Peninsula: I Already Won an Oscar, the System Is Here

The author's writing style is not bad, the writing is relatively smooth without too many typos, the writing style is humorous, and the form of text description of the protagonist's inner drama is quite good. This is the only advantage. The main problem is that the male protagonist is positioned as a monster, a top director, and a capital market giant. He has preferences, pampering, and a harem. But what about the foreshadowing? A typical example is that when Yoona Lin was filming "I Want to Meet You", she was given a script, a role, and there was no problem in praising the person, but why was it given to her? Before deciding on the heroine, the male protagonist was related to Ham Eun-jung and Park So-yeon. The male protagonist took the initiative to dote on Choi Sulli. She attended the birthdays of Park Hyo-min and Lee Soon-gyu. Is she, Lim Yoon-ah, a green girl? She wrote a scheming story but didn't write it out, so she was forced to have an external hookup. Before she got the role, she said a few words to the protagonist. What kind of contact did she have? There was no interaction in the early stage and the gift package was delivered directly to your door, right? Secondly, the female characters created by the author are too cartoonish, and the fullness of the characters is really low. I read Korean entertainment as fan fiction, so it doesn't matter how the characters are in reality, but they must be sufficiently differentiated, right? There are several characters currently appearing but their role value is too low. It feels like these NPCs who appear can be deleted in large numbers. There are always large gatherings where the main characters are invited to participate in activities, and there is not much interaction to build a lively scene. It feels like just one sentence, XX waited for X people to have a meal at XX and XXXXXX on a certain day of a certain year and a certain month. In the end, the pond splashed. I think what Korean entertainment needs is just the names of the characters, not the main line of the story in Korea. The first clip is amazing. The protagonist knows that the foundation of his career is in the United States. His biggest reliance is winning an Oscar and filming Avengers. He went to Korean entertainment purely because of the cost of system tasks. The first step is an MV and the second step is a short video. When I saw that the third step is to shoot a Korean drama within a year, I thought the protagonist would bring some NPC back to the United States to create something. Unexpectedly, the author directly arranged for the protagonist to take root in South Korea. Why are you, a monster with great prospects, splashing in the pond? Is it fun? Others don't know, but when I watch Korean entertainment, what I want to see are the activities of the famous people, not the main character splashing around in the small pond in Korea.

It's similar to a book where you're famous in Hollywood, and then you go to South Korea to film a TV series, and then you start licking celebrities, and they're all Shirley. To put it nicely, it means changing miserable lives, which means eating up the flow of dead people. The beautiful name is to change the misery, and then everything goes smoothly. It's a pity to say it.

There were also Korean ones in this era. Not much more. Mainly because I like to see more girl groups. Mu Han's rare

If the MV fails to be shot, it will be pigeon eggs. If the author stops writing halfway, will he also ask for pigeon eggs 🙂

After winning an Oscar, you went back to Korea to shoot a music video for your idol. Your setting is simply too poisonous. You don't see the need to give the protagonist such a high title. This is no different from the Korean entertainment God of War, chaebol, and gangster licking stories ten years ago.

In what era are we still forced to do tasks? What's the use of this system?

Why do you make the protagonist look like Xiao Shou when you get along with a female character? Is it to pass the trial?

The punishment is very poisonous, but I have to hold back, there is too little Korean entertainment...

It's so difficult, I can't even figure out how to advance the plot. The Oscar-winning director went to Korea to shoot the music video, but if he didn't shoot, he would become a eunuch. What on earth was he thinking about in the beginning?

Here we are, as long as you write The Crown we are all good brothers

It's 2026 and there's a system for punishing male porn

I'm really afraid that you are in the eunuch, you came from Qie's place

I don't know why it's very annoying to watch. I feel that the protagonist has no opinion at all and is not strong at all. He is passive even when sleeping with women. It also gives me the feeling that the protagonist feels more annoyed and has the ability to refuse but just goes with the flow. Also, the stars in the book give me the feeling that they all have their own plans for the protagonist. The protagonist is obviously not familiar with them, but they have more things to do. They just invited the protagonist to dinner and ate more than three times. If we have a good relationship, we can always go to Xue Li and let Xue Li find the protagonist. They are not afraid of the protagonist being alienated from Xue Li due to these things. Moreover, Xue Li and the protagonist only have a limited relationship. I feel that stars sometimes seek out protagonists and authors to advance the plot. The heroine makes stars like the protagonist, but the method gives me a feeling that the protagonist doesn't want to worry about the protagonist.

Looking at the introduction, it belongs to a brainless pig abuse article. Is there a Shen Nong? Is it highly toxic?

It's not as good as the system of the cat next door. The protagonist will die if he doesn't do the tasks. The system begs the protagonist to do the tasks.

It really doesn't matter what the identity and background of the protagonist is, as long as he comes into contact with Korean entertainment, he will become a licker step by step. Even the reincarnation of gods may not be able to escape. And since Cui Xueli passed away, she has written 8 out of 10 books. What to change her miserable life. He said it openly and honestly, but then changed his mind and became completely devoted to the protagonist, and then the protagonist started a harem again. Cui Xueli even took the initiative to help the protagonist find it. Just because there is traffic, now we are no longer satisfied with the traffic of live people, but have begun to eat the traffic of dead people.

Brother who writes about the Korean entertainment group Tara, please work hard! ! !

The starting point should be to set the number of readers who can subscribe to report the author to a certain number to ban the book.

Boss, please forgive me. I'm using Liu Yifei from "Hua Entertainment: The Light Chaser" for a single use.

Update soon, Hun Dan! Who can watch that much in one day? !

I just watched the beginning, it was too toxic, bye bye!

After reading a few chapters, if the author's writing style is still so nonsensical, then it's just funny.

This is just like Tomato's mindless novel, all the women are given for free, and the plot is inexplicable.

These two stories written by the author are a bit disconnected, and Star Boss Yuan Yuan also watched the premiere together, but didn't even mention it! In addition, there was no ambiguity with Yoona in the early stage, but in the end he said he loved you and went to meet his parents? Besides, it's not her turn. Where is Tian Eunjing? Where's the boss Yuan? Where's Shirley? When writing novels, don't talk about reality.

Why is this book so similar to a Korean entertainment book by Tomato?