I'm Distributing Serial Potions in Tokyo

What does this have to do with the mysterious sequence? Your sequence nine is stronger than the mysterious sequence five. . . He also said that he wanted to cause trouble, write big scenes, and want a fast pace. It really made me laugh. Low-sequences can cause trouble through various covert methods. The police were shocked when they solved the case. Forget it, I'm too lazy to say it. I gave it up.

The biggest shortcoming of this book is the Ascension of the Ming Dynasty. It is clear that the author's intention cannot involve Dongda, but everyone can understand it when you mention it for the first time. Why do you keep mentioning it later? I have to always mention Shangguo, but I have seen this abandoned book several times.

This ordinary world might as well be written as a comprehensive comic world. . . Then, he has to be a treasure-delivery boy. Although this seems to be beneficial to the protagonist, the setting is not exciting enough. It is better for the protagonist to walk a series of paths alone. How can I put it, I have been looking forward to it for a long time, and I feel that the settings are not very to my liking. But after reading the previous book, I felt that except for the treasure-giving setting, everything else is quite to my liking. The settings of this book are not very to my liking either. I hope that the follow-up will be as satisfying as the previous book. . .

If the level is too low, trouble will start. The range of choices is limited, and the selected people can only monitor but not control, regardless of whether their actions will be different from your ideas or have an impact on your safety. Although you can deprive them of their abilities at any time when they threaten you, you cannot use them casually. First, it will make others suspicious, and second, it will make people target them here. You shouldn't give out magic potion formulas (the kind that can be sublimated into potion ingredients using everyday items). You can't expect a Sequence Nine to not be caught. Once caught, you won't be strong enough to influence the person being caught, so the potion formula will be leaked. GJ doesn't care about anything. They can pull out tens of thousands of extraordinary beings for you in an instant. This is still in the experimental stage. They don't know the knowledge of mysticism. They think that if there are more people, some people may evolve. They don't know how to act. If they lose control, they will be sent to other GJs. In fact, you can first reach the demigod level. In order to relieve the pressure on the soul, you can feed the animals magic potions, then kill them to extract the extraordinary characteristics, and then start the layout. After all, those who have the strength are the masterminds behind the scenes. Those who have no strength can only know the plot. The time traveler needs to improve his strength step by step based on the knowledge he knows. It's really difficult to write, gj is different from the church, the church of the mysterious world is already saturated, and only requires a specific sequence. There are more people in modern times, and the gj is always ready to come. Extraordinary materials cannot be left outside, and civilians cannot be promoted.

You can completely remove China from your worldview and create a Ming Dynasty that won't be disgusting enough.

In fact, there is no need for the author to forcefully write the mysterious history of the protagonist. With the strength of the major true gods and even the old ones, I feel that he has the ability to reverse the cause and effect. It is more reasonable to directly insert the history that the protagonist thinks is "correct" into the past history (the ability of the fool to deceive history can appear). There is no need for Qi Guang to deceive people, and he can also pretend to be cool. Later, there will not be a stiff feeling of fake history to the readers. To improve the logic loopholes, some people question that it is the old power of idealism Even the original mysterious character's vest forcibly inserted by the author can rationalize the origin. I suggest not to write that it is all the protagonist's vest, but that the protagonist creates a semi-independent character controlled by the protagonist (the visionary ability can appear). Otherwise, it will always feel like the protagonist is singing a one-man show, and the images of other supporting characters will not be able to stand up.

After catching up on the last book, I was disgusted by the mysterious resurgence of a bunch of Japanese people who came to the country to lead. The subject matter of this book was okay, but it gave me a bit of an ominous premonition from the beginning. All the criminals, witches, mysteries, etc. Are thrown at the United States, and the characterization, isn't it going to be Japan breaking off the leash with the help of the protagonist and slapping Mi Ying in the face? Asking about what I have seen later, I always feel weird. They always kill outsiders, as if they can't bear to kill Japanese people. Shouldn't the people behind the scenes be treated equally?

After the Ming Dynasty ascended to the throne, it still came out every day to increase its presence. What kind of brain came up with it? It is truly a talent that the author can turn the most insignificant thing into the biggest poisonous point.

Doesn't it require rituals to advance to Sequence 5? Why hasn't it been written down? No country in the world knows about it. There are some rituals that we can't currently do.

Author, something suddenly occurred to me. Don't you want to strengthen the early Beyonders and gain some more unique abilities? Then you can assume that the direction of the initial split was affected by the original cognition of the world, and because this world has entered the modern public cognition, it is believed that those who are more magical and cannot be explained by existing science are called extraordinary people. Therefore, the path of the initial split has been strengthened. The world that the protagonist traveled to is not the world where the self-destruction originally occurred. This world already has a booming material world and a large number of local cognitions and concepts, so the first third of the corpses were affected and impacted by the original information of this world. Of course, I don't mean to reduce the initial level of proficiency. This effect may be similar to a person learning something that he didn't know at all before and suddenly gaining insights. Initially: Oh~ turns out I can still split like this (bushi) So the prisoners and devil pathways in this world can completely acquire brand-new criminal knowledge. For example, the criminal knowledge gained after becoming these two pathways includes knowledge of cyber crimes and economic and financial crimes, allowing them to manipulate the market to maliciously disrupt the economic order, or use hacker knowledge to invade networks and open boxes.

The essence of the Outer God Path also comes from the beginning. In the later stage, can some of the abilities, authority, and symbols of the Outer God Path be inserted into similar paths, or can they be used as abilities gifted to the unique protagonist? Also, the high-ranking characteristics of the Quanwu family and the Gousan family are best given as gifts.

When I saw Chapter 126, I couldn't stand it anymore. The protagonist had to move out all the organization of the original work like an obsessive-compulsive disorder, and he also had to cosplay high-sequences by himself, which was a bit serious. What's more, there was a low-sequence brawl in the front, and a bunch of high-sequence cosplay appeared inexplicably, and the rhythm was very fragmented.

If the Ming Dynasty ascends, just ascend. It keeps getting a sense of presence. I can't eat anymore.

Can you break into a military base with Sequence 9 or Sequence 8? How do you plan to write it later? By the way, it has been put on the shelves. Currently, there are only three extraordinary ones on the surface, and two of them have no sense of existence. Afraid that the Extraordinaries would be killed by one shot, I wrote them to be smarter. They were all written about the mysterious system, but they were still upfront? Shouldn't they be using their extraordinary abilities to kill people invisible? What does early weakness matter? Is it because the early stage is weak that you can write more? Write about how to develop with limited extraordinary abilities. Afraid of being too weak, at the right time of crisis, let the character pray to the "Hidden Sages" and other gods through ritual magic, wouldn't it be enough for the protagonist to have a remote mechanical deity? What if you even kill a few extraordinary people? It's not the protagonist anymore, it can be recreated at any time, you still have to screen, screen for something, just cast a wide net. When there are demigods in the later stage, wouldn't it be OK to write about the game of various occult forces? Various sects and associations such as the original work can be created. In the modern world, forces such as the Witch Sect and the Rose School will fight against each other and the official extraordinary forces. The Twilight Hermits are once again controlling the situation in various countries around the world behind the scenes... Isn't it very interesting? The rhythm is very problematic. Is there no outline?

Is it really awkward for you, Da Ming, that you have to mention this? This kind of thing has always been treated as if it doesn't exist and you have to write about it.

I think it's my own method, and the more I go on, the more flaws there will be. 1. Serial potion formulas are given out at will, and there is no so-called equivalent exchange. After all, people who obtain extraordinary power or extraordinary knowledge are easy to do. Generally, the solitary method requires a blood tax. If you want to grow up as a supporting role, you should at least have a companion and be a nanny every day. I really... 2. I admit that it is indeed difficult to write the invincible flow of best friends, especially in terms of combat. It is a last resort if you strengthen it, but the supporting characters other than the protagonist must be strengthened in a consistent manner. It does not matter if the protagonist's assistant can just hit N. 3. In the end, it gave me the feeling that the protagonist is very tired and in a hurry. It seems that he has to sing in every scene. The protagonist can attribute all the extraordinary things to himself. Are you anxious to gain strength? He doesn't have so many difficulties to overcome and solve, so he shouldn't be that motivated. It would be good to write about the daily life of extraordinary people. I think it would be much better to see what changes the extraordinary person brings to the supporting characters.

The Master of Mysteries' Twenty-Two God's Paths to Godhood Ceremony 1 Fool's Path Fooling time, history or destiny 2 Gate Path Escape from the seal or exile of the True God 3 Wrong Path Take His place in someone else's Godhood Ceremony 4 Visionary Path Let the development of the times conform to your own expectations, take the magic potion at key nodes and in the prescribed trend of the times 5 Sun Path Take the magic potion in the darkness where all things belong or in the all-encompassing color of the sea of chaos 6 The Tyrant Path requires hundreds of thousands of followers who obey and believe out of fear, then challenge a true god alone (other sequence 0) and survive, and finally take the potion in an atmosphere of fear and obedience 7 The Hanged Man Path Walking on the sea of chaos, letting the shadows blend in without sinking the body and not falling mentally. As long as the body does not sink completely and the spirit does not completely fall, it will meet the requirements 8 White Tower Path. Participate in the disasters caused by existences beyond Sequence 0 and survive. The disasters caused by the source of matter plus the corresponding old knowledge also meet the conditions 9 Death Path. Create or fuse a true final destination for the dead, and let it become the place where all deaths in this realm point. 10 Dark Path Let a uniqueness or a kingdom or a true god sleep forever. The higher the difficulty, the better the effect 11 Twilight Giant Path Witness and participate in the entire process of a race or a continent from prosperity to decline and even death 12 Black Emperor Path Have your own country, let your name be associated with the title of emperor, become common knowledge among the people, and establish a set of strict and complex rules that are contrary to normal conditions, including architectural style, and then drive the people to secretly build nine pyramid-like mausoleums, enter one of them, and take the magic potion in the corresponding sacrificial rituals scattered in different cities in which most of the people participate 13 Judge Path For a serious incident involving the true god, make a fair enough trial that meets the requirements of the rules you established before, and ensure that the judgment is fulfilled in a true sense 14 Red Priest Path: Start a war that sweeps the continent, and win enough victories 15 Original Witch Path: Go deep underground to find the Sea of Chaos, and withstand a certain amount of pollution from the Sea of Chaos, while keeping yourself from degenerating and alienating The other one is From Sequence 1 of the five paths related to the Sea of Chaos, borrow a special combination to form a power that is close to the Sea of Chaos and master it 16 Path of the Abyss Turn a continent into an abyss 17 Path of the Bound Make yourself a mummy alive, then fill and imprison yourself with the potion as viscera, finally kill yourself, and seal yourself in the coffin and mausoleum in the state of a true mummy for at least a hundred years, but the remaining spirit and will have not died. The body is a cage for the heart and potion, and the coffin and tomb are the cages of the body 18 Hermit Path Gather all the information you left in the world, find a suitable place and method to hide them completely, without leaving any trace 19 Perfector Path Cultivate a civilization, witness and record its entire process from enlightenment, development, prosperity and decline to destruction or replacement.

First, the author did not intend to write according to the original work. A lot of characters are not perfect enough, and the relationship between alien gods is not strong enough. No more hopelessness. The second is that there are too few appearances between the true gods, and the previous story line is almost blank. The author has always taken the perspective of the protagonist to take the place of events. Without the behind-the-scenes, none of the protagonist's vests are outstanding enough. This is not so much a behind-the-scenes story as it is a group portrait. It is nondescript and loses the feeling of the original work, and the protagonist is not outstanding enough. The most outstanding part of this book is the supporting characters. The protagonist is completely reduced to a foil. Eternal Burning Sun is as dead as a joke, and the promised battle between gods has no impact at all. Not as good as the last book

If you don't want to write about the Ming Dynasty, why don't you just stop writing about it? Just write about a specific country. Otherwise, there would be no country. The protagonist's time travel has brought extraordinary things. What are you doing to the readers about the Ming Dynasty's ascension? Then will you still write about the Ming Dynasty afterwards? If you don't write about it, aren't you just digging a hole for yourself? The author's original purpose is to avoid sensitive topics, so what's the point of writing it?

To put it bluntly, the trap started from the moment he stepped on stage. For example, he directly changed the name of the audience sequence to "Bell Ringer" and then handed over the formula. He directly made a mess of his own identity, which became more and more outrageous the further he went. He directly teleported around the world, directed and acted in various secret organizations and gatherings, directly tampered with history when he encountered the Seven Lights of the Spirit World, and summarized the mess, just like a foot wrap. No new possibilities at all

The writing is a bit too plain, and the protagonist's presence is too strong, squeezing out too much space for the supporting characters, resulting in the supporting characters being very stereotyped. Moreover, the remake of the Tarot Club was also a failure. The reviews of the original work were mixed, and here it is even more serious. It is purely about taking care of the baby. The few newcomers are only children except for guessing, and they are also escorted all the way. Among the supporting characters, a few babies are really responsible for truth, goodness and beauty, while others are completely inappropriate. They say they hate politicians and capital. Pretending to be extraordinary is more outrageous than not eating beef, and ordinary people who have nothing to do with them are worse than ants. The characterization is too weak, and the most important character is not as good as the gossipy neighbor wife of Dwayne Dantès in the original Mysterious novel. The author has used this system to write books, so why not learn from some of the excellence of the original novel? It's outrageous that a brainless person like Takeda Yuna can become a demigod, and the demigod's B-level will be completely eliminated. A huge scene like the fall of half of the city of Seattle was really like this in real life. The world would have been in chaos and the whole world was in panic. However, the plot in the book was as bland as the plot in the game, with no aftermath at all. There are too many shortcomings to mention. Generally speaking, it is just the system of mystery that attracts me to keep reading. The author needs to continue to improve in writing books. Let's learn more about the writing techniques of other great writers.

I came to see the behind-the-scenes scenes in Tokyo to see the chickens and chickens in the footbath, the monsters running rampant, the crumbling, and the corpses everywhere, not to see him flourish.

The disadvantage is that there is no icon

There are too many flaws First of all, there is a problem with the setting. Is the protagonist the mastermind behind the scenes or the nanny? The advancement of the plot depends entirely on the protagonist's performance, and the advancement of the characters depends entirely on the protagonist's gifts. The characters have no growth line at all. Just wait for the protagonist to feed you. In all major events, the protagonist plays the role of the mastermind behind the scenes, and the protagonist also reveals the truth. Is the protagonist the "audience" or the "clown"? I think the latter may be more suitable for the protagonist, too clownish. Secondly, it's not fun at all. It's told in a straightforward manner, one event after another, one setting after another, and a bunch of characters and forces appear one after another. It's completely overwhelming. I wrote a lot of characters and forces, but few people can live with them. Anyway, just looking at it makes me feel like it is tasteless, tasteless and a pity to throw away.

Is the curse of all living beings considered a bug? As long as public opinion is used well and the real name is known, the country can take advantage of this to easily make extraordinary people lose control. If millions of people curse, will angels or true gods lose control? Can we use this to target low-sequence Extraordinaries on a large scale, or let hundreds of millions of people sincerely curse an Extraordinary every day? In this way, killing Extraordinaries is as easy as killing a chicken.

All behind-the-scenes and solipsistic novels almost cannot escape the same ending. The supporting characters become longer in the later stages, and the protagonist disappears for a longer time. However, readers have no sense of involvement in the supporting characters. No matter how the supporting characters are shaped, they cannot offset the lack of involvement, which makes the story more boring in the later stages. The only difference lies in whether the growth curve of boredom is smooth or steep. There is actually nothing wrong with the plot of the supporting characters in this book, but there will always be some abrupt descriptions from time to time. Untimely body language, inexplicable changes in expressions and psychological activities. Regardless of shock, shyness, surprise, fear, ecstasy, all situations are described using the same description techniques and descriptions. The early and middle stages are fine, but they become more and more homogeneous towards the end. This may be due to the pressure of updating. If the author is still writing about this kind of popular subject in his next book, it is recommended that he try to differentiate the emotional descriptions of different situations. It will have a great impact on the shaping effect of the group portrait.

Now that the Judge's ability is revealed, how about arranging for the mysterious side of the solar system to be suppressed by the original God of Judge, and after his death, a sealed object carrying part of his power was left behind to continue to suppress the extraordinary, leading to the extinction of other species with extraordinary abilities. As time went by, the suppressed mysterious side began to gradually recover. Some people returned to the bloodline of extraordinary creatures, and under the influence of the high sequence, they began to actively destroy the sealed object to accelerate the mysterious return. I think this is quite interesting and could explain the disappearance of the gods.

Regarding the problem of true gods, it feels like everyone's strength is exactly the same. The use of symbols and the influence of Sefirah are almost completely invisible here. All that can be seen is the opposite wave. My suggestion is that if the writing is not good, just copy the characters and force composition of the original work, so that it will feel more immersive. It's really hard to watch the magic transformation. I came here for God War, but the thing that jumped out at me the most when I read this book was God War.

Can the author write a modified version of the Holy Grail War using historians to summon characters from history? I feel like it would be pretty cool 😰

Sequence 0 is really difficult to control if it exceeds the standard, but Sequence 1 feels like it is possible, and it is dedicated to specific Sequence 1, because some sequence promotion rituals are very provocative, such as degenerating a country with a population of at least tens of millions. These can leave holes for people to perform promotion rituals and then be blocked. Or it would be very interesting to let the protagonist direct and act on his own and ask Jinsheng to arrange for someone to stop him.