Taking Gao Qiu's Place, I Lead the Song Dynasty to Prosperity

The protagonist always kneels before the emperor and the queen mother, and kneels down when they meet. Brother, this is the Song Dynasty. The Song Dynasty ruled the world with the scholar-bureaucrats. The status of literati at this time was simply unprecedented. Not all ministers in later generations were slaves of the emperor, but the Qing Dynasty always knelt down and called them slaves.

Just ask, will you take away his bird position?

Again, there is no distinction between cousins ​​and cousins. Aren't Li Qingzhao and her brother cousins? Didn't he call Li Qingzhao's father uncle?

After seeing the controversy about Li Qingzhao, I came across the video some time ago and searched it, and also asked about Doubao. Li Qingzhao came from a very good background and was a talented woman in the world. It can be said that she has many auras in one person. However, in the first half of her life, she basically lived under the protection of others, drank, gambled and had fun. Nearly half of the existing poems are about drunkenness. Speaking of Jinshilu, this was Zhao Mingcheng's voluntary hobby. Zhao Mingcheng was obsessed with it throughout his life, and it was the same after he became an official. Li Qingzhao also used it to mock him. Speaking of which, when did Li Qingzhao start to change? It was after Zhao's death that Li began to experience the war and face the reality, and then she began to cherish her husband's memory. Regarding Jin Shilu, it was also because of her husband's last wish. Let's talk about those who boasted about Li's protection of cultural relics. Three years after Zhao's death, Li remarried. Her second husband, Zhang Ruzhou, also approached her for those gold and stone cultural relics. However, he domestically abused her because he knew most of them were lost in the war, and she finally reported him. Let me add that most of the individual manuscripts in Jinshilu were collected and written by Zhao, and only the final draft and ordering were handed down by Li. In his later years, Li also lived by selling the cultural relics left by his husband. Speaking of Zhao Mingcheng, they all say that Zhao Mingcheng abandoned the city and fled. This is indeed true. He was dismissed from office because of this, but it does not mean that Zhao is fw. In fact, his administrative ability is very strong, otherwise he would not be transferred to the prefect of Huzhou. There were so many people in the Song Dynasty who abandoned their official positions and fled, but most of their abilities were not as good as his? One last sentence to summarize: In the first half of his life, Li was essentially a young lady who did not care about worldly affairs, and because of her aura as a talented woman, she was praised as extremely arrogant in the peaceful and prosperous times; in the second half of her life, reality began to change. Personally, I feel that as a person, apart from his poetic talent, there is really nothing to brag about.

😒 It doesn't matter that you fell in love with that white feather. The key is that you traveled to the Song Dynasty. Instead of cooperating with the civil servants, you went to cooperate with the emperor. I don't understand it very well. What's the difference between you and Cai Jing and Qin Hui? ... Let me be honest, if you go and cooperate with the scholar-bureaucrats to make the emperor rule the world, the king is under the law, and the parties seize power, isn't it much easier than licking the emperor and attacking the officials and gentry? And if you play like this, all the military men, civil servants, gentry, landlords, and Song people in the world will naturally stand with you.

It is clear that the protagonist has a smooth journey and is making great progress. He first settles the border, then follows the dragon, and then provides disaster relief and establishes a bank. The protagonist's official position is also rising step by step, but why is he unhappy? I feel that the main problem is the protagonist's personality. The author writes the male protagonist into a true saint, a man who has given up on low-level tastes, a native in the skin of a time traveler. Instead of calling me to lead the Song Dynasty to prosperity, this book would be better to call me to be Song Huizong's lackey for the sake of the people of the Song Dynasty. I have never been able to find a suitable word to describe the relationship between the protagonist and Huizong in the book, until I found another reader's post in the comment area. It only had a few words, but I thought it was very appropriate. I will quote it here, but it is a bit too licking!

The king calls himself: Song, Yuan and Ming call themselves "I" or "I". Before the Qing Dynasty, few people called themselves "this king". Starting from the Kangxi year of the Qing Dynasty, it was common for people to call themselves "this king". Those who are called Wangjue by subordinates; Song Dynasty: King/a certain king. Yuan: Your Majesty/Your Highness. ​Ming: Your Highness / A certain king. ​Qing: Prince, a certain prince/a certain county king. Before the Ming Dynasty, the emperor was almost never called "Emperor". In the Ming Dynasty, the emperor began to be called "Emperor" occasionally, and in most cases he was called "Your Majesty". After Kangxi of the Qing Dynasty, people began to be generally called "Emperor". The emperor calls officials; before the Qing Dynasty, most people called them official positions or Qing, and Aiqing was rarely used. In the Qing Dynasty, Aiqing began to be used extensively. In ancient times, women called themselves: "nujia" was a modest name for women after the Song Dynasty. Women in the Han and Tang Dynasties more often called themselves "concubine", and noble women could call themselves "I" and "I". Before the mid-Ming Dynasty, most dynasties used copper coins for daily transactions, with very little gold and silver. It was only in the mid-to-late Ming Dynasty that silver became the mainstream currency. In the late Ming Dynasty, "meeting votes/deposit checks" appeared among the people. There were no unified rules. Most of them were deposits and withdrawals/exchange receipts from acquaintances or local circulation, and were not legal currency. In the early years of Daoguang in the Qing Dynasty (1823): Rishengchang Bank was established, and private banks began to issue standardized banknotes, focusing on long-distance exchange. They were only circulated in the Shanxi merchant trade circle and major commercial ports, and were not yet popular. In the third year of Xianfeng in the Qing Dynasty (1853): the official issued the Ministry of Revenue official banknotes (official banknotes), which were forced to circulate nationwide. At the same time, the network of private banknotes expanded to the whole country, and official and private banknotes ran parallel. The use of banknotes entered an explosive period and became the "starting point of popularization." The memorial system was only established during the Kangxi period of the Qing Dynasty. Officials in the Tang and Song Dynasties used "memorials", "tables" and "statements" to submit memorials, while in the Ming Dynasty they used "titles" and "memorials". There is no such thing as "memo" or "zhezi". "Please say hello" is a unique etiquette in the Qing Dynasty. It was mostly used between subordinates to superiors and juniors to elders. During the Tang and Song dynasties, people often crossed their hands and bowed to greet each other when meeting, and there was no such thing as "say hello". Before the Yuan Dynasty, subordinate officials rarely called superior officials "adult". In some dynasties, subordinates called eunuchs "adult", and in some dynasties, they called their parents and elders "adult". Beginning in the Yuan Dynasty, lower-level officials would occasionally call officials of second-rank and above "sir". From the middle and late Ming Dynasty, only officials of third-rank and above would be called "sir" by their subordinates. Officials with lower ranks could not be called "sir". However, in the late Ming Dynasty, there began to appear a few cases where officials above the fourth rank were called "adult". Before the mid-Qing Dynasty, following the rules of the Ming Dynasty, only officials of third rank or above would be called "adult". Starting from the mid-Qing Dynasty, calling officials "adult" gradually became common for lower-level officials. Attention! ! ! What is mentioned above is that lower-level officials refer to higher-level officials. No matter which dynasty, it is absolutely impossible for higher-level officials to call lower-level officials "sir". Some novels even write about emperors or nobles calling other officials "sir". This is simply contrary to Tiangang! ! ! Finally, let's talk about the problem of civilians calling officials Before the middle and late Qing Dynasty, civilians in various dynasties and generations called officials differently, and most of them called them "officials" and "masters". From the middle to late Qing Dynasty, civilians also called officials "adult". @reader

This paragraph is an excerpt. References include: "Preface to the Records of Jinshi", "Qi Chongli Qi, a Scholar in the Imperial Academy" and "The Tiredness of Talented Women". I've seen a lot of fanciful comments made by marketing accounts that follow the trend, making Li Qingzhao look like a spiritual girl who only knows how to drink and gamble. Please, Li Qingzhao's father is a member of the Ministry of Rites, and his grandfather is the prime minister, so his basic etiquette is not bad 😅. She is not just a boudoir girl, the author writes it very well.      ,, As a result, the elegant image of "wine" in Li Qingzhao's poems was taken out of context as "sexual addiction to alcohol", and the "Preface to the Sutra of Beating Horses" written in his later years was simply misread as "sexual addiction to gambling": Wisdom means understanding, and understanding means reaching everything; specialization means precision, and precision means everything is wonderful. Therefore, the cook Ding unloads the ox, the Ying man transports the weight, the teacher Kuang listens, and Li Lou sees it, it is as great as Yao and Shun's benevolence, Jie and Zhou's evil, as small as throwing a bean to make a fly, or flicking a chess piece with the corner of his scarf, all of them have reached perfection. How can it be wonderful? It's just wonderful. People of later generations will not only learn the ways of saints, but will not reach the holy place. Although there are many playful things, they still seem to be vague and then stop. There is no other expert than the husband, who strives to be the first to master the art, so the expert can do it. I like to be rich by nature, and all so-called rich people will indulge in it, forgetting to sleep and eat every day and night. But what is the person who lives his life by following the crowd and failing to make progress? He is just fine. It is true that Li Qingzhao admitted in this article that he "sexually likes gambling", but this "gambling" is not the "gambling" that people take for granted today, nor is it the "playing mahjong" that is passed down through rumors. What Li Qingzhao calls "Bo" is a chess game called "horse fighting", which is similar to Go or Xiangqi in later generations. Its method is no longer passed down, but according to scholars' research, it should be a game that pays attention to intelligence. It was mainly popular in the upper class society of the Song Dynasty. It was "the upper echelon of gaming and an elegant play in the boudoir." Li Qingzhao claimed that he spent all his time gambling and forgetting to eat and sleep, and he would win every time he gambled, but his intention was not all about entertainment. Through the play of "beating horses", she began to explain the truth: Why do I win every time I bet? Because I specialize in this. What is "specialization"? "Specialization" means concentration, and "jing" means profoundness. When dealing with all things in the world, if a person concentrates, he can be profound, and if his attainments can be profound, he can discover the secrets. Next, Li Qingzhao used a series of ancient events to demonstrate: The cook Ding "can't see all the cattle" and "with ease" turned the slaughter of livestock into an art with both visual and auditory beauty; He can accurately remove a stain on the tip of another person's nose without hurting his muscles and bones, Shi Kuang can distinguish good and bad luck by listening to music, and Li Lou can see the smallest speck of hair a hundred steps away. These craftsmen and miraculous people have all reached the state of perfection and beauty because of their "specialization". By extension, the same is true for the way of saints. After explaining the truth at this point, the topic changed and he began to criticize the current world. Not only were the people in the world unable to "specialize" in the way of saints, but they also only had a fleeting taste of fun. If you want to win in gambling, you must have the will to "be first". Only with the will to "be first" can you be "specialized". Therefore, "Xing Xibo" is just an introduction. What Li Qingzhao wanted to elicit was a criticism of the people of his time who were "not specialized and not striving to be the first". Because of "lack of expertise", the military was defeated steadily, and because of "not fighting for the lead", the imperial court was in a corner. As the scholar Alan Nol said, Li Qingzhao, as a woman, was only allowed to write boudoir dramas such as "Breaking Horses" at the time, but her ambition was more than that. She still wanted to make suggestions and discuss politics. Although she could not speak generously, she could "make small remarks about big things" and use the excuse of "Breaking Horses" to satirize state affairs and refer to politics. In "Ba Ma Fu", Li Qingzhao expresses this intention more directly: "Buddha is destined to die in the Mao year, and the nobles and the lowly are still wandering. The eyes are full of Hua and Liu, and the times are dangerous and safe. Is this really the case? Mulan Hengge is a good woman, who can reach a thousand miles at an old age, I hope that the two will cross the Huai River." "" Is the nickname of Tuoba Tao, Emperor Taiwu of the Northern Wei Dynasty. It is used here to refer to the foreign invaders. "Hu cavalry drinks the river water, and the Buddha's raccoon is dead" is a nursery rhyme circulated in the south of the Yangtze River during the Liu Song Dynasty. It used a resentful tone to curse the Xianbei cavalry who drove straight in. Li Qingzhao used this meaning to angrily curse the Jin people. "Hualiu" and "Lutu" are both names for horses. Li Qingzhao associates the chess pieces on the horse-playing map with real-life talents. Using this comparison, he directly points out that the current situation in the Song Dynasty is like a "horse-playing" chess game. Only those who are good at driving and mobilizing talents can reverse the situation and turn danger into safety, insinuating that the rulers of the Southern Song Dynasty were careless in employing people. The next three lines of "Mulan Hengge" express his true feelings, hoping to cross the Huaihe River and return to his hometown. Looking north to the Central Plains, regaining lost territory, resisting the Jin Dynasty and killing the enemy, his ambition is by no means small! Scholar Chen Zumei commented on "Ba Ma Fu" "Fu' as a literary style, its characteristics and expression techniques are: to describe things and express things through the presentation of literary talent. Writing about emotions. The reason why Li Qingzhao elaborated the game of "beating horses" was to express her patriotism. According to the classics and many examples of martial arts, on the one hand, they vividly illustrate that "games" are beneficial and harmless; on the other hand, they also connect this way with virtue, sincerity, prudence, calmness, helping others, defeating enemies, and other outstanding qualities and extraordinary achievements. Although this is a kind of "paper talk", it shows that the author is not simply "beating horses" for entertainment, but uses this "purdy drama" to express his desire to defend the enemy and restore the country. It can be seen that the "horse racing" that Li Qingzhao "specialized" is not what people today call "mahjong", and it has nothing to do with gambling. In the "Preface to the Classic of Fighting Horses", Li Qingzhao also added a paragraph to explain the social conditions in Jiangsu and Zhejiang when compiling "The Classics of Fighting Horses". At that time, the Jin people invaded on a large scale. Li Qingzhao traveled down the river from Lin'an, experienced dangerous shoals, and temporarily lived in Jinhua. After settling down, he began to study the art of gaming. She researched the horse-fighting methods circulated in society at that time and their evolution, and concluded that during the Xuanhe reign of Emperor Huizong of the Song Dynasty, some people "mixed and subtracted" the two horse-fighting methods circulated in the world, "Guanxi horse" and "Yijing horse". They abandoned the traditional concept of horse-fighting based on rules, maps, and intelligence, and added an element of luck, forming a horse-fighting method called "Xuanhe horse". Li Qingzhao criticized "Xuanhe Horse" as being "complete with ancient meanings" and claimed that "I only love 'Yi Jing Horse'". Between "gambling" by luck and "gambling" by resourcefulness, she chose the latter without hesitation. This is enough to prove that her "sexual joy" is not a good gamble at all. The purpose of the compilation is explained in the "Preface to the Classic of Fighting Horses": "The disciples who do not only practice will actually do good things, so that thousands of generations will know the fate of beating horses, starting from the layman Yi An." The compilation of "The Classic of Fighting Horses" is not only for gamers, but also for "good people". From this, when looking at the "Xuanhe Horse" criticized in the previous article, it has a different meaning. At that time, the Southern Song Dynasty court was in a corner of the country and was lucky enough to be safe. Wasn't it just a "gamble" based on luck? In "Ba Ma Fu" and "Ba Ma Illustrations and Ming Ci", we can get a glimpse of the horse fighting skills explained by Li Qingzhao. She believed that when the horse is blocked, it is necessary to recharge and wait for opportunities. To move, one must adapt to circumstances, win by surprise, retreat first when the opportunity arises, drive with moderation, and plan ahead to prepare for the unexpected. These are not only game strategies to turn defeat into victory, but also tactical strategies to survive in difficult situations. Li Qingzhao's pattern, vision, and mind are evident. It is purely a popular science reprint. I am not a professional in the history of the Song Dynasty, so I will not reply later. Those who have different opinions can also post historical materials with sources to provide passers-by with thoughts in different directions, and forget about marketing accounts.

It is impossible for anyone to change the Song Dynasty without launching a coup or mutiny. The Song Dynasty was fundamentally afraid of military commanders, whether they were civil servants or emperors. Everything else can be changed, but this will not change

Gao Qiu's surname is Gao Qiu, whose courtesy name is Yuliang, and Zhao Mingcheng's courtesy name is Lichun.