
Peninsula: I Just Debuted, and Now I've Got a Life-Reversal System
半岛:刚出道,人生逆袭系统来了
- Status
- Ongoing
- Length
- 932k Words
- Genre
- Urban
- Subgenre
- Showbiz Romance
- Updated
- 7mo ago
- Source
- Qidian
Synopsis
339Chapters
0Votes
5.2kRecs
21.7kFans
In booklists 1
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Reader comments 27
Translated by Google Translate





I don't know what the author thinks about writing about another reborn person in a rebirth article. Don't you know that this is a very, very poisonous point?
Shennong tested poison
I couldn't stand it after reading more than a hundred chapters. First of all, the author's writing is good, and the emotional scenes are pretty good. At least it doesn't look awkward, and the career line is passable, but you can't just write about the career and not the emotional line. At the beginning, Shen and Shen confirmed their relationship, and what kind of relationship is with So. Then, after more than a hundred chapters, their scenes together are not enough for two chapters. It feels like the male protagonist at the end is not the same as the male protagonist at the beginning, and it feels like they are competing against each other. And the most important point is that the setting of the male protagonist is really unhappy. I feel like he is on his knees all the time. The first thing is to deal with a trainee at the beginning. Other Korean entertainment novels are just a chapter and a half. The second point is that the protagonist always does all kinds of bad things, such as threats from the illegitimate fan GW, being used as a target in the country, vtb giving the protagonist a pie for his script, etc. Maybe the protagonist has successfully saved the day later, but the protagonist does not dare to resist on the spot and can only swallow his anger, which is really uncomfortable. Maybe this is how idols debut in Korea in reality, but what I read is a novel. The protagonist still has a fucking system. Before the system comes, you are timid and dare not resist. When the system comes, you are still timid and dare not resist. Then isn't the system in vain?
The male protagonist smells too much of green tea, and he is obsessed with trivial matters. To put it bluntly, she looks like a girl and lacks the charm of a male protagonist.
I don't know if everything I read has been revised. I feel like this book is very well written, so why are you criticizing it? First of all, the career line. Although the Green Card solo is a bit out of touch with reality, but I have read novels and don't care so much anymore. The author can see that he has put a lot of effort into the career line. Compared with others who just copy songs, the author will add a lot of innovation to the album concept and MV. The songs are still the same, but they give me a feeling of light up. Especially in one MV, the author said that he also referred to Genshin Impact. What else can I say, Genshin Impact is awesome! The second is the emotional line. I originally read the book review and said that the male protagonist is very pretentious, which is a bit dissuasive, but after reading it, I feel okay. The male protagonist is the kind of very clear-headed sea king (much better than Cheng Gou) who knows what he wants. However, the author sometimes gives me the feeling of writing about whoever comes to mind (disappeared 80 Zhang Wei (Ms. Zhang Wei)) But Momo and Mina, who wrote more in the early stage, both wrote very wonderfully. The part about walking in the rain in Paris was also well written (the last one was Minato the puppy next door). Mina's yandere smell is about to overflow. The sense of fragmentation ➕ yandere, it can only be said that the plasticity is still too strong. Then there's Momo in this book. He's a rare high-ranking player with a straight shot. He won my heart, especially the strategy section from 1 to 2. It's sweet. Face is a bit abused, I hope he will be promoted soon. I am looking forward to Face stealing Mina's house, and I have a tendency to want to buy a share in Mina's house. The heroines are all written well, but I feel that Shen Liuzhen is a bit redundant. There are still problems. The first one is that there are too many female protagonists, the branch plots are a bit too complicated, and the impression points are not enough. Many female protagonists appear in the past, and then they are not found. The interaction between the male and female protagonists is not a problem. The second is that there are some pitfalls in the front that I didn't fill in either because I forgot them or something else, such as the ex-wife line. I'm still very curious about who my ex-wife is, and I didn't make much use of it after rebirth. Moreover, the personality difference between before and after rebirth is a bit big. I was abandoned by my ex-wife in my previous life, but now I suddenly become a push-pull master. Another thing is that the sense of system presence is a bit weak (maybe because the ex-wife line was cut off). The first fifty chapters are not like the same book as the rest. I feel that if I have time, I can also change the front part. Anyway, it is generally not as bad as other book reviews said, nor is it a scumbag. It is just that the book reviews and paragraph reviews are a bit too violent. I still hope that the author can continue to work hard and strengthen his own ideas!
In the early stage, there was a scumbag, but later on there were no female characters. And all bad things will happen to the protagonist, and then they will be saved. It's already 2026, is it still the same tortured and suppressed protagonist from 2000? Korean entertainment or entertainment articles all focus on the protagonist's rise and rise of other women and the acquisition of women. Who watches the main character's regular career development plot? And it develops in the plot. Conflicts or issues that can be resolved in a few sentences or a day or two in real life. There are more than a dozen ink blots. Water plots are not that watery either. Moreover, it is a common problem among Korean entertainment writers, regardless of whether the protagonist is a scumbag or not and what his background is. When I write about 100-170 chapters, the main character's character or the plot about casual sex with women will start to be inked or licked. Except for a few exceptions about Korean entertainment, the rest of it is just a fan filter. Some authors are just like some of the fairies in Little Red Book. He thinks that the idol he likes, Bingqing Yujie, is still innocent in her twenties and thirties, and deserves all the good things. How many Korean entertainment idols have never been played? When I was a trainee, when I first debuted, when I was not popular, when I was famous. It has already been played and developed. Which celebrity in the entertainment literature has not been stalked? Even if he has not been stalked, how many partners have he not been with? It's just that when you read entertainment articles, you don't have them by default.
I understand you don't want to bulldoze, but isn't that too outrageous? Momo kisses you and makes you blush? When you are over 20 and you are in love for the first time???
I read about ten chapters and it was poisonous
1/Protagonist's advantages: good looks, dance champion... Excellent in all aspects, as shown in Lee Soo Man's three visits to the thatched cottage and being rejected by the gorilla as an excellent trainee (this is considered a sure thing that he can debut, after all, I hope the president will remember a practice that has not yet debuted) Students are rare, so it is definitely important to pay attention to them. After all, no company is short of excellent trainees) So I can't think of why you waste time on a little person. The little person must have some brains. If he provokes the most hard-core trainee, he is not mentally ill? (A record that both trainees and debuting artists have heard about must be on the senior management's key observation list) 2/The author explained that this design is to bring out the protagonist's strategic thinking and highlight the protagonist's scheming and cleverness... Haha, it seems very low to me. One is almost full in Novice Village. A top-level player has to rely on so-called "wisdom" to solve a small fish (the backer is only close to the room director). It is simply bullying our IQ. As a businessman in the entertainment industry, I know which is more important, watermelon or sesame. Is it very clever to spend more than ten chapters describing "killing someone with a borrowed knife"? You want to show the so-called wisdom of the protagonist, but the mistake is that you pick the wrong opponent. The opponent is too weak (has no strength, not even a close friend), so there is no so-called pressure. On the contrary, after foreshadowing the appearance and strength of the protagonist, it makes people feel that it is unnecessary.
Momo
Peach
Lin Nalian
Ace Star
Twenty chapters for one stage? Being bullied to the point of being bullied, you are still an ace trainee? Writing a plot is a grind. I know the author wants to highlight the protagonist's scheming, but when I read it, I only saw ink marks. And you are already an ace trainee. I don't want you to not have the training method of the director of the company's practice room. You can obviously bully others and have to end up solving the problem yourself.