China Entertainment Fairy: This Director Is so Serious!

Let me start with the conclusion: This book can be read, especially recommended to readers who like daily stories. Its highlight is not how cool and professional the career line is, but how lively and real the heroine is. Let's talk about the advantages and problems of this book in detail. 1. Why is the daily line the highlight? The author explained in the relevant chapter that he used to be criticized for writing about his career line, but now he is criticized for adding it to his daily life. I can understand his intention to adjust. The reality is: No matter how you write, you can't satisfy everyone. At present, the career line is indeed difficult to shine. Taking China Entertainment as the main line, the routine is relatively fixed - project establishment, filming, winning prizes, capital investment, just these few steps over and over again. There are only a few movies to choose from, and the award route can basically be guessed, but there is a lack of variables that make people shine. But the daily line is different. This part shows the author's intentions, especially the heroine. She is not that kind of tool person. She has her own temper, thoughts and emotions. Her interaction with the protagonist is back and forth, not one-sided, and it is very vivid to read. By the way, Huayu novels can be roughly divided into two categories. One type is a novel that satisfies fantasies, usually with multiple female protagonists. What readers see is that the protagonist is supported by capital, promoted all the way, does not get angry, does not step into pitfalls, and can even ignore the logical loopholes in winning awards; the other type is fan-oriented, especially those with a single female protagonist, and the fan stickiness is high. The demands of these two types of readers are naturally in conflict. Since the author is taking the fan-only route, he can just seize his own reader group and cultivate it deeply. 2. What is the core issue of this book? In fact, the author's plot design is thoughtful, and the overall logic is sound. For example, during the casting process for Fairy Sword, Li Xiaoyao was the default choice, which is in line with the reality of the industry. The real problem lies in the character development of the protagonist. The author has explained that although the protagonist is a reborn person, he has a bit of a temper because he has experienced little. This statement is understandable, but to be more precise, the protagonist's problem is not "hot temper" but "low cognition". There is an essential difference between the two: a strong temper is a problem of emotional control, and low cognition is a problem of poor judgment and way of doing things. Many of the protagonist's reactions are not simply impatient or impatient, but the way they deal with things seems immature, which is in contrast to the setting of "Reborn". This contrast can sometimes cause drama. Specifically, it is mainly reflected in several aspects: First, when you have no strength, you make enemies everywhere, almost to the point where everyone calls for beatings. Every industry has its own operating rules, and the Chinese entertainment industry is a place that pays attention to human relations and sophistication, but the protagonist seems to lack this basic sense of survival. Obviously you can use your strength to gain strength and slowly figure it out, but you choose to be tough, which seems unwise and like someone with experience. I had a very magical feeling while reading it: the behavioral logic of the villains in the book was more like the reactions of normal people. The second is to force others to do something that has not happened in the future. For example, in reality, Tianxian was hacked in 2005, but it happened later, but the timeline in the book has not yet arrived, and the protagonist says "I know, so you must listen to me." This kind of arrogance based on prediction sounds very daddy-you know, it does not mean that you have the right to make decisions for others, nor does it mean that the other party should trust you unconditionally. More importantly, the protagonist's ability to solve problems is not reflected in the entire process. This is like what is said in a joke: A girl has stomach problems, and her ex-boyfriend who has no money can only control her in everything, asking her to nourish her stomach and not eat randomly; after the breakup, another boy directly spends money to cure the disease. The former only has attitude, the latter has ability. The protagonist's current state is more like the former - he has a set of rhetoric of "I am for your own good", but does not show the substantive means of breaking the situation that a reborn person should have. What readers want to see is how to navigate within the rules with ease, rather than running into obstacles and relying on "I know better than you" to smooth things over. Fortunately, the author later rounded things up a bit with the setting "the system amplifies the protagonist's emotions", which can be regarded as an explanation. But to be honest, the actual improvement in perception is limited. 3. What is the root of the problem? In the final analysis, the problem is that the author did not find a clear focus. When the daily line was improved, some readers said that the career line was not good. When I went back to make up for the career line, the daily part was separated again. The result is that the two sides are at odds - they are not mature enough in their career, and their love life is interrupted by their career line. Both sides are unhappy. A few suggestions for the author: First, find the correct positioning. The foundation of this book is suitable for taking the daily + emotional route. In the later stage, you can try to let your career assist your daily life, rather than sharing the same results. The second is to dig deep into supporting roles. The role of Mother Liu is most easily overlooked by everyone. A single mother entered the entertainment industry on her own for her daughter's dream, not only making her daughter a household name, but also maintaining her independence in a chaotic circle. It's really amazing to put yourself in his shoes. Writing her well will not be inferior to writing a heroine. The book plays the emotional card with Xiao Liu and follows them shopping, which is very well written.

Sissi's mother

I am Qian

This look can only be remembered

Fairy Sister

I specially created a chapter to complain about it. The system task is to ask you to refuse the unspoken rules. You have to ask someone to go to your room in the middle of the night and make a weak refusal. You are just acting like a drama, and there are actually rewards for this, so you can secretly enjoy it. And asking people to go to your room in the middle of the night is your own thing, right? So who is to blame for being said to like unspoken rules? Isn't it your own fault? Isn't it normal for your mother and godfather to dislike you? Who would be a good person who would want his underage daughter to be involved with a gangster who is both male and female? Not to mention that Liu clarified it to her mother. What's the point of just her believing it? If the circle doesn't believe it, then you are a pervert who accepts both men and women. So you, the protagonist, really don't shine at all in the front. You offend others with your bad mouth, and ruin your reputation. Then you blame others for spreading unspoken rules about you. Some of you are arrogant and say that others are arrogant and look down on you...

Beautiful

Not updated enough

The author writes well, please keep it up first. Be nice to Xiao Liu!

As a post-2005 fan of Sissi, when we read Huayu novels, we actually have very simple but urgent expectations in our hearts: what we long to see is no longer a flat symbol that only carries the beautiful skin of "fairy sister" and serves as the "beauty ceiling" on the rankings, but a living individual with an independent soul who can jump out of the author's established framework. For a long time, many Chinese entertainment movies have been accustomed to using Sissi as a "tool person" to advance the plot or a "top accessory" in the male protagonist's career. This kind of monotonous setting has already made readers feel aesthetic fatigue. What we really look forward to is that the author can calm down and dig into the reality and complexity behind Sissi's fame. For example, can any author dare to touch on the controversial "low periods" in Sissi's acting career? To describe in detail how she went from being sensitive and fragile to inner strength and calmness step by step when faced with misunderstandings from the outside world, online violence, and even career crises. This kind of growth and transformation with a realistic texture is far more touching than simply piling up box office data and sweet pets. Therefore, our call for innovation to the authors of Huayu novels is: Please break the old routines of "the hero saves the heroine" or "brainless pursuit" and restore the extremely tense and multi-faceted character of Sissi. We are looking forward to seeing a "contradictory" and charming Sissi - in front of the camera, she may be a "fairy sister" who is gentle and demure, with a sense of coldness and alienation; but in the script study room, she can show an "over-serious" or even strong side, and can be paranoid to the point of "mesophobia" for the sake of the role. We hope to see Sissi's "hard-core" professionalism at work, where she is clear about love and hate and expresses her needs clearly. We also hope to see her relaxation and authenticity in private when she wears sweatshirts to go shopping, adopts stray cats, and loves to read psychology books. I also hope that the author can write about Sissi's sobriety and counterattack when faced with industry rules: when faced with malicious slander, she does not hide behind the male protagonist and wait for public relations, but can calmly mobilize her emotions and personally write logical and rigorous essays. For example, he confidently told Chinese myths to the world during overseas roadshows, argued with arguments in the British Museum, used his strength to win the title of international movie queen, and deeply tied personal achievements to national cultural confidence. At the same time, we are extremely eager to see the author restore the weighty family ties behind Sissi. In the novel, please don't ignore the existence of mother Liu Xiaoli - she is not only a companion in life, but also a spiritual "anchor" for her daughter. We hope to read such picturesque details: Sissi is a "fairy sister" with full aura to outsiders, but once she returns to her mother, she will instantly transform back into the well-behaved daughter who is "suppressed by blood". She sits quietly at the table and listens to her mother chatting with her friends. When she is bored, she just plays with the old diamond ring on her finger that she has worn for many years. She does not interrupt or steal the spotlight, and her eyes are full of dependence and relaxation. We are even more looking forward to seeing the simplicity and sobriety of the mother and daughter in Vanity Fair: at the end of the dinner, Sissi, a second-generation top star, will cooperate with her mother to pack the leftovers very naturally, without any airs, only what is engraved in her bones. Cherishing things is a family tradition; when it is freezing and snowing at minus 20 degrees, her mother will still subconsciously tell her to "tie the scarf tighter" in Wuhan dialect. The hand that habitually curls around her daughter's wrist hides the muscle memory of being ready to protect her for twenty years. And when faced with the hidden rules of the industry or malicious drunkenness, this former dancer can instantly transform into the hardest armor, standing in front of her daughter and coldly rejecting: "She is still young and can't drink." It is this affectionate exchange of "I accompanied my mother in performances ten years ago, and my mother will accompany me in filming ten years later" that has given her the confidence to not give in or be anxious now. She is still single at the age of 38 but living a prosperous life, not because no one wants to marry, but because she has enough love and security that she does not need marriage to prove her worth. Of course, writing these long remarks is not meant to be harsh, but stems from our deep love and expectation for this work. We know that under the pressure of fast-paced updating of online articles, it is extremely challenging to perfectly balance coolness, logic and character depth. Every time the author writes and every night he stays up late to type is worthy of respect. A truly excellent Huayuwen should be endowed with a "hard-core Buddhist-like appearance" soul like Sissi. She can be a comrade who fights side by side with the male protagonist, or she can be a soul mate who redeems each other and grows together. I hope the author can write about Sissi's independent sobriety that "I am completely and absolutely in charge of me", so that readers can feel between the lines not only the beautiful fantasy under the filter of fans, but also the power of a flesh-and-blood woman who sticks to her true heart in the torrent of the entertainment industry. Across ages and time, Sissi's gentle yet firm strength has always been the most dazzling light in the hearts of us born in 2005. Words are the art of dreaming, and we are willing to be your most solid companion on the road to dreaming. Dear author, please feel free to write. As long as you describe Sissi's soul with heart and sincerity in your writing, we will provide the greatest support and companionship to accompany you to witness the brilliant bloom of this character. I look forward to meeting the most vivid and moving Sissi in your writing!

Collect it, write it carefully, too few, you have to maintain it

Nice. Come on, more updates. Saw so much. This book and the acting guide rank first in my book.

As mentioned.

Yo, collect it first

It's you. The little orange who failed to strike up a conversation🙂🙂🙂

The author opens a storyteller to listen to the book

Borrowing Guibao to promote the book, "Happiness God", also known as "I Can Make Money When I Feel Happy" A reward of 5,000 for watching a short video and laughing, 8,000 for winning a game, and 10,000 for admiring a beautiful woman... Since then, Li Qi has gone straight to the road of wealth and freedom, and no longer needs to look at people's faces to act, and a wonderful life has quietly arrived! Sorry for disturbing you, please contact us to delete

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Let me tell you something useful 1. The protagonist designed by the author is an impulsive and angry young man. He is a bit restrained at the beginning, which hurts the readers. The protagonist always pretends to be good for Lao Liu, which is unbearable. In reality, if there is a friend around me, I will think: fuck you, who are you? You live by the sea. 2. It's okay to be a dog licker (mainly Lao Liu). In the early stage, there was a feeling that there was no way to recover. With Lao Liu's character, if he really met such a protagonist, he would probably not take the initiative to deal with the protagonist again. Even if he was really cheated again, he would not take the initiative to contact him. And with Lao Liu's character, once a rift occurs, there is basically no turning back. 3. Based on the protagonist's previous style of doing things, you can consider writing something about someone being tricked, especially after you have acquired Baji Quan for 20 years, someone will definitely do this kind of thing in the next few years.

Hh, come on, writing a book is a bit difficult, and it's easy to get scolded