I Lose Myself

By the river, Li Yi looked at the reflection in the water. The image is blurry, not because the water is turbid, but because the river water reflects "existence", making it difficult to capture its characteristics. He raised his hand, and there were more than a dozen very faint "threads" on the fingertips that were about to break - these were his only remaining observable features: an obsessive memory about "must observe", and a few weak causal connections to the mountains and rivers here. There was a commotion in the distance, and the sky was filled with splendor. The destined girl, Su Yingzhen, was practicing sword techniques surrounded by everyone. The sword energy was brilliant, and the "characteristic threads" on her body shone like brocade, deeply intertwined with the entire world, and ultimately pointed to a terrifying destination high in the sky. In Li Yi's vision, she was beautiful, powerful, and like a lamb wrapped in gorgeous chains, walking towards the sacrificial altar. He lowered his head and looked at his fingertips that were about to disappear. Then, step forward, like a shadow walking towards the light source, calmly walking towards the hustle and bustle. His plan was simple: see her inside and out before she was "eaten". The tension of this story lies in the dangerous symbiosis of the observer and the observed, the paradox of existence and nothingness, and the cold deconstruction of "destiny". In Li Yi's eyes, all the battles and adventures of traditional immortal cultivation are just the process of generating data on the "feature map". If you are interested in this kind of extremely introspective and subversive narrative, we can immediately dive into Li Yi's first specific observation case, or the key scene of his first "unplanned" interaction with Su Yingzhen