People Are at Hogwarts, Starting to Deconstruct Avada

It's a bit interesting, but I would like to make a suggestion that it is more reasonable if you set the background to programmer than if you set it to cultural relic restoration.

The background of a work is often hidden in the author's gesture of writing. This novel is full of paranoia and condescension. The most intuitive feeling is that no one, no thing, and no emotion in the author's writing can escape the shackles of arrogance and prejudice. Words are supposed to be a bridge to understand the world and a medium to empathize with others, but in this book, words have become a tool for the author to draw circles, judge all things, and look down on all living beings. The narrow-mindedness and paranoia between the lines almost spill out of the page. The protagonist always seems to be standing on the commanding heights of self-construction, looking at it from a God's perspective who knows the plot. The characters in the novel have no vivid multi-faceted nature, only flat labels cut by the author's subjective likes and dislikes: what conforms to his cognition is reasonable, what deviates from his thoughts is absurd; what conforms to his class is decent, and what is completely different from his life is vulgar. There is no tolerance for human nature, no respect for differences, and no face-up to the complexity of the world. All narratives serve the author's inherent cognition, and all plots confirm his preconceived judgments. This is the arrogance hidden deep in the text, and the self-closure that refuses to empathize and listen. Prejudice is like a fine needle. By misinterpreting different positions, misreading different lives, and denying different choices, the author blends his own limitations, the narrowness of his circle, and the rigidity of the times into his words, turning them into a one-sided definition of others, society, and the world. There is no objective observation, no rational thinking, only black-and-white arbitrariness and either-or paranoia, as if everything in the world is qualified to be written only if it conforms to its prejudice. This kind of non-inclusive writing makes the words lose their warmth, the story loses its thickness, and the work loses its power to move people's hearts.

Forage! There is no doubt that (I have watched Chapter 12 in one go), it is not an exaggeration to say that the rest of the story plays out as usual. The characters are distinct. It can be seen that the words and expressions of the original characters are very careful. They can withstand scrutiny and reflection. Everyone can rest assured to watch it. (The above is my personal opinion)

It's said that it's the will of the world. You might as well fight Rowling and just write fan fiction. It's weird and cruel.

The protagonist seems to be very awesome and is against the whole world, but his strength is purely on the side. Moreover, the plot is too stream of consciousness, mostly actions without subjective intention. I'm pushing for a relationship with Hermione again, but I'm still in the dark. . .

It is too poisonous to modify this setting with world consciousness in a children's fantasy story. In the early stage, follow the main plot and pretend to be in front of classmates and professors with your golden fingers. The golden finger is too open. Only by adding opponents at the level of God and World Consciousness can we dig deeper into the plot.

The setting of the protagonist's past life is actually very interesting, but the author is too childish and full of content that pretends to be cool and pretends to be an adult.

And the second one is to engage in internal power golden elixir cultivation in Hallworth, and then forcibly add the will of the world to repair the plot. It is very old-fashioned.

The protagonist is too sweet, and he has no strength and likes to show off

If you feel the previous 🍬 please don't abandon the book 📚

Getting started is a deconstruction of Obscurus and a crude transformation of the original plot, which is a bit literary and youthful.

Why do I feel that there is a literary youth flavor that sometimes disappears?

The consciousness of the world, or the disturbance of fate, is a little weird

It's interesting but the world consciousness is a bit stupid

Wonderful and wonderfully deconstructed Xueba's novel, wizard's novel and some of it have the feeling of an explosion of imagination The stitching is very good, if it is written down completely, it will be considered a masterpiece.

A prehistoric concept novel in the guise of Harry Potter, with the way of heaven, calamity, scripts, Muggles flourishing, and the protagonist being a variable. Isn't this the prehistoric concept? The problem is that the protagonist is not strong enough, and the writing is too stream-of-consciousness, and the prehistoric novel does not resist the script of the way of heaven at the beginning. It starts at the level of Sanqing?

Too much force, the protagonist vetoes everything, and is too arrogant.

Making magic scientific is not fun. When magic stops being magical, is it still magic? And it's not very scientific, fantasy is not fantasy, science fiction is not science fiction, it's very strange. The original work reflects the arrogance of wizards, and this fanfic reflects the arrogance of Muggles.

This type of world consciousness is too broad. It is not the result of various choices and developments, but directly modifies various thinking, subconscious...

The first three chapters felt like there was no foreshadowing, and there were a lot of unclear settings that were vague and confusing.

The eight extraordinary meridians circulate magic power. You can know by reading the book whether there are any necessary steps for brewing magic reagents?

It felt like I was pushing too hard. Maybe it's because it's invincible in the early stage, so let's make a setting against the world. It is undeniable that the idea of ​​restoring the castle is quite beautiful, but the emotion of the confrontation with the world fragment is too prominent. Perhaps it would be better through plot profile.

If you want to explore and recreate deconstructed history, you should not engage in cultural relic restoration. The restoration of cultural relics has only a little to do with stripping away the fake and preserving the true. That is the work of archeology. For example, inferring the distribution of staple foods and crops in society at that time based on the wear and tear of teeth and bones, inferring steel production based on carbon accumulation in workshop ruins to judge the productivity level of civilization, and inferring social style based on the decorative aesthetic of unearthed cultural relics. These require on-the-spot investigation, hypothesis reasoning, and collection of materials. If necessary, you have to study mass spectrometers and chemical analysis. You have to stay out in the sun and rain or do experiments in the institute, and write papers. It is equivalent to studying liberal arts and you have to endure the hardships of civil engineering and engineering. And cultural relic restoration is still a master-apprentice profession. In addition to the need to go to the Analytical and reasoning skills are basically not needed outside of understanding the era you live in. The first principle is to maintain the complete reproduction of the original, and even repair it as it was before. Converted into circuits, it is equivalent to archeology doing microelectronic chip research and development, while your cultural relic restoration is where people solder circuit boards. Strictly speaking, archeology and cultural relic restoration are two majors. If you study them at the same time, you can only study hard for a minor degree. Yes, the former has to go on field trips to work as a black slave, which is like preparing lessons for teachers after graduation. It is very stressful. You only go to the institute to go ashore, but you are still a black slave. The latter has nothing to do with the restoration of history, but it is not so tiring. There seem to be more than 60,000 cultural relics to be restored in the Forbidden City. Except for those that are at risk of damage, it is basically not fast. Instead, take it more leisurely and repair it for a few more generations. Therefore, the protagonist has a feeling that he is bragging to the sky but only trying to defeat others. He doesn't understand why he is so crazy and just regards other people's summaries as redundant. Both archeology and cultural relics are empirical subjects. If you don't see the essence of cheats, you are nothing. Do you have the qualifications to treat the experience accumulated by others' trial and error as nothing? Without any respect for knowledge, the accumulation of any subject is the accumulation of countless people. This kind of accumulation can even be taught as a separate course on the history of mathematics and the history of physics. Do you still have the nerve to say that you are a historian? 😓😓😓😓😓😓

To be honest, the author writes very well, the setting is very novel, and there are no big loopholes in the logic. It needs to be solved forcefully, but I can't stand it anymore. I read the novel to relax. This book made me feel too tired.

I have my own understanding of the magical world and think about it from multiple angles. Yes, I have high-quality talents. However, in such a big theme environment, it is easy to be locked up in a small room.

This book sets the tone for the whole book starting from Chapter 28. It is such a "Muggle boom". Before and after Chapter 28, there are two completely different levels.

Come on, I feel like I can do it, but I don't know how long the author can write it. I feel like breaking a million would be too much. To be honest, it's not the Witcher World novel, but it can be so unique.