Tokyo: Picking up a Poor Young Lady on a Rainy Night

If you omit the title, it can become Tokyo: Sister Yu

The writing is very good, but I want to make a complaint. Good songs are paired with good paintings, but no matter how good the paintings are, they are only accompaniments. Shouldn't the songs be more popular?🙂

I thought I picked up Sister Yu, I wonder why it tastes so heavy

It was written that Saionji was too powerful. After liquidation, it only owed 10 billion yen. Small and medium-sized companies were like Evergrande, covering the sky with one hand. Even the richest man in our county would not look down on him for a company of this size.

I almost don't post but I just can't help myself. First of all, the first point I want to complain about: I think the next words are a bit unpleasant, but why does the writing and sentence making seem to have a strong flavor of AI, or is the author's writing style just like this? Some words, sentences, and vocabulary usage give me the feeling of being purely generated by AI without modification. Secondly, the current plot evaluation is very boring. The first uncle fought the BOSS for a long time and repeated a routine countless times: "To make money, spend money but have no money, find someone to be banned, and fight back against gambling." "To make money, spend money, and have no money, find someone to be banned, and fight back against gambling." A very idealistic process, I am tired of aesthetics All kinds of talents magically and mysteriously exist around the protagonist. When I go to dig wild vegetables in the mountains, I have to analyze which ones are vegetables and which ones are grass. But you told me that the protagonist randomly pulls out a piece of grass and there is a thousand-year-old ginseng underneath. Other novels have systematic marks for finding talents, but this book's system is almost zero. Once the protagonist is found accurately, don't engage in entertainment. Setting up a headhunting company to find talents for people will make more money faster than engaging in entertainment. All kinds of bets are very careless. The protagonist says that I want to bet, and the other party will take it. What if he doesn't take it? Yan Shuangying only bets on things that are beneficial to him, and he bets are justified. He never bets when he doesn't win. The protagonist makes a big bet and wins every time he bets. The content of the bet is also very sloppy, over exaggerating the power of the Internet, and underestimating the power of capital. The uncle is like a retarded person who will spend money on physical bans and buy hot searches but does not know how to spend money on online bans to increase the popularity. It is like a person saying how strong his door is, but the floor-to-ceiling windows are open, and then wondering why he can't stop thieves from entering the house and stealing things? The impression is that the protagonist has almost no role, but there is a pair of clearly visible author's big hands pushing the protagonist to work hard and then run out of money, borrow money and then lack people, find people and then be blocked, and then fight back extremely magically and work hard again, and then continue the endless cycle of having no money. It's a very standard process routine, but it's a bit exhausting.

As the title states, after this book enters the stage of starting a company, the existence and oppression of the villain consortium are inconsistent with the setting. For example, when a company in bankruptcy liquidation owes 10 billion in debt, the eldest lady has no trust and runs away penniless. When the second uncle takes over the mess, he can also acquire a queen-level entertainment company and inject capital into a bunch of two-dimensional companies to prevent the protagonist from becoming successful (there is even a company called Saionji Company that is making a big move to transform the movie into a sniper protagonist group). After being offline, this kind of mentally retarded villain even has signs of making a comeback. The output emotions identified as pure have the meaning of being overtaken by the concept of fl. Even the film director and voice actor who were later included did not open the system panel, and the system has been eaten up.

It gives me a headache, the synopsis is like this, but... Why do you think the plot has recently become more and more focused on the career story of a single heroine?

Let's say he's strong. He doesn't want to use both black and white methods. He finds a gangster to go shopping and cause trouble in front of the door, and then the media spreads dirty water on a large scale. In this case, no one except large-scale companies can survive. Every step of the strategy is just right for the male protagonist to handle. Let's say he's not strong. He can let the entire Japanese entertainment industry (film, television, entertainment, etc.) After bankruptcy, they can easily acquire the company of a national-level diva. Before bankruptcy, I didn't even dare to think about it. Moreover, the level of technology is also outrageous. Your name has not yet come out. Shinkai Makoto's timeline has not yet become popular. AI can already make smooth short films And to a certain extent, the characters in the author's works respect women more than Xiaohongshu because the protagonist creates a real all-female team 🙂, each with unique skills, and most of the characters are closely related to the Saionji family. All ways to make money are blocked and left to the protagonist to find out. I have never seen such capital This is because it feels like there is nothing wrong with it when I read it. But when I think about it, are they all flaws?

I'm talking about Maya. Is it true that Asasi's per capita god-level eggs are copied from tomatoes?

It seems to be from a female channel. It's very poisonous. I couldn't stand it in the first chapter.

I was confused about my career. The system didn't work and I didn't have enough money. My ability was limited to the first producer who had a sense of presence and then disappeared My relationship also progressed very quickly and I headed towards a single female protagonist

Although I came to Qidian not long ago, I have read a lot of books. This is the first time I complain about a book. There are too many flaws. Before "Your Name" was released, this book was still acceptable. It was very inspirational and touching. But now I really feel that all the tricks have been played out. Why is the Saionji family still covering the sky with one hand when it goes bankrupt? Is the male protagonist really omnipotent and able to save the day from danger every time? You can write about invincibility, you can write about dilemmas, but if you catch a trap, you will be trapped to death. It is the same routine every time. Every time the heroine encounters difficulties and setbacks, she cannot stand up. She must be encouraged by the male protagonist. I feel that after reading this, I really can stop reading. I am tired. This is not the kind of book I want to read.

The book written by the man of God poisoned me to death

I have read a similar book. The male protagonist just wants to make money, and then he can see the talents of others, and he also picks up the eldest lady. Unfortunately, the writing at the end of that book is so bad.

It's too little and it's not fun to read. I think this type of genre needs to be written with 150 chapters. The author can put it on the shelves early and write a few more chapters to make us a lot of money and then start the next book.

The previous writing is okay, but the writing about career is a mess, you don't know the author, right? Use your strengths and avoid weaknesses, you are really not suitable for writing about career, the logic and story are far behind. The interaction with the heroine in the first twenty chapters is quite good, but after the fifty chapters, I really can't finish it.

Whose vest is this😰I want to verify the text↗

The love line at the beginning is pretty good, but as it goes on it becomes more and more focused on the career line. So where does the light comedy in your introduction tag go? Moreover, the system behind it is also beautifully invisible. The other female supporting characters are inserted very suddenly. The neighbor who writes the article and the CV of the dubbing are all based on the luck of the protagonist. They are refreshed to complement the career line. If you join a system to find talent radar, it will not be so abrupt.

Read finished

Have you ever been a chaebol? Just write it without knowing it.

I still hope that the author can continue to update. The content up to now still makes people want to read it. I hope the author can adjust it and support it with some monthly votes The author can adjust it.

The pace of the book is very fast, and the daily bonding of the previous group of people was so exciting that I couldn't stop reading it. I just saw Violet in one breath. It's a pity that I cut it, but I will also look forward to the next book. Like the protagonists, even if they are at a low point, they must cheer up and keep going.

I borrowed the building to promote the book, Cyber×Western Fantasy. The title of the book is "The Magician of Eternal Night: From the Alchemical Warhead to the Seat of Truth" Thanks for borrowing the building

If you like writing about career lines, I suggest you switch to urban writing.

Author, why don't you first take a look at what labels you have? Are you still relevant to what you are writing about Love Shura Field? Moreover, writing about career is also pure Tang Dynasty chaos. Did you laugh when you wrote about Nishinomiya Foundation? The pretense and slap in the face routine ten years ago is gone. The career line has no intention at all and has gone off topic. If you still have some, save it. If you write further, you will really not be able to break up.

I've caught up with the latest chapter, please update more 😌

Ah, is this cut?