Ming Dynasty Design Drawings

Modern designer Li Wei travels back to the twelfth year of Zhengde in the Ming Dynasty due to a thunder accident. At that time, Zhu Houzhao was obsessed with novelty and personally attacked the border troubles. Although Liu Jin was lying down, the factory guards were still clamoring. The civil servant group was wrestling with the imperial power. Liu Liu and Liu Qi were at odds. King Ning was secretly harboring dissent. Under the prosperous Ming Dynasty, undercurrents were surging. Armed with modern design concepts and engineering knowledge, and armed with a book full of innovative drawings, Levi leveraged the shackles of centuries-old craftsmanship with his ingenuity. He integrated modern design and ancient craftsmanship, innovated the techniques of textiles, porcelain, and agricultural tools, and built a Ming Dynasty design workshop to give the market a new look. He mastered ordnance and Xiao battle formations, improved firearms and armors, and arranged new tactics to help Emperor Wuzong defeat the Mongols, quell the uprising, and Preventing vassal chaos, he showed his talents in the golden horse; he entered the court and traveled among the officialdom, working step by step amid the eagle eyes of the factory guards, the criticism of civil servants, and the suspicion of the imperial power, balancing multiple forces, using design techniques to benefit the people's livelihood and seek the stability of the court. The fireworks on Zhuque Street, the machinations of Baofang Palace, the wind and sand at the border of Xuanfu, and the elegance of Jiangnan Water Village all became the background of his design. He became acquainted with Su Wanqing, a talented brocade weaver, and had a subtle interaction with Liu Meiren on the side of the imperial power. He also became sworn sworn friends with his favored minister Jiang Bin but also had a rift due to profit. He discussed psychology with Wang Yangming and planned to quell the rebellion. He persisted in the emotional entanglement and brotherly bond. His original intention: he experienced the disputes during Wuzong's southern tour, the Pingchenhao Rebellion, involved in civil injustice cases, and merged with all kinds of market conditions. He saw the prosperity and devastation of the Ming Dynasty. He used design as a blade to analyze the era's chronic diseases and innovation as a torch to illuminate the future of the dynasty. From a refugee to an imperial minister, from a craftsman in the workshop to the ancestor of Ming Dynasty design, this is a design revolution that spans five hundred years.