The Rise of Shanghai Beach

When I was in elementary school, I watched Zhou Zhao's version of "Shanghai Beach" for the first time on a black and white TV. I was still confused about everything. Of course, the most impressive ones were the suave Wen Qiang and the unparalleled Cheng Cheng. Some of the old-school fighting scenes are still fresh in my memory. I recently rewatched it again and gained a deeper understanding of the characters and the background of the era. When the finale came, with Wen Qiang bleeding on the streets, I felt full of sadness and regret. For the sorrow of that era, and even more for the love of Wen Qiang and Cheng Cheng, I couldn't help it. "Shanghai on the Bund" not only contains the tossing love and hatred, but also the overt and covert struggles of various forces, and also naturally integrates the patriotic feelings of protecting the family into it. "Shanghai on the Bund" is the epitome of that era. When darkness and light coexist, hope can always lead us forward. The Buddha said that people are born to suffer. Although tragedy is shocking, the ending of reunion can also be immortal. I want to realize my dream. Xu Wenqiang survived the calamity of life and death and went to Whampoa to reshape his life; Feng Chengcheng returned from studying abroad and renewed his relationship; the Japanese invaders colluded with the inner ghosts, and the demons and demons were ready to stir up troubles, and all the forces came to the stage. In Shanghai, the king returns, the storm rises again, and I will live up to the sky and you.