There Must Be Something Wrong with My Fairy Tail Style

You have to have a special move of your own, either it's like dark clouds and thunder, or you have to control the situation. If you have a golden finger, what you write will be like a passerby, and no one will read it.

What kind of cloud magic is obviously the ether element. Liu Xing thinks it's very useful. Is there anyone who hasn't watched "The Star-Stealing Moon"?

What are you writing about? A running account 😒

What are you doing in these 47 chapters? Animal protectionism comes out of nowhere. Does the author think this book will die quickly enough? If you are attacked, why don't you deal with it quickly? Show your humor there?

Magic can be learned... There are two ways, one is inheritance and the other is independent learning. Apart from anything else, you can always learn costume magic and word magic, right?

The protagonist feels that he has lived in vain for so many years, and becomes an elementary school student once he travels through his mind.

It's not like the protagonist has never attacked animals in the Fairy Tail world before. When he teamed up with Laxus, he also injured animals. Why, after the plot has paved the way for a lot of growth, when you team up with new people again and encounter a monster that threatens the lives of yourself and your partners, why are you not willing to control the imprisonment and hurt the other party? Gray's life is not life?

The Thirteenth Abandonment, the protagonist is not even up yet and a plot is written in which someone sacrifices for him. This plot is just to depress people, it is cliche and boring.

Has the author never watched Fairy Tail? ? ? It was really hard for me to test whether the protagonist had magic power at the beginning! ! ! Not to mention the protagonist, even the flowers, plants and trees have magic power

The character design is too weird. It doesn't look like rebirth, but like a native. And it's too indecisive. A man doesn't feel like a man, but like a girl. I don't dare to do this, and I don't do that. What the hell is the protagonist's character?

Just because your body has become smaller does not mean you have to become childish. The plot and characterization are too childish.

After taking Gray on a mission in more than 40 chapters, is there a big difference from the previous one? In the beginning, the protagonist was relatively quiet and mature, but in the end, he turned into a brainless and reckless man? Have you trained your muscles in your head?

Even if the writing is bland, the writing style is still okay, but the protagonist does not feel like a time traveler, but like a precocious child. Also, the ability to develop himself is too cliche.

Just the introduction makes me feel bored.

The protagonist doesn't want to be an adult who graduated from college at all, and behaves almost like a primary school student

I've already watched Fairy Tail. If I'm not enthusiastic, why should I watch Fairy Tail 🥱

You can learn from the pirates, Smoker's fruit ability, and Nami's weather stick You can also steal the star September sky Clouds are simply water in the air, can Aizen's Kyoka Suigetsu be realized Doraemon's Kingdom above the clouds, childhood memories

Only after reading the new chapter did I realize that the protagonist is a virgin

Speechless and meditating again. When did the magician in Fairy Tail meditate? It smells like internal energy and mental methods.

It's so rubbish. After reading Chapter 47, the protagonist's strength is growing, but his character has not grown at all. He has always been timid and fearful, and has no responsibility. In Chapter 46, it was written that he has grown. In Chapter 47, he was written without responsibility and in a hurry when encountering an unexpected situation. The growth only appears in the author's narration.

It's very good. This book is like tea. Only by savoring it carefully can you appreciate the author's delicate techniques. Those rubbish who like to read cool articles cannot understand this slow pace. The protagonist is not a genius, does not have a strong body, does not have powerful magic, and has a golden finger that is not too powerful and can only be said to be an auxiliary one! It's really good, a little bit of hard work, a little bit of getting stronger,

1. He's a bit of a literary youth 2. He's another time traveler but looks more like a native kid 3. He was given fighting secrets, but he didn't use too much text. Instead, he relied on farming insights to gain strength? Laxus emphasized physical fitness from the beginning, and the protagonist also did it, and his physical fitness also improved. Then after farming for a period of time, he discovered that physical fitness affects the improvement of magic power? Many prefaces do not match the afterwords, and other parts are not revealed one by one. If the author wants to write well, he really needs to think carefully and refine the outline.

In the final analysis, it's not the painting style of Fairy Tail that's wrong, it's the writing of you, the author. The more I read, the more I feel like I was learning magic in my early fantasy novels.

The protagonist can combine his cloud magic with swordsmanship, just like Tokitou Muichiro. His Kasumi is very similar to clouds. Clouds can be seen but cannot be touched, silent and elusive. Unlike ice and fire, they have a stable structure. The characteristic of clouds lies in its carrying capacity and elusiveness, that is, you can see it, but you cannot catch it. And against elemental attacks, clouds should have a natural advantage. Whether it is fire or ice, as long as a violent aggregation of elements occurs around him, the number of corresponding elements around him will increase.

Too weak. He didn't learn anything by killing people from other guilds before. Then he lost the S-level assessment. He can obviously train the clouds and mist to pressurize the human body's blood vessels to burst. What kind of thunder magic is he still pursuing?

Fairy Tail travels to 400 years ago

I almost forgot how many chapters there are left

Come on, author, take your time and don't be led astray by the comment section. You have great potential and I'm very optimistic about you, but you have to persevere. If you don't lose in the end and don't want to be the president,

I chose cloud magic at the beginning, and it seemed that the author wanted to make a living, but after reading it, I felt that it was a bit unlikely that the author wanted to use cloud magic to make a living. It's cloud compression, cloud crystal, and thunder magic. Whether it's strong or not seems to have nothing to do with cloud magic. As a reader who likes the change system, here is a set of development ideas for Cloud Magic that you can refer to and discuss. The author can see the best. There are not many words now and the style can be modified. If it doesn't work, you can try it in the next book. 1. What are clouds? Since the creation of the sky in Pangu, the innate Qi has been divided into two parts. The turbid ones dissolve in all things and fall into mud, while the light ones rise above all things and become clouds and become Qi. These are the two states of all things, that is, the difference between cloud and mud. This differentiates the two states of cloud magic. Cloud and Mud Technique Mud Technique, the primary method of absorbing impurity magic power and turning it into a quality cloud and marsh technique. For attacks, you can refer to the Zang Wu Lei of the younger master, Cangtan in the North. Once you have quality, you can use modeling magic to impart magic. Intermediate players can play with pumping out air and injecting air pressure to play with overpressure and negative pressure. Advanced players can play with turning people from mud to clouds and sucking people up into the sky on a large scale to play with the sky falling. It's easy to use for Muggles who can't fly. Cloud Technique, the primary level is not suitable for compression but can be diluted and spread over a wide area, playing interference, floating, and anti-invisibility like Milovsky particles. Then build up momentum in the air, and then turn the clouds into mud to play Cloud Hammer (medium range), Cloud Whale Fall (large range, you can refer to Young Master's move), Yun Beng (extremely large range avalanche), and weather magic. Take the path of quantitative change leading to qualitative change. The clouds are constantly gathering and dispersing, and the wind is invincible and cannot be harmed by swords. Cloud Magic is supposed to follow a mysterious and unpredictable path, and using compressed crystallization is a bit of a sacrifice. 2. Cloud armed route, wrap the whole body with cloud mud, refer to Marvel's Venom Spider-Man, establish a base point in the air and take a 360-degree three-dimensional maneuvering path, plus cloud interference, clone, and cloud transformation to save life. The ability to tank and stab can be varied. 3. Cloud endowment, you can add in endowment magic, which is the classic three cloud techniques (poison cloud, death cloud, stinky cloud), including the ion cloud, cloud shape, cloud beast and cloud giant that have been developed now. In short, with the art of cloud and mud as the core, whether you are following the path of impermanence or phaselessness, you can use this as the core to create dozens of different tactical styles and magic. It's no problem if the protagonist has little magic power. You can design a mechanism to absorb discrete magic power and increase the energy. Generally speaking, cloud and mist magic is suitable for quantitative changes rather than qualitative changes. This is a path that combines the three elements of art, martial arts, and law into one. I personally prefer transformational spells. It is rare to see a book about cloud magic, but I found that the author took the traditional confrontation route before writing this post. Of course, I haven't progressed to the latest chapter. If I write down the true meaning of the changes in the cloud and mist type later, it will be considered as being pretentious. I recently mentioned that the change faction is not weak. The true meaning of the three-point change faction is definitely higher than the traditional limit of bombardment.