of search, fight, and withdraw? You search for blue, white, and purple materials in various secret realms (dungeons), fight and evacuate them, and let the card maker (liaison person, secret service office) use the materials to make cards of various levels (three, four, five, or six sets). It seems that it may not be unfeasible to use the interpersonal relationships and memes of various search and fight games in the world of card making.

So far it seems ok, worth a look

Isn't it okay to call Xuande every day? Uncle Huang is too weird

This is a subject matter that I've read several times and won't die from. I hope this book lasts a little longer and doesn't get too intellectual.

If Stinky Mud does not evolve its main combat power for a short period of time, you can refer to the usage method of Aju comics, shrink and hide on your body, occasionally use half-body soft armor defense, and be sinister at critical moments.

Good looking, Chen Shang Sword Journey, a great read!

At least it feels better than the settings from two years ago

Persevere, at least persist for 200 chapters😡😡😡

Come on

The author can actually make many functional cards For example, if he makes Bulma from Dragon Ball, can he research and develop various space capsules? Some sub-professional characters use materials to create weapons, and white materials can be used to create more advanced weapons Or can the equipment be broken down into partial materials if it is not repaired or broken? Chefs can join Spirit Chef or create dishes that increase buffs. It is also good to use some natural materials and earthly treasures to increase the permanent attributes of the protagonist's body.

I feel that historical characters are still the main force now, so I might as well write about regiment operations. Anyway, the white materials in the early stage are easy to supplement, and there will be no chance for these units to appear in the middle and later stages.

The system is quite interesting, but the protagonist's growth environment is too peaceful. I don't like watching high school protagonists.