If the Police Are Dispatched at the End of the Day, Please Show Your ID Card.

The protagonist's base directly said how good the superpower is, and mechanical superpowers are also superpowers! Why is the ancient base so low? Didn't I say in the previous chapters that there are some capable people? What kind of superpower! How nice to directly write about the protagonist's mysterious abilities!

In the ancient emergency fortress, it would be better to just talk about the superpower or whether it can be disabled. The protagonist is obviously in a dominant position and has an absolute advantage, so why hide it? Telling one lie will lead to countless circles. I feel that whether the protagonist lies or not in this plot has no impact on the subsequent plot. Or maybe you want to arrange a rubbish villain later to advance the plot by attacking this so-called "ancient emergency fortress"? Otherwise, it's really a bit of a show and an embarrassment. It's not like Gou Daowen wants to hide it. Doesn't this book follow the royal line of killing zombies and collecting survivors to make mankind greater?

It's boring. I can't stand it when I meet a doctor. It's been a 10-year routine I saw it and didn't take action to save people. A policeman died. I was shocked and angry. It's a doctor again. Increase the weight. The procedural justice in the back is embarrassing. The exchange of magazines is the same in the front. If you have a gun, you have to say that the gun is very expensive.

However, the golden finger removed by the author is quite novel. In the past, other apocalyptic texts were all about the military or other things, but nothing like this. Novelty still attracts people.

The recent apocalyptic novels all have the same theme, and they all want to be fancy, but in the end, they are all the same ones, some alien invasion novels, some fantasy immortality novels, none of them are eye-catching I can guess what the hell is behind it, zombies are nothing, the apocalypse is man-made, and fighting against alien technology... What's the point? This kind of approach is already a red sea and has been written badly When you write about the apocalypse, just write about the apocalypse, add the tag of zombies and just keep focusing on this theme. Writing a good story and content is better than anything else. Originally, the previous writings were quite good, and the police station golden finger setting was also good. As soon as I saw something that was a legacy of a certain star, I lost the sense of immersion. It was like reading Shui Baiwen.

How should I put it? First of all, make sure that the subject matter is good. Secondly, the writing is not good. There are a lot of meaningless nonsense in the article (for example, you are so awesome, this kind of meaningless nonsense) If you want to write a single-main article, don't do this nonsense in the end, focus your perspective mainly on the protagonist (other people's perspectives are just to serve the protagonist). When writing about the protagonist being awesome, you cannot simply write about the protagonist being awesome. Suppose, what the protagonist is doing when he goes out, people in the base are very worried, because How awesome is the place you go? Show it by switching back to the perspective of the protagonist Secondly, if you are writing a group portrait novel (this type of novel is suitable for group portrait novels, but it is difficult to write), then your dialogue is different from a single main article designed around the protagonist, but around the relationship between the characters and shaping each main character (your article does not look like a group portrait novel to me, the protagonist accounts for a large proportion of it)

It's time to walk through the newbie dungeon. It's time to advance to the police station. You can earn more subordinates.

It's really difficult to set up the character of Chen Ming. You can set him as a science and engineering man, a scientific and technical talent, but setting him as a "idiot" like a science and engineering man would be too dramatic.

The first two chapters have not been written yet. If you are caught by a zombie and you are not infected, why should you write about zombies? Why are you not infected? You have to tell me. Who are you planning to let guess?

But I feel like the golden finger of the protagonist is a bit inferior compared to the enemies in each period, and it didn't let me see much potential.

Well written! Support! Come on!

Everyone said that the writing was good, but the subsequent processing was not good.

Chapter 34 goes to the university town to deal with it. You should move the equipment first and then save people. If you find people first, they will think you are the one who should do it; if you move the equipment first, they will think that your main target is the equipment. If they want to survive, they will come out to find the protagonist on their own.