
A Guide to Transmigrating and Getting Yourself Killed, Starting in the Western Han
从西汉开始的穿越作死指南
- Status
- Ongoing
- Length
- 229k Words
- Genre
- Historical
- Subgenre
- Alternate History
- Updated
- 11mo ago
- Source
- Qidian
Synopsis
106Chapters
0Votes
1.7kRecs
8.5kFans
In booklists 1
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Reader comments 24
Translated by Google Translate





A stupid novel. You're not even afraid of death, and you're deliberately making excuses to let others kill you? How many times can one person kill you? With this skill, I would directly assassinate Lu Pheasant. Wouldn't it be better to kill the prince?
The setting is too nc, to die for is pure sb
What the protagonist does in modern times is purely a clown.
Made me laugh so hard
Two thousand years ago, in any place, a two-foot pit was dug and a wooden box was buried. There were bamboo slips in the wooden box. Then, it will be dug out two thousand years later. No, it can still be dug out. I won't talk about it until it is completely rotten. After digging it out, the bamboo slips were still hard, the writing on them was still clear, and they could be carried around casually. Holy shit, you can do this, you're awesome!
The modern chapter has been deleted
Most of the modern parts have been deleted. In fact, the original design was a story line that progressed through ancient and modern lines. Because there was a time limit in the setting, we wanted to advance the modern line as soon as possible, so the story was very witty and has now been deleted. It's true that I can't control the two lines, so I will write about ancient content honestly from now on. 🙂
First of all, it's very interesting But Chen Chen said that the setting at the beginning limits the development of the book One is the setting of continuing to wear clothes three days after death As a result, the protagonist has almost no room for planning. After the new era, he can only use the same quality advice to die. The second is that there are no rewards. Changing history is only mentioned in the history books. Although it is a great sense of accomplishment, there are no rewards and no motivation. Why does the protagonist change like this? Anyway, there are ten chances each time. You can only restart after you die. You lie down every time and succeed only on the tenth time. Isn't this equivalent to living for four to five hundred years in one era? Isn't this bad? One Xi'an, two hundred years, and ten tasks can make you live a total of four to five thousand years in the Western Han Dynasty. In the entire history, there are one hundred eras. As a person, it's so exciting, isn't it?
Too bland
It's too bland and empty. The protagonist's living standard is average and he has no job. As a result, he gets a golden finger and doesn't want to benefit himself. Shouldn't it be a step-by-step test to find out the influence of the golden finger? Does it change history? If we accidentally kill our ancestors, will modern humans not be affected? Or death? Or will it still exist if the source is changed? Don't accidentally kill yourself. And there's no treasure that can't be buried? Even if you are not sure whether it can be passed to the present, it is still good to pass it to the next mission. And the way the protagonist seeks death is also very awkward. Just like a human-machine, if you are beaten to death by Liu Qi, your name will go down in history. But if you beat Liu Qi to death and then die again, you will not be able to go down in history?
Pointless story, chewing wax
The protagonist is so weak in martial arts that he is one of the twenty-nine knights under Xiang Yu.
In one life, the protagonist was an extra person from Gaixia Xiang Yu's original twenty-eight knights, and became the twenty-nine knights. However, the performance of the martial arts scenes later was too poor. Could it be that the protagonist survived by hiding behind them? Otherwise it doesn't make sense
You can commit suicide
But actually committing suicide is of little value. But when the value becomes too great, the historical line will collapse again. There are underlying problems with this kind of literary structure