1980S: Start with a Bankrupt Hotel

After reading the last chapter, I also collected it

That father Chen told him to get out of here. He couldn't see the big and small kings clearly. He would nudge him from the side, or else he would tell him to pay him and let him work.

Generally speaking, it was good to be fat in the 1980s. Are you an author born in the 2000s?

I didn't want to read it when I saw what the comments said, but I thought it might be a deliberate negative comment, so I clicked in and read more than 30 chapters, but I couldn't stand the rest. The main problem is the character creation. The protagonist, the protagonist's father and the heroine are all poorly portrayed. First of all, the protagonist. He said that a Sichuan chef is reborn. Logically speaking, he has experienced ups and downs and has the experience of the future. He should give people a feeling of confidence and publicity, and he has everything in mind. The author can shape the protagonist into a person who only panics when encountering problems and cannot tell that he is a big boss. The person who was reborn as a chef, the Xinyi girl was so nervous after being confessed that he couldn't cook any dish, he had no confidence at all, he was panicking when he couldn't sell boiled cabbage, and you, a reborn chef who didn't know how to boil cabbage, just had to learn, and the process of learning didn't show that he was reborn at all. In short, the portrayal of this protagonist was relatively unsuccessful. The second is the protagonist's father. He has been nagging the protagonist since he took over the restaurant. He feels that everything the protagonist does must be investigated, and he makes all kinds of arguments. It is obvious that the protagonist has succeeded in taking the Lao Mazhi test, and later he made it clear that he supports the protagonist, but he still nags the protagonist if he does something that is not in line with this era. Finally, there is the heroine. This problem is relatively not that serious, but the portrayal is not very successful. I feel that I have a crush on the protagonist after eating a few meals in the protagonist's shop. The emotional line is quite frivolous, which is the author's forced pairing. To be honest, it's not an advertisement for other authors' books. It was something someone mentioned in the book review section that I really wanted to learn how to write in Little Broken Shop. I finished reading that book and am now looking for a replacement. I really hope there is a book that can be as good as or better than that one. To be honest, that book is very skillful in character creation and plot arrangement. I can say that I have basically read all the books that started in the era and catering category, and that one can be said to be the top one.

He Yidao is portrayed as a cook who is capable but not able to teach his disciples and is somewhat unscrupulous. Whether he can learn it or not depends entirely on the protagonist's feeling and understanding. If something is not done well, he will always scold the pig for eating the pig and not eat it. He will knock the radish to the ground and pour the soup into the swill bucket when the soup is too hot. An old chef will not be so wasteful and disrespectful of food. The only human words the protagonist's father said were to let the male protagonist recognize a few words the old man said when he was a child. Everything else he said was to question the protagonist, or to lose his temper with others. It's rare to find a novel about learning to cook without plug-ins.

I gave it up, the cooking lesson was very uncomfortable, and the emotional drama that was imposed later was too off-putting. A time-travelling person wrote the emotional drama like a 16-year-old junior high school student. I suggest the author go to a small shop, it is called a smooth flow, the key is coordination, it looked good, the cooking skills, the contradictions, and the emotional drama were handled comfortably

I hope you can give me a lot of advice and thank you for your trouble

No, you write about being a father like a gangster