Being a Warlock Is Not Easy Either, Don't Be Picky About Magic

To be honest, the early writing of this book was a bit fluid. For example, if something happens (for example, the protagonist performs a big magic), the reaction of everyone present will be described. But after entering the 100th chapter, you can clearly feel the progress of the author's writing style. The description of the adventure process and natural environment is becoming more and more flavorful, and the illustrations are not stingy. By the time the Spring Hunting Chapter is over, it's already very interesting, and I highly recommend it. Another advantage is that the author has comments on every skill and entry ability that appears in the article, which is very friendly to readers who have reached the later stages or who have forgotten what skills the characters have after reading multiple books at the same time. In addition, this book and the entry Can't Waste have many similarities in the setting of the heroine: a moon elf, silver hair, purple eyes, bitter hatred, basically annihilation, and a mixture of emotional positivity and escape. I think it's normal for individual characters to have similar settings. It's understandable that the settings are similar because they all have to create a beautiful and attractive heroine with a story under the big setting of DND. The two books have their own characteristics in terms of emotional advancement and character relationships, and both are very interesting.

If he really traveled through time, the wild warlock must find a way to change his profession. Being passive is really a trap.

The writing is okay, but it doesn't take life seriously. Readers' perceptions will be brought into it, and I'm not active in brushing entries. I exercise while brushing other entries. My teeth are broken when I see that I am missing a little bit of physical fitness. Without these small flaws, you can compete with Super Magician.

Can any Shen Nong tell me what this book is like?

Why do the adventure missions taken by the protagonist's team exceed the upper limit of their abilities? The team is not very short of money. Isn't it right to evaluate every time you take on a mission and control the risk to less than minor injuries? Every time, it relies on the protagonist's random talents to solve the problem. For example, when fighting an owl bear, you can't even fight it in the front row. A mage in the protagonist's face is directly attacked. He has to use a random greasy spell to solve it with the ancestral elves. The other teammates are really NPCs. This kind of random play (the author's cheating) should appear again when encountering uncontrollable high-risk risks to turn the tide, and usually randomize some innocuous spell effects, so that the look and feel will be better.

The writing style is very detailed, but maybe I am too impetuous. I couldn't stand it in the early stages. The protagonist is almost always in desperate situations, relying on others to sacrifice their lives to save him every time. It follows the setting too much. Some plot details still need to be considered again. For example, a very important thing at the beginning turned out to be that the mage organization sent an apprentice... I don't like the setting that every useful magic has a long rest. It's too cumbersome. I'm exhausted every time. The protagonist is too weak and I'm almost exhausted from watching it. Save some more and give me your monthly vote.

It looks a bit red and warm. It's not a matter of suppressing combat power. The protagonist's combat power improves quite quickly. But can this method of crisis creation and plot advancement be slightly better? At least don't be so frustrated? Which good person has already finished counting the money on his first adventure and is just short of settlement, and there is still a robber to attack? ? ? Although it is understandable that the intention is to show off the protagonist's new skills, the timing is too sweet, not to mention directly causing the heroine to die. Although he was rescued on the spot, it was very uncomfortable to do this without any emotional foreshadowing. What's more, the dwarf's red bottle has almost no foundation, like a temporary patch. If the knife is not patched, it is not a hair knife, let alone a hair knife. If DM leads a group with such a design, he will really get criticized, right? There is also this wild magic surge. If it is Anke or Dice, I can comfort myself by saying that it is the bloodthirsty Dice Girl who has bad results every time. After all, it is true that the Dice Girl has great success, but if it is not the case, it would be too frustrating to make big mistakes every time, right? The dramatic effect doesn't mean that the male protagonist is deflated every day, right? I feel that my taste is not disdainful of the male protagonist being defeated, but every time such inexplicable knives and emergencies always make my mentality explode. Although the other parts are quite to my liking, there is a high probability that I won't be able to stand it anymore. Posting a book review is just to make a few comments about Hong Wen, and there is no malice.

Rt

This book is a daily guide. Overall, this book is good. If you have read the book "The Master Says You Can't Waste the Entries You Draw," in fact, the two books are almost the same. They both have a setting of gaining favorability points and the protagonist has a month elf by his side. My overall personal impression is that the overall level of this book is not much different from this Wanben book. To put it simply, the plot of this book is to intersperse dungeons in daily life. The early dungeons are mainly short dungeons within ten chapters, and there will be long dungeons later. The dungeons are full of adventure, and the battles are almost like playing games. The protagonist upgrades step by step, and every time you download a dungeon, you feel a good sense of reward. The identity of the wild warlock is mainly used in the plot to increase the difficulty and make the originally relatively easy battle very extreme. Of course, I don't think this is a problem, it's just a different writing method. Needless to say, generally DND authors who are not good at writing adventure plots will not be able to make a living. The writing that can make a living is not bad, and it is a basic skill The daily life is mainly about the emotional line, and the protagonist is completely a little virgin. I really haven't seen such a virgin male protagonist in a harem novel for a long time. For now, I only recommend Elf. I won't comment on whether it's good or not. It depends on personal taste. For example, I read in book circles that some people say that changing bodies is a bad job, but I think it's a good job. The problem is that the progress is a bit slow. Compared with "Entry", "Entry" is actually also slower, but it does not write so much space, and more characters appear at the same time, which will make the look and feel better. For example, the book also intersperses interactions with elves during the battle. It feels like there is a lot of interaction, but the progress is not up. The main problem with this book is that the main line is unclear. The protagonist of the book "Entry" needs to solve the problem of his own bloodline curse. In a game with a relatively high degree of freedom like Baldur's Gate, the player also has a mind flayer tadpole hanging in his mind in the early stage. The main plot of this book, personally, feels like collecting original magic that is lost in various places? But the protagonist gave me the feeling that I just lucked out wherever I met him, and I didn't deliberately look for him, so I didn't really understand what the main plot was. Then there's the title of the book. If you have a good idea, I'd really like to change the title. Your title really doesn't attract readers. Then the author of this book has a very good attitude and responds positively to comments. Every new creature has pictures and information. He will also add some entries in the comment area about the protagonist's low appearance rate. Give the author a thumbs up.

Ah, what kind of rubbish profession is this? Why does it always trigger the debuff?

Fight monsters to level up, change maps, then fight monsters to level up, and change maps again. There is almost no emotional drama mentioned in the introduction, and the smelly dwarf has a higher sense of presence than the heroine.

The best adventure story I've read on a romantic line in a while.

The wild surge meter of 5r seems to be more than a little stronger than that of 5e. I feel that the 5r is actually strengthened when paired with this family blood. Looking forward to the reply.

It's a pretty good Western fantasy novel, with excellent writing and plot But there is a problem with the emotional line. The elf spends a lot of time writing the emotional scene, but it is repeated repeatedly without any real progress. The mage suddenly falls in love with the male protagonist, which is a bit abrupt As a result, I can't stand the exchange of souls between the male and female protagonists later. This kind of plot is quite difficult to criticize, to be honest.

I'm done chasing it, the writing is very good, it shouldn't be this popular. To pick a nitpick, I personally feel that the title and introduction of the book are a bit generic. The love scene is a little too well written. If you want to write about a harem, there is no need to spend so much space on one female protagonist. Moreover, the heroine who has been written about the most is precisely the one who is portrayed in the most ordinary way. To put it bluntly, she is a Dong Xun'er type, a pure white lotus who is unconditionally loyal to the male protagonist. This kind of too safe character feels repetitive after watching it for a long time. And your love scene is too provocative. It takes a long time just to hold hands, and it has only progressed to this point. It is just an innocent and underage story. Since there is no progress, write less. Every time the adventure ends, the formula is to touch the head, the formula is to whisper in the ear, the formula is to blush. The story is quite exciting, but the pulling scenes are too repetitive and mess up the original tight rhythm.

Really, readers would rather have less strength than less constitution. That's not the attribute point of the protagonist, it's the attribute point of the reader.

The male protagonist was too tight in the early stage, and every time he was asked to do something that was important to his life.

Experience different creatures in the Monster Manual in adventure after adventure. The identity of the wild warlock adds many surprises to the journey. The character descriptions of NPCs are very vivid, and the images are vivid on the page. Watching the protagonist's adventures feels like a real adventure life. Recommended viewing

I've just read the Harukai chapter, and everything else is pretty good except for the emotional line, which feels like it's just a waste of word count, and the progress with Ilia is really too slow. The other parts, whether it's combat or daily life, are all very well written, but the emotional aspect is so lacking. I haven't read the rest of it yet, so I hope the author can improve it.

Fan art from book friends😋

Most of the time I post just because I want to complain, so I'll just go through the pros. It can be seen that the setting has detailed and rigorous reference and compliance, and the emotional changes over a period of time are delicate enough. Okay, let's get to the point. 1. The protagonist never lacks fighting wisdom. This is actually recorded in the Goblin Cave mission. If the team attacked by bugbears is in poor condition and there are monsters like bugbears in the way, they will continue to advance rashly. During the spring hunting period, it was once again reflected in the unintelligible active entry into the Hag Po site. There is a passage in Unicorn Gundam that says well: "This is the absolute defense circle of the earth. It is impossible for fleet-level enemies to launch an attack." 2. The feeling of the emotional line is extremely, extremely, extremely bad. It is true that the emotional changes in a certain paragraph are delicate, but its poor, long, and stuck-in-the-spot overall line makes the feelings completely become a lump. Looking at it as a whole, more than 300 chapters have been written for the first elf. Oh my god, is it true that the author said he can treat the three heroines smoothly? How many chapters should this book have? Can other heroines have this kind of description that guarantees two big chapters and then takes up the bulk of the third chapter? The best thing is that so much description is used in the entire middle section. There is almost no progress except for being able to hug and see dreams. The Harukai chapter is completely silent around chapter 280. Every time it is a long description and then a hug to give you a +1 favor. The royal princess is also the heroine. To be honest, her role is not as good as that of the wood elf in the Spring Hunting Chapter. The princess's favorability is created by the protagonist himself. The wood elf's favorability and the rescue of her and her sister are described a lot. Is the royal chapter almost over for the remaining princesses? Or is it really possible to continue writing about old ladies' foot-bindings among a bunch of comments in the book review section that say the emotional line is too long? Impossible? What's more, the author directly said that girls will be missed. You can't even understand why the princess is the heroine and the wood elf who seems to have deeper emotions can only be kicked to death Are those details very good? We often say that the charm of a character depends on the diversity of the character's dimensions. In layman's terms, it is the contrast, or the character's "real choice made under external pressure." For example, the dwarf chose to join when everyone in the team was finally ready to help the elves prepare to set off. This is a choice and a kind of characterization. The character creation of the elf has always been with the protagonist, wanting to protect and follow the protagonist all the time. This is the character creation that has been carried out in the past three hundred chapters with a long and smelly emotional line. This kind of character creation is carried out under external pressure (enemies, injuries), and we think this choice is real. However, in the end, the elf actively chose the mission and refused to be followed by the protagonist. This is inconsistent with the characterization we have long accepted. We will feel that a contradiction has arisen, and then the human brain will try to resolve the contradiction. Then, this performance will naturally be classified as the character's truth, that is, a character's true inner self. Readers will think that the truth about the elf is that under certain circumstances, they will choose the former among the multiple-choice questions (more than 40 years of experience in human society + the protagonist's relationship: oracle + racial mission) (the elf who swears to always stay by the protagonist's side and asks for the protagonist's permission: 🤡). This is why some people think that the relationship between the protagonist and the heroine is like that, because the truth about the heroine's role weakens this relationship, that is, it cannot be connected with the change in characterization, resulting in conflicts. Of course you can say that the protagonist is still the most important to the elves, but this description makes people doubt her options if there is a zero-sum multiple-choice question between the protagonist and the race. Readers will naturally realize that this is a novel with multiple female protagonists and one female protagonist, and a contestant who crosses the line needs to leave the race before others can get on the track. In this way, the character has become an NPC, and the target with a long love line has been successfully destroyed, which is gratifying. It would be better to say that the relationship between the protagonist and the elf is indeed not good. After getting the elf's permission to dream, the protagonist did not tell the elf that he saw her being raped as a child. This kind of statement would obviously be very logical, but it was not until Harukai that the more detailed version was told to the elf. Counting the fact that the elf concealed the oracle but did not choose the entanglement but thought about how to say it, they can be regarded as a pair of fateful mandarin ducks.

The reason why I keep reading is Wild Magic Surge, the last few chapters are so good!

Where are my lovers? How did it become pure love?

It's a very good Western fantasy, and one of the few that I can watch except Doctor Green Dragon. It has an interesting career, the exploration of magic, and the description of the emotional line. Although the pace is a bit slow, it doesn't have any serious flaws. If it can be kept up, it will definitely be fine. (Don't follow the example of Duan Xiaojie's love line, otherwise you will abandon the book directly.)

Why is your novel full of words? It makes my eyes hurt when I read it. Can you change it...

I wanted to save at least 50 chapters for the slaughter, but after waiting for so long, I only got 42 😳.

Sometimes it feels like a pity. This book is obviously very good, but it is not very popular.

I've read more than 40 chapters, and it's okay. I just feel that the protagonist is a bit desperate for money. He dares to risk his life to fight the jackals with just a few gold coins. There are only a few people. He has almost used all his cards and dares to follow orders to behead people. It's just that the psychological quality of his teammates is not good. There are only a few people. If it weren't for the deus ex machina, the protagonist will die. How can the protagonist dare to take this task 🙂

I often come here to catch up after a period of time, and each time I have to feel uncomfortable for a while before I can immerse myself in reading. It turns out that the last part is filled with useful AI, but the AI ​​is a little too complicated and doesn't have that clean and crisp feel. For those who like dnd, I think there are no shortcomings. The first is that it is partially filled with AI, and the descriptions of movements and expressions are somewhat cumbersome. It looks awkward. The second is the city of thieves. It seems that intelligence from the entire continent can be gathered there. It's a bit high-definition, but it's a bit inconsistent to ask the protagonist for help when fighting a big Medusa.

It's almost done. In fact, I wanted to ask Shava before, but she is a wood elf after all and has different views. Now that Nightingale is doing this again, I really have to ask, the author, how do you plan to arrange these female supporting characters? Or, to put it more bluntly, will you leave out the female characters? The questions I asked before are actually harmless, and the overall look is good. I really can't stand this point now. You can give me an accurate message and see that it's easy to get together and get away, so as not to make me eat a big meal later.