Hogwarts: Portrait of the Dead

The demise of a good book was once again poisoned by me... What a pity. It is a fresh perspective and a profession that has never been written about in HP articles. The protagonist is essentially very kind, and his kindness level is in the same range as the deans in HP. There is no sense of incompatibility in the original work. There are also fresh settings and imitations of marks. It is mysterious, restrained and attractive. Unfortunately, it does not fit the tonality of fast food and the invincibility of the protagonist, so it was cut. There are also too many secret room plot designs in the follow-up outline, and there are too few parts about the protagonist himself, which makes it tiring to read.

It would be too shabby to be able to create DA in the second grade without a time traveler. The key is that the logic is very smooth. They were all forced out by shoddy teaching + Voldemort's threat.

I just read the first few chapters. The protagonist is not so much making portraits as he is providing psychological counseling to relatives and friends of the deceased. Listen to the oral accounts of the deceased's relatives and friends, understand the deceased, guide the deceased's relatives, friends and customers to face death, and finally get over the pain and achieve growth. In short, it is a strong sense of déjà vu.

Very novel idea, very interesting, please support it

This is the first time I have seen a detailed story written from this perspective. It is a very good story that makes me spin my monthly tickets.

The current development of the novel is great The indigenous portraitist who came from the master-apprentice inheritance system cuts into the original plot from another angle without making anyone dramatic. It is neither frivolous and bright nor ambitious nor dark and cruel. The plot is down to earth and makes people feel comfortable.

Pity. I didn't expect to cut it. In fact, the author himself has good writing skills, and he did not step on Lei who picked up 11-year-old Emma at the beginning, or Dumbledore at the beginning of Invincible Flow. This book also has the flavor of the original work in terms of writing style. But the score is only 1,000, which is a bit incredible. Because from a quality point of view, this is not equal at all. In fact, I think if I continue to write it, it should gradually become longer. It can be said with certainty that the quality of this book so far is better than some books that cost 50,000 yuan. I went back and read the catalog again and put forward my own opinions. The protagonist's initial setting is to enter a trance-like fantasy. Personally, judging from the original work, the golden finger at the beginning is a bit big. The trance-like fantasy only appeared in the 7th series. In almost all other HP fics, if it appears, it can only be used in the main plot. . In addition, the protagonist is suspected of being the heir to the secret room, and he is said to accept that students can privately investigate his story at will, and the protagonist promises to teach Da. I feel that the protagonist's character setting is a bit weak. The protagonist directly agreed to teach defense lessons to the student group. Although it was through portraits, it gave the reader the feeling that the protagonist was working in vain and suffered a loss. Some may find the threesome a bit licking. As for the plot of Malfoy admitting his mistake and apologizing, it is really abrupt and inconsistent with the original work. Everything else is pretty good. Should you consider revising it and writing another 100,000 words?

The fifth graders draw Cedric, the sixth graders draw Sirius, the seventh graders draw Dumbledore, there are so many orders from Hogwarts👀

A very innovative idea, a very interesting career, and finally no longer a professor. Cheers, author!

Okay, I've read the last book many times and finally opened a new one.

Very good, a high-quality product from HP

Come support me, the author's ideas are always new, I hope this book can keep it up and don't want to end it in a sloppy way like the last one)

Good-looking, plain and smooth writing But it's not good enough. Please update the author soon 1551🥺

Every time I read a novel, I feel that the beginning is the most interesting, the ideas are very unique, and it is the most creative stage.

What a pity🥲 I think it's pretty good

Since you are already dead, let me tell you the reason why I gave up chasing books. To me personally, your book is both beautiful and ugly, the entry point is novel, and the story is reasonable. What next? But it still feels like a professor-student kind of thing, where there are clues but none of them are used. I personally don't like this way of writing. It's a bit boring and I have no motivation to pursue books. When writing portrait magic, you have to add various intentions to blend with the main line; when writing the main line, you often get away from it after touching it. I have recently read a few impressive hp fics that made me want to follow them. One of the motivations for me to follow them is the cool writing, which is not the old-fashioned way of using Fudge to directly throw magic at him. The other is the description of novel magic. But now I don't chase them much anymore. One of them suddenly moved away from the main line and there was no conflict, and the other one was cut off.

Discussion thread [Only original works/Rowling's answers and extended reasonable speculations] If transfiguration can act on magic, then why is everyone afraid of Avada Just change Avada into another shape And won't magic and transfiguration themselves interfere with each other? Just like electricity and magnetic field The examples given by the author are not rigorous [Theoretical level]: [Clear spring like water] is a magic spell, the effect is to produce water Water is the product of the magic spell, and the object of [Transformation] is [water] (magic production) rather than [clear spring like water] (The product of the curse must weaken the transformation spell, otherwise as long as the permanent transformation continues, anything except the taboos of Gamp's five laws can be changed) The same is true for the Severe Fire Curse. As a product of black magic, the fire itself needs to be controlled. Since some dark wizards died due to being unable to control it (for example: in the seventh part of the original book, a follower of Malfoy set the fire in the Room of Requirement), it can be seen that the [fire] needs to be controlled by magic. Since it can be controlled or out of control, naturally a powerful wizard (Dumbledore) can seize control and perform transformation. Argument: The wizard cannot actually apply deformation to the spell itself. [Spell] and [Transformation] are of the same level. Spells can have an effect on reality, while deformation can change the material structure. Obviously both are based on magic and have an impact on reality. If transfiguration can interfere with the curse, then why is there no omnipotent curse-breaker? There is no need for a counterspell, much less a healer, because simply using polymorph on the spell changes its effects, thus ending the spell. (What more healer? As long as transfiguration can solve the problem. Medical magic and transfiguration are obviously different systems in HP. Dumbledore does not know medical magic, he is a master of transfiguration) (The End of All Curses obviously means forcibly suppressing or even destroying a specific curse with magic, otherwise all black magic can be used Use this to remove it. There is no need to study counter-spells. The healer only needs to concentrate on forcibly ending the spell. If transfiguration can interfere with the spell, the same principle applies. There is no need for a healer, only a transfiguration magician is needed) Example: Using transfiguration to treat the wound of [Shen Feng Wu Ying] (Part 6) cannot be treated because it is caused by black magic. Assuming that transformation can interfere with the shooting [Shen Feng Wu Ying] (spell), then as the source of the wound, why can the spell be interfered but the wound cannot be affected? If you accept [Transformation can interfere with spells but cannot interfere with their results], then please explain why [spells and transfiguration are both magic] and [spells cannot interfere with transfiguration]? If so, please explain why there is no [Transformation Release Curse]? If there is such a spell, please explain why the Death Eaters did not use it in the war (the attack on Hogwarts in Part 7). It is obvious that Professor McGonagall is a master of transfiguration, and her main strength is also in transfiguration. Summary: Transfiguration and spells are of the same level, both are produced by magic power, and cannot/have strong interference with each other, otherwise the existence of counter-spells and healers cannot be explained. [Practical Operation]: Assuming that Transfiguration can interfere with the spell being emitted: I don't think it is a good method to teach students to use it in duels/combat. Obviously, ordinary wizards cannot operate the opponent's magic spell, because the magic spell has already reached the opponent before they can operate it. Prejudgment is difficult, because [it is impossible to predict the spell] and [the angle is difficult to predict], plus the time difference in reciting the spell, it is basically difficult to transform the opponent's spell immediately. If "Harry Potter" is used as the opponent, it is obvious that the spell will be cast immediately after he chants the disarming spell. How far do you have to prepare in advance to react and use enough magic to hit his spell and transform his spell? What's more troublesome is that he may not need a disarming spell, it may be another spell. It is better to prepare a shield first (you can deform nearby things and start chanting spells simultaneously with the opponent. Even if the spell casting is slow, the shield can be placed in front of you in time, without having to predict the trajectory and the opponent's spell), because even Avada cannot penetrate the material shield (see the fifth part of the original book Dumbledore vs. Voldemort). Since it can only be used in a laboratory environment/forceful crushing, if it is not for theoretical teaching, why should it be taught to students?

Personal opinion. After reading the article, I feel that changing the title of the novel from "Undead" to "Soul" is more accurate.