No, All the Bosses I Raised Have Come True!

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Very good. The author seems to have raised a boss before. He is realistic and very real. It matches my experience of raising a boss. It's good. 👍👍👍

Although it is somewhat similar to the pattern of some books, the plot is not bad. It is recommended to amplify the emotional dependence of the heroine on the protagonist and add some highlight moments to the protagonist.

Let me first state that I am sure of the brilliance of this novel, which is why I am commenting here. The advantage of this novel is that old trees bloom new flowers. It is not only fascinating but also the writing is online, so it is fascinating. Next, let me talk about the points that I think can be adjusted: 1. When the book ends at the end of the first copy and transitions to the second Witch Capital, the reading experience begins to decline. First of all, this type of novel has a fixed spiritual core or distinctive color for the male protagonist. The protagonist travels through different copies and brings different characters into life. The protagonist's personality can be diverse, but in the final analysis, the main subject should be highlighted as the protagonist, and there should also be a fixed anchor point for the character. If things go on like this, with multiple copies, the character of the main male protagonist will not be established, which will split the impression of the character, constantly filtering the readers, and the readers will adapt to the book. For example: in the first dungeon, the male protagonist is cautious but compassionate, sharing food with the Mouse Duke, and the Mouse Duke also helps the male protagonist pass the level. In a small chapter, there is a master and a partner, and his personality is very pleasant. However, in the second dungeon, the male protagonist's personality changes, and the story from the male protagonist is no longer the same. Getting into trouble, even wanting to help the miko sisters and pass the nun copy, there is no description of why the male protagonist wants to do this, and what shining qualities he has to achieve this. Whether the male protagonist is brave and decisive, or bold and careful, it is not reflected, and the image of the male protagonist is not enriched. (Not to mention the ability to bring the story into the story. This is regarded as the setting of entering the dungeon and cannot help the character design.) In general, the current generation male protagonist should have anchor characteristics. Different dungeons should diversify, and then use the anchor characteristics of the current generation male protagonist to recycle and conclude. There is no need to keep repeating it in each dungeon. A few simple sentences can make readers understand. It would be great. 2. The handling of emotional advancement between the male protagonist, the female protagonist, and the female supporting character should be kept delicate. For this type of novel, 90% of the selected readers are those who will scrutinize the ambiguous process of the relationship between the male protagonist and different female protagonists when they get to know each other, as well as the exciting plot of multiple female protagonists appearing at the same time in the modern era. Rough emotional descriptions will directly take away most of the appeal of this type of novel. For example, the princess dungeon briefly mentions the long-term relationship between the male and female protagonists in promoting the relationship. It is reasonable for the relationship to heat up. However, in the second miko dungeon, silver hair saves the male protagonist. Green hair lets the male protagonist go because silver hair wants to save the male protagonist. The male protagonist chooses to help the miko sisters because of the stories he has heard before and because he thinks the miko sisters are good people. After the straight speech expresses his feelings, the green hair miko begins to be moved. Although the green-haired psychological journey is repeatedly explained in the book, in fact, the background foreshadowing of the witch sisters is in strong conflict with this way of emotional advancement. A sister who has experienced betrayal, used magic in self-defense when being bullied by a naughty boy, and is universally hated by the villagers, and whose adoptive father comes to directly slay her younger sister, will be touched and emotionally heated when a stranger looks her in the eyes and says he wants to take them away. Such emotional advancement will only make people feel rough and blunt. Not to mention that the male protagonist bravely entered the nun dungeon for the miko sisters and gained it after going through risks. This is an illusion caused by God's perspective. The male protagonist entering the nun dungeon is for readers to recognize the male protagonist and establish his character. In fact, the miko sisters did not know about this in the plot, but the relationship progressed. This is one of the reasons for the serious separation of the emotional advancement in this part. I don't know if the author did not consider it or did not distinguish it. 3. Last but not least, the proportion of the dungeons should be fine-tuned. The dungeon where the heroine is located should be larger than the derived dungeons, such as the witch dungeon and the nun derived dungeon. The direct viewing experience is that in order to get a prop, the main character enters the derived dungeon and keeps rendering the horror. It has a scary atmosphere, but it only has a long running time, and a trachea is on fire, written over and over again, and the characteristics of the male protagonist (agility, decisiveness, perseverance and other special shining points, etc., The male protagonist is not special, why should he be a male protagonist?), I just feel like speeding up and skipping, watching the interaction between the male and female protagonists. The above are all my opinions on this book so far. I like this book very much and I am very optimistic about it. Otherwise, I would not waste time and words and write this long article. I only hope that this book can be better.

Have you ever raised a boss? Some things are scribbled and taken for granted. (Too lazy to add references.)

Olivia

I feel like my grades are so bad. I can only say that I hope the author can survive. I won't be surprised if he becomes private one day.

What the protagonist writes won't happen in the main world, right? Otherwise, what the protagonist writes is not a story, but a record, which would not be satisfactory.

Didn't you raise BOSS before? Some things are scribbled and taken for granted.

The plot is well designed, and the writing is smooth and concise and even a bit gorgeous. The disadvantage is that the emotions are not conveyed enough and it is a bit bland (maybe this is an advantage?)

The plot of the soul magic learning dungeon is too long and doesn't make much sense.

The separation between the male protagonist and the male protagonist in the first two stories is too strong, and the background support is insufficient, which makes the story lackluster. The male protagonist in the first military background has no iron-bloodedness at all, but is all tenderness. The same goes for the adventurer in the second story, which basically follows the mold of an Asasi male protagonist and a beautiful, strong and miserable female protagonist. There are no cliche inversions. If the male protagonist in the first story silently made all preparations to escape and died, and the Rat Knight gave her his seed, I think only self-induced despair would be the most devastating. You can change the routine at the beginning of Chapter 2. In terms of death methods, the iron-blooded soldier died of a gentle misunderstanding, and the cunning pirate died of the girl's sincerity. This kind of basic inversion is only interesting to watch. Of course, everything is decided by the author's pen.

I like this novel, keep it alive! ! 😢

8/10 Points. Although the author's writing is too complicated and literate in some places, it seems that the two stories are very complete so far, and there are no outstanding points. The setting is simple and the background is clearly explained. It's a bit like the writer of Cthulhu. It's good-looking and more to come.

It can be seen that the author has raised a Boss but he raised a Boss named Reader😐

The descriptions and emotions are quite delicate, the first story is pretty good, I haven't read the others yet 🙂😜

How is the writing going now? I've seen a little bit of it before, but not the back. Here comes Shen Nong 🙂😁

Isn't the pace a bit fast? What should I do next after there are three of them?

There is a link to the book club in the drop-down list of the work introduction. If you are interested, you can add it 😁😁

It looks like it's about to be sent, sad

Alas, each chapter is too short and I can't continue writing it.