Why Did My Villain Script Make the Heroines Fall for It?

The author's description of the characters is okay and can stir up emotions, but this so-called villain system is completely unnecessary. I don't see the essence of what was written, and there is no difference if it is directly simplified into an achievement system. It is just a so-called world simulation.

It's okay, but I think you shouldn't use too many of a routine, as it can easily lead to aesthetic fatigue, and you can't grasp the number of female characters if there are too many. 3.4 Is appropriate, 5.6 Is a little too much.

No! I've read Chapter 30, but I still don't know what the identity of the male protagonist is and what the main plot is about! He became a bodyguard for no apparent reason, and was hunted for no apparent reason? What is written? What is this?

It's pretty good. It's rare for someone to dare to write about this series. There are too many unfinished ones. But I feel that the author can write the subsequent plot well, because BOOS should definitely have a system. Although the later stage is mostly a road trip, the end of the second copy of the protagonist also made it clear that the system may be absorbing some energy upgrades, but the whole drama almost ended up being blown up. The protagonist is also miserable, broken and depressed, and remains depressed. I have an idea about the heroine. In fact, they are the same person, the Qin in the real world, and they can also avoid the trouble in the Shura field later. This thing of Shura Field is really troublesome. If I write less than one character, I will be criticized Either there is a great blank space, or the more tragic protagonist breaks down with the system, leaving the heroines to collect the corpse I hope I can live long enough for me to see the finale There is really nothing to do about the plot. The route has been fixed on the villain, so I can only write the world in different ways. Protagonists of all kinds, please come to Arknights Who else said that a world protagonist can only be cultivated by one female protagonist?

I feel that it is very well written within the same subject matter, and the focus is very unique. This kind of subject matter is basically written in the direction of the Shura field, and often the whole book collapses when it comes to the Shura field. However, the logic of the male protagonist's behavior in this book is all about improving the female protagonist, and there is no mention of deliberately "developing a boss". The feeling should be very different. In short, I am very much looking forward to the subsequent development. But at the moment, it seems that the heroine guide is a bit fast (not to say that the writing is not good, it is very good. Although it feels a little intellectually subdued in some places, the foreshadowing is not too abrupt, and knowing that it is a simulated world will not be particularly frustrating). I hope not to write more than a dozen heroines and then just make the originally well-characterized heroine invisible. This is what worries me the most. The most classic problem with multiple female protagonists is that there are too many female protagonists to write about and the book collapses. I really hope this book won't be like this. Finally, I wish the author will put it on the shelves soon, and I will order all the books.

The second dungeon is not very good, and the actual plot is just average now. Everything else is pretty good. I don't know why the data is not good.

The simulation is well written, the writing is good, and the plot flows smoothly. I quite like the nurturing part, it's peaceful and warm yet not lacking in explosive points, and the shaping is strong. The part that breaks away from the simulation is quite tricky, but it's really good and has strong memory points. The reality is a bit inferior, and the plot is a bit messy. Although the eldest lady has a lot of writing, she still feels that the character is not established and is a bit flat. Overall, the flaws are not hidden, and I look forward to the follow-up.

Why do you all like soul writing so much?

Why does it feel like it's written in a female channel? The protagonist's sense of presence is also too low

I really enjoyed reading it, and I think it was well written. It's a bit depressing, and there's also a badass system! So bad!

I have seen this routine several times. Most of the time I can guess the direction of the plot, and it is easy to get tired. However, the author does write it well and it is worth reading. In the eyes of readers who have never seen this routine, this should be very good.

Jiangjiang is coming, oooh~

It looks good, I would like to take the time to watch it.

I feel like I am a newcomer, the content is very thin, and my writing style is okay.

Nice writing, are you wearing it?

New wine in an old bottle, not bad, worth watching

I saw it in the daily guide, and the quality is unexpectedly good The plot is logical and the writing is also very good. The fun part of this kind of writing lies in the last scene of each journey and when we meet again. For the former, the author handled it very well, with sufficient foreshadowing, full of emotions, and no feeling of embarrassment at all. I haven't written about the latter yet, but I'm looking forward to it for the time being If you like this kind of subject, you must try it. Both votes were cast. I hope the author will continue to work hard and look forward to the day when the protagonist will see them again (✧◡✧)

I think the second copy was almost meaningless, a bit too far-fetched, and it felt a bit broken in the later stage.

Let's just say that the story of the Cultivation to Immortality dungeon is okay, but the realm and performance of cultivation are completely too awkward. If it doesn't work, I won't write it (

The writing is good, with strong characterization and description. A piece of food and grass