Stealing the Immortal!

More refinement! More refinement! More refinement! More updates, more updates, more updates

Speed

One of them has not been seen for a hundred years, and has nothing to do with the time traveler. The protagonist thinks about saving her and making love to her every day. I don't have enough energy to practice, so I want to find some magic medicine to save me. After refining Qi, I think about refining, the ninth level of Qi refining, the ninth level of Yuan condensation, the ninth level of foundation building, golden elixir? There is no way to get the immortal elixir to save him! ! ! Talent

The protagonist has so many powerful magical powers, but he still can't defeat him if he's just one level away. So it feels like there's no need to learn so much. Just learn the one that's easiest to improve, and just suppress it directly.

It is said that points are given for obstructing the path of immortality, but in fact it can be understood as being obtained by killing people, and the higher the cultivation level of the person killed, the more points are obtained, so wouldn't it be enough to invest all the points in upgrading the skills? Why do you always add those messy skills? Is it even remotely useful in combat? When your cultivation level is high, you can gain points by killing a high-level immortal cultivator to use all the messy skills before. Why do you have to invest so much in the early stage to use other skills? Oh, of course, the patch is said to hide the cultivation level, which is fine. After all, it is really abnormal to enter the foundation building in less than ten years, but your horizontal development will have some effect. It is an ancient secret technique, a high-level inheritance, and a large sect origin. A small sect in the 7th level cannot beat the 8th level of Condensation. You have to rely on the protective items given by the real person behind to scare others away. What's the use of adding so many points? Most importantly, what purpose does this plot serve? I won't say anything if you write about half-step foundation building or even the 9th level of Condensation Yuan. You can't beat even a small level, hyw? Still the same sentence, learn more about how Lu Sheng uses dark blue and how to write "go away"

Instead of wasting time learning that magical elixir every day, why not spend more time improving your cultivation first! And I think what was said above is right. When the male protagonist came back from reincarnation, he started thinking about saving Li Qianxue without even seeing her. If you have the skills, you might as well take the senior sister under your wing! At least she'll come to my senior sister's house when something happens! Even if I run for my life, I will let you go first! You have to take the blame yourself! Senior sister, that wasn't even a hint, she just made it clear! Isn't this 10,000 times better than a so-called baby kiss that you have never met?

Can the author explain it? Why doesn't the protagonist go to the outer sect to become a disciple? Are there any benefits to staying in the courtyard? A bunch of losers, the fairy seedlings couldn't even contribute a few points. Is the outer door small? There are only two masters for people to be apprentices to. It won't be a big deal if you find a master who just hangs around and waits for death. At least you have someone to support you. If you can make elixirs yourself (the ones you practice are very difficult and very useful elixirs), you will be self-sufficient a long time ago. Why do you have to hang out in the handyman yard? The correct way of cultivation for the protagonist should not be to rely on alchemy, make friends with the sect's geniuses, build up your credibility, and then run away after a big wave comes.

Can the author stop overstating the combat power? The protagonist you set is a sword cultivator and has cheats. I don't require the protagonist to cross a big realm to kill enemies, but you can't cross a small realm. Fighting in the same realm is strenuous. You can only fight high and low. Then what is the meaning of being a sword cultivator? Moreover, the plot is also amazing. In the past, the enemies were killed when they could be killed, and they became stronger after a while. Now the plot is that there are always a few people who repeatedly provoke the protagonist, but the protagonist refuses to kill. There are several times when he can clearly kill, but others still escape death. Why write such a disgusting plot? I want to ask who is the protagonist. He turns disaster into good luck, right?

Let's talk about the book "The Immortal Stealer": It's really enjoyable, but people are really paper people I recently finished reading "The Immortal Stealer" at Qidian. The overall feeling is that it's readable and good-looking. If I had to give it a score, I would give it 85. It belongs to the type of book that "does not hide its flaws and can definitely make a living". First of all, let me tell you why I think it is "good-looking", so that I can keep chasing it: 1. It starts by choking the neck, giving you no chance to lose focus. There are no useless counterattacks or slow-burning cultivation. The protagonist is involved in the matter of "stealing immortals" from the beginning. He either succeeds or dies, and the sense of crisis is full. I was hooked in the first chapter and thought to myself, "Oh boy, is it so exciting?", And then I read dozens of chapters in one go. 2. He is a master at rhythm control, but not good at all. The biggest advantage of this book is its "smoothness". The plot advances very quickly, with one crisis following another mystery, and the map is frequently changed. You will rarely feel like "this section is so boring and makes you want to jump." The author seems to know exactly where our patience lies, when it's time to slap someone in the face, when it's time to reveal secrets, and the language is clean, so you won't feel tired while reading. I often think "just read one chapter" before going to bed, and end up reading for half the night. 3. The layout is quite large, which is a bit interesting. The idea of ​​"stealing immortals" is attractive in itself, and the author does not just write about the protagonist secretly upgrading, but also draws out the lines of power struggle and world secrets behind it, which makes people feel that the story has a certain pattern, and it is not a brainless one. Complain again about its "good qualities without concealing its shortcomings": 1. The character is too tool-like! This is what I want to complain about the most. The protagonist is like a "plot trigger". His choices and growth are almost all for the purpose of advancing the next plot. The villain is the standard "arrogant → slapped in the face" template. Those female characters... Well, they are labeled as "beauties" and "confidants", and I can't remember their faces after watching it. There is no delicate inner drama, no real dilemma of choice, and the emotional drama is also blunt. To put it bluntly, you will care about the next step of the plot, but you will not really worry about the fate of any character. 2. Freshness, lack of staying power. At first, I thought the setting of "stealing immortals" was really interesting, but if you look deeper, you will find that the core is still a mature system of cultivating immortals, upgrading, changing maps, and fighting. Old bookworms can probably guess some of the copies and plots, but they lack the subversive surprise of "Wow, it can still be like this". It is better to speak skillfully than to have extremely novel ideas. To sum up my feelings: The Immortals are like a package of perfectly flavored potato chips, or a well-made popcorn movie. You know it may not have any profound nutrition, and the characters won't remember it for long, but it is "delicious" and "good-looking". You won't be able to stop reading once you pick it up, and you will never get bored and abandon the book when catching up on updates. So, I recommend it to friends like this: • I just want to find a book that is easy to read, fast-paced and enjoyable to decompress. • The requirements for "character creation with arc" and "shattering innovation in world view" are not high. • Afraid of writing in writing and pursuing smoothness and fast pace of reading. All in all, this is a product that fully implements the "service spirit" of online writing. It deserves the 85 points. After reading it, you will feel that your time was not wasted, but after closing the book, what is left in your mind may be those exciting plots rather than a living person.

Very well written, I haven't seen a fairy tale of this quality for a long time. An attractive hidden thread is the childhood sweetheart who is now comatose. The bright thread is the protagonist's upgrade and monster-fighting process. All the unreasonable progress of the protagonist will be automatically smoothed out by the relationship between the childhood sweethearts. The bright and dark threads intersect and constantly influence each other to promote the plot.

The author has some talent, the setting can be considered self-defeating so far, and the writing style is quite good and stable. The author has some unique understanding of men, women, and people. The book is sensual and smooth to read. This is a rare good book nowadays, but it feels normal that it is not popular. Maybe it's a problem with the settings and plug-ins. The protagonist's practice in this book doesn't feel like seeking the truth. It's more like playing a game to upgrade, which has become dull over time. The description and performance are not enough, and the character image has always been relatively monotonous - this can also be seen from the unified camp setting, which also makes the plot relatively thin and the impression not full enough. Men are all Taoist priests, and apart from being stupid or strong, they have 70 to 80% of them in common. There is no multi-faceted tension. The human nature is clearly written well, but you just can't feel that he is a complete person; especially the women, who are either fairy fairies or old women. If you click on it later, you will be stunning for everyone, but it will lose its appeal and make people doubt the author's aesthetics. And these women are all close to "cologne style" - this may be true, but they are not attractive enough. If they were really like this, they would be just "tools" in front of the real strong people, and there would be no need to talk about feelings. Let's not talk about the one who can't wake up. After finally creating a heroine, he immediately started a harem. Maybe the author thought this was to cater to the trend, but in fact, the character became light and airy before he became serious, leaving readers at a loss as to what to do next, and the follow-up was already predictable br>And after reading more, this is indeed a common problem of most male authors. As they write, they over-involve themselves. They are reluctant to let go of women, treasures, and sense of existence. For this reason, they do not hesitate to sacrifice logic and coherence, making the overall plot change beyond recognition and collapse. As I write, I don't know whether I am writing a book for people to read or to satisfy my own sexual desires. There are few people who can grasp this "degree" well. It seems that people who write books are particularly susceptible to the disease of literary youth. They are more excited than the readers, and their enthusiasm is to spread the world and attract people's resonance. In the end, the world revolves around and pushes the protagonist. The protagonist wants to save the world and open up a new pattern. There is really nothing new - and no effect. Therefore, it is a disease of literary youth. I can't say that this book is very obvious in these aspects. On the contrary, I can see its sobriety and restraint in the early stage, but now it is somewhat of a trend. If you have read too many books, the requirements may be a bit high, and the claims may be a bit far. Or maybe the back of this book is not ordinary. It is rare to find a book that you can read, so I hope for better.

Goldfinger's "Stealing Immortality" is accumulated by taking away people's paths. Doesn't this encourage the protagonist to kill people who cultivate immortality? The protagonist keeps trying not to kill, wasting this golden finger

It's beautiful. The author has his own framework of ideas, and you can feel that he is writing his own story with great care! Because I like to give some personal suggestions First of all, I hope the rhythm can be controlled well, don't be too hasty, and you can live for hundreds of years by practicing Qi. Then it is more appropriate to extend the protagonist's story to at least hundreds of years. Don't solve the problem of tens of thousands of years for the protagonist in decades Then there are two large-scale killings in the middle period that are not very good. Directly participating in the battle to kill people is robbing fairy seedlings, not stealing! Still has to plot a sinister person to be the highlight of the book to qualify as plagiarism! Moreover, it is necessary to control the large-scale death of people like the war between good and evil. That kind of death method is illogical, and people who practice Qi and cultivation are so slow. This method of death will kill people from both factions in a few years. Moreover, the protagonist appears to be too slutty and unreasonable. It feels like the person being killed by the protagonist is not a monk with a normal IQ but an NPC lined up. It is obviously the chessboard of Zhenjun Zhenren. The protagonist keeps jumping around on the chessboard. The real person is blind and cannot see. If it were not for the protagonist, he would have been slapped to death by the real person. Then please pay attention to polishing the text. Use idioms and sayings with caution and sparingly! For example, Tianwang Huihui can be used backwards even if it is sparse but not omitted, and it is like shaking the head instead of shaking it like a rattle. That is describing children or intellectual disabilities. It is very strange to describe a monk who has lived for hundreds of years. In general, online literature is very decadent now. It is too commercialized and there are very few books to read. It is still because it is not easy to have a good book. So I suggest you not to find faults, vote for a monthly vote to prove it!

Your protagonist should have a character, heroic, affectionate, cold, you can add whatever character you want. I hope you can be more reasonable and don't add whatever you think, otherwise you will look like a hypocrite.

Cool rhythm: 60 Writing: 70 Creativity/imagination: 85 Overall review: A-/B+ Detailed review: (The above reviews only refer to what I have seen so far before it is put on the shelves) This book is a type of novel with very, very, very obvious advantages and disadvantages. It can be seen that the author is really good. The outline setting should be very clear, so the overall rhythm of the article is not cumbersome at all. This means that every paragraph of the novel must have a purpose. There is no water or nonsense, and it all goes straight to the main line. But this also creates a problem. It is too dense and the plot has no relaxation at all. I feel that my whole body is running towards the main line, I am always in a dangerous situation, I have no time to rest, and I am a little tired. Advantages: 1. Good imagination. Goldfinger is more thoughtful and interesting. It is the first time I saw Goldfinger. Goldfinger is actually quite important in fairy tales, and its main impact is the difference in writing style and rhythm. Like "My Simulated Road to Immortality" which restarted the simulation stream, and the Chu Sheng Sect that later imitated and studied, there is also another sect's pioneering work "How to Become an Immortal Without Money". It's all golden fingers that determine the rhythm of the writing style. If the golden finger setting is not good, then if you write well, your results will naturally be good. The author's cheat sheet should be considered interesting, but it is difficult to write. It is a bit like my Simulated Immortality Record. If it is well written, it will be very awesome. If it is not well written, it will be useless. I am sorry for the cheat sheet I set. This aspect is pretty good. The golden finger of Pi Xian feels very promising. 2. The writing is good, the human world is very well handled, the characters are relatable, and they are not idiots. Each character feels like it has its own personality and its own destiny in the author's writing, and it is not the kind of character-like character who looks like a tool for the protagonist. The most difficult thing about writing fairy tales is that the writing style must be good and the characters must stand up. The author did a good job in this aspect, and he was quite good at it. Even I personally feel that the writing may be a little too good, especially Liu Tao. The author portrayed it very well. You will know it by looking at the readers' reactions. At the beginning, they all hated her, disliked her, hated her, and later said that they would accept him. 3. The plot setting is very dense and three-dimensional. It is a standard fine chaff and good chaff. However, it also corresponds to the following problems Disadvantages: 1. Refreshing rhythm. The only problem, and the biggest problem, is that it is too dense, not enough refreshing, and the emotions cannot be vented enough. This seems to be a common problem among many good works. The plot in the book is very well written, the world is well drawn, the plot is exciting, and the characters are three-dimensional. Your problem is that the rhythm is not very good and it is not exciting enough. It is not in line with the current era of Shuangwen. This is of course due to your stubbornness. There will be many good readers and old bookworms who will take advantage of you, but it will be difficult to attract a large number of fans. To put it simply, the writing is not good enough for beginners, so beginners can't understand it, feel tired and unhappy, it's that simple. In this regard, you can refer to my simulation of the road to immortality. It is the same as yours in the early stage. The setting is grand, the plot is exciting, and the world is complex, but the rhythm is relaxed and not so stressful. There is basically nothing else, it is in line with the path of fine fairy tales. Although this book may not be well written, I feel that there is a prototype. Keep up the good work 🙂🙂🙂 So combined with the above, it is a small masterpiece that has a little bit of the prototype of a fine fairy tale, but with obvious advantages and disadvantages. Eight monthly tickets are presented, hope to continue to work 🤓

Having a short name is a big taboo for cultivating immortals. I will punish Tongwei on behalf of Heaven and the Qingyang Immortal Lord in this world.

In order to benefit the evildoers, they have to build an archway for the way of heaven🤮. Although Fang Yuan is a villain, he doesn't seem to be different. Tang San is really disgusting.

You golden finger, how do you know that it is not a hook left by others, allowing the protagonist to train himself into an elixir, and then deliver it to the door and be swallowed by others? Even if there is a one-in-10,000 chance that the hook was not left by someone else, the person who created this thing definitely left a backhand. I think this golden finger brought you to such a dark world, and it must have been intentional. I don't believe that he is a philanthropist with this thing.

1. This book is a novel about the protagonist struggling all the way in an extremely oppressive world. After the end of the first volume, the two lines become clear, with a dark style. 2. The protagonist is cautious and scheming. It can be said that he is a scheming type. He can benefit himself by scheming others. This is the way of cheating. 3. Every character that appears in the book actually requires a lot of writing and has its own characteristics. 4. The protagonist's opportunity to enter the Immortal Sect is Li Qianxue. This character will continue until the subsequent plot until he wakes up. New books are not easy to come by, so I hope you can hold them high, collect them, and read them. I don't expect anything else, just these two points are enough. If you are lucky enough to reach the 100-year quota, I will be very grateful to all readers. Finally, I would like to say thank you!

The pressure on cultivation is too severe, it's not a cool article

The front is still about food and grass. I've read Chapter 257 so far. In the middle, it changes to fighting monsters (Demon Sect), upgrading and getting fairy seedlings. I'm a little tired of it and can't stand it anymore. Can anyone tell me if this is still the same routine later on?

Just taking down Yun Ci is a bit like Long Aotian's running account, which is a bit boring.

Why does an old lady over 200 years old smile so charmingly?

It has the potential of fairy grass The narrative is smooth, the plot is coherent, and it gradually gets better without delay. It has a bit of intrigue and struggle to survive. The road to growth is to fight with people and things to survive. The protagonist chooses a partner like Liu Tao among the tigers and wolves, and uses it to get out of the novice village. It is very exciting, because Liu Tao is not lovable when he appears, but it is exactly in line with our judgment of human nature. People with bad tempers and bad tempers are often easy to deal with. On the contrary, those who are pleasant and pleasant often stab in the back. The story is well told, without too much poison, and the writing is not bad, so it doesn't look like a novice. Keep up the good work!

Any prisoner of a cat or a dog has to be tortured all over again with a very low number of words, and the routine is the same.

Does Li Qianxue appear? Is the protagonist still a virgin? Did Liu Tao accept it? It looked very good after looking at the front, and I felt a little tired after changing the map in one breath.

The most uncomfortable thing is to brag about how fierce and fierce the Demon Sect is all day long. Every time there is a fight, even if the right time and place and the right people and the Dao Sect are killed, 80% of them will die. It doesn't matter so many deaths. The problem is that the Demon Sect can have destroyed the Dao Sect a long time ago. The Dao Sect is short of a true king, and the formation is extremely slow to activate. The Demon Sect can start it immediately with just one node. Set up a large formation, let alone fight head-on. At the same level, I feel that Demon Sect can exchange 1 for 10. To be honest, based on the battle damage rate I have seen in the few battles we have fought now, Daozong will be completely wiped out after a few more battles. I really feel that the author's mathematics is a big problem. This gap is so big. It is really God's will. I can't see the slightest possibility that Daozong can survive.

You only get one monthly pass after you have fully subscribed. I have worked very hard. I update nearly 10,000 words every day. This book will definitely be subscribed to 10,000 times.

Yesterday I had nothing to do, so I looked through the bookshelf, and found that some of the books I was following were either discontinued for a long time, or one chapter was updated every day. So I know it's time to find new books to read. I happened to find this book. First of all, the name is quite good. It may be about cultivating immortality in the traditional sense. It is difficult for most authors to write new ideas. So in the past few years, I find interesting non-traditional immortal cultivation statues [Xuan Jian Xian Clan] [Shang Yu Que] [Fang Xian Heretic] [Devil Cultivator] [In the Name of Supernatural Power]. All have their own novelties. As for this book, I read the sixty chapters in two days and am quite satisfied. Comments that are not reviews: The protagonist relies on stealing fairy in the shabby start. Discover your strengths and use them to open up situations. Plot, logic, and characterization are all fine. But the current solution to the problem is to kill to stop killing. It's understandable, after all, it's only 60 chapters. But I also look forward to the author using new ideas to resolve the crisis. The foreshadowing that I am currently looking forward to: 1. Is Pi Xian'er a system that does not exist in reality, or can it be extended to think that it is a system because the protagonist's level is too low. Wait until the level comes up later. Let Thief Immortal have two hidden plots (proposing this is purely a system text and is not a new subject. The Turtle Immortal of the Xuanjian Immortal Clan is an alienation from the system text). 2 The world of this book is a strictly hierarchical world, and the use of an artifact like Stealing Fairy'er requires the death of others. If the sect's investigation level is low in the early stage, you can pass. How to use Stealing Immortal reasonably in the later stage or how to make the protagonist reasonable and not be suspected. It's a difficult point. It can be a coincidence that a person crossed paths with you before he died. But there must be a lot of people dying on the protagonist's path to immortality. A hundred people are related to you before they die, so you have no problem with logic, but those powerful people may not necessarily judge based on logic only, they can convict just by suspicion. Still looking forward to the author's new ideas for solving problems. The above are all my personal opinions. Overall, this is a good new book.

So far it's okay, Although it's a harem story focusing on cultivating immortals, all the emotional lines are so smooth~~~Currently it's all about the hero saving the beauty, can you try some other routine (Visually, Li Qianxue should also be revived by the protagonist's elixir. To be honest, Li Qianxue designed such a genius identity, why can't he design it? When the protagonist tries to find an opportunity to get close to Li Qianxue after successfully refining the soul-returning pill, Li Qianxue wakes up by defeating the sword intention on his own. Let's do something counter-routine. As for the soul pill, it can be used in other maps in the future) The subsequent updates have been put on hold for the time being. Wait and see, the author obviously wants to write several clones. I'm afraid of thunder! ! ! Personally, I don't like the avatars to have any contact or plot with the protagonist's harem. Those protagonists are idle to practice, and the avatars have relationships with the harem, etc. They have been abandoned directly