The Carved Sword

Brothers, use your imagination and let the author create according to our worldview.

I didn't expect that this style of writing is still possible in this day and age.

Why didn't you divide it into chapters? When you opened the table of contents, I thought you hadn't finished writing the preface.

This chapter makes people feel hot and cold at the same time. The cold one is Zhu Wanying. When Su Ziqing was summoned back to Beijing, there was not even a greeting in the imperial edict. When the person arrived, he waited outside the palace for half an hour. After entering, he didn't even raise his head. After asking about his injuries and military affairs, he said "step back" and left. From beginning to end, she didn't look at him. The emperor is ruthless, the ruthlessness of Emperor Wu of the Han Dynasty - a sword is a sword, as long as it is easy to use, there is no need to care whether the sword is cold or painful. The hot one is Su Ziqing. He knew everything, but he still came back. Not because of your fate, but because "he needs to come back." In the Ancestral Temple, he kowtows to his master and takes out a wooden eagle that has been carved for three months; in the workshop, he carves a wooden figure, carving himself with "a straight waist and looking into the distance"; Fuqiupe nags him to drink soup, and he drinks it. This person has a craftsman's "dullness" - not dull, but keeping all the sharpness in his heart, leaving only warmth to the outside world.

The writing is good and has the flavor of traditional martial arts.