Lord of the Mysteries: The Peerless Tarot

I suspect that the true fans of Squid are hidden among the negative fans who criticize Su Huan, because many people scolded Su Huan for being too sugary and fake, just like cloud readers, which actually covered up Su Huan's real shortcomings.

I understand, Mystery 2 Peerless Tarot, Mystery 3 Old Legends, Mystery 4 Ultimate Sequence, Mystery 5 Rebirth Zhou Mingrui 🤭

I've read Chapter 39 and I'm still not attracted to the protagonist, so that's a bit of a problem. The protagonist is obviously biased towards the villain, and the protagonist is still half crazy. Then there are unnecessary advantages of being a decent protagonist. You have to have charisma. It's hard for me to see the charisma of the protagonist in this book. You said the godfather has a charismatic personality? Of course there is, but the first author almost completely copied the plot, which is not fresh, and the writing is not good. Even the "refuse to call me godfather" part is completely awkward. The second author is completely unable to write about the charm of maintaining the order of evil. The charm of the godfather that everyone wants should at least be the kind of charm in the starting point of the evil dragon novel, right? You mean charismatic villain? I didn't see that, at present, the villain doesn't even have the most outstanding charm - climbing up, let alone others. You speak of half-mad charm. . . . . This is difficult to write. The protagonist in the author's works is like a manic maniac with tremors. This kind of madness is easy to write, but it is not charming at all. It's not even as crazy and charming as the original "crazy adventurer" (if not from God's perspective). The final problem is indiscriminate killing and breach of trust. This is what makes me feel the most disgusting. If you want to create a demon, you can do it, and everyone will read evil literature. If you want to create a godfather, you can do it, and it is even popular. But when you say, "I want order, and I am good to my friends, you kill indiscriminately, make promises at will, and break promises at will. It is really difficult for people to hold back." Are you deliberately avoiding the charm of villains? Even in order to patch it up, you deliberately added a worker-friendly word to reduce your dislike of him, but it was all in vain. I'll try to read the paid chapters. If the protagonist behaves like this again, there's really no need to continue reading. Can the author understand? The cunning and insidiousness of a liar, the indiscriminate killing of outlaws, and the godfather-like evil order. These three cool points cannot overlap.

Yes, let's have some plot after the kidnapping.

It has to suppress the protagonist's combat power, and it has to make him pretend to be a pig and eat the tiger. These routines are really boring. They were used more than ten years ago.

The sequence is well chosen. The pretentious way at the beginning is very good like that of the Aurora Society book. However, the time travel is too late. Those who want to read the book about best friends can hardly see anything, and the subsequent plot is outrageous. A real gangster should have seniors and juniors. However, the protagonist's gangster cannot see the umbrella of parliamentarians such as patrons above, and there is no family connection below. It is even more outrageous to intimidate the parliamentarians later. The parliamentarians in the capital must be believers of the church and big clients. In a world with extraordinary power, would you be afraid of a dog being killed? And everyone knows that you don't dare to kill him anymore, so what's the point of threatening the lives of your loved ones again? Or is it that the congressman who has not been caught is afraid of a street gang leader who has no protective umbrella?

I suggest the author learn more from his predecessors. Your character design is too dry. On the other hand, "Return of the Mystery", although it is written by Liu Bei, further explores the core of the characters based on the original work. Especially the world is full of justice, the identity change in the dream, the threesome, and the mysterious Queen's face-to-face attitude towards her own desires have deeply impressed the readers. I can only say that the author should continue to work hard.

This title makes me a little nervous

This book, Western Continent, is really a failure. Writing about martial arts and immortal heroes in the Western fantasy world is one of its shortcomings. The most uncomfortable thing is that when writing about the mysterious world, it always jumps to Western Continent and writes about Eastern fantasy. Who can stand this? It's really uncomfortable to read.

The first point is that the protagonist is too indiscriminate in killing, but his camp has always been biased towards the Tarot Society. Just because the protagonist killed two storm brothers for no reason in the early stage, it was really difficult for me to continue watching. The second point is that the character of the protagonist is inconsistent. He imitates the Godfather in the early stage, but later runs away whenever he wants. He has no dignity at all as a Godfather. It seems that he is imitating just for the sake of imitation. The third point is that Tarot Club is a bit brainless. I don't understand why you are so confident that the protagonist will go undercover when going to Aurora. Aren't you worried about being contaminated by the true Creator and thus exposed? The fourth point is that there is really no sense of the so-called crazy criticism. It is not as good as Li Huowang. Li Huowang's nature is really kind, but the author cannot write the kind of lunatic who is crazy but has a conscience The fifth point The so-called golden finger of the protagonist, the one who pops up bits of information from time to time, is the biggest flaw of the whole book. The protagonist completely lacks subjective initiative. The author knows what he wants the protagonist to know, and what he wants the protagonist not to know. The protagonist has no idea at all. There is no clear boundary between conflicts and conflicts. Point 6: The protagonist's values ​​paint the Zhengshen too darkly, as if they are all a group of selfish people who protect humanity and maintain the barrier for the sole purpose of protecting themselves. The seventh point is that this book is not as good as the first two. The protagonist is criticized for having a big mess of squid. The author should not be too ambitious. I have also read your first two books, and it is really sad to see that this one is so average. You said that you want to improve the second one and write group portraits. I think it is very good. I spent most of the money to read that book