Boiling Era

Can you stop writing so many female protagonists? Is it possible that a woman can't even see the male protagonist? This female lead is okay, don't hook up with the male lead, it's disgusting, it's outdated

I feel like this book is getting more and more messy as I write it. Now I'm working on my career, now I'm in love, and then I add a little bit of officialdom. The description of the female supporting role is just a mindless nymphomaniac who sees the protagonist's regrets. The protagonist is also an indecisive old scumbag. To be honest, the way this book is written is really too weird. I'm old. I wrote this 10 years ago and it was absolutely popular. But now there are too many urban literary works, just like Liugan's books. Both the male protagonist and female protagonist, as well as the male and female supporting characters, all feel like living people. However, the characters in this book are as soulless as NPCs. This writing method is outdated.

Rebirth is rebirth, time travel is time travel, harem is harem, starting a business is starting a business, and officialdom is officialdom. The key is that you get a little bit of each one, just a little bit, then it doesn't matter. I can see that I really want to keep readers, and the most important thing is that you are still a literary youth... Readers want to have a quick meal, and if you have a meal, you will be able to enjoy the treasures. The taste is even better. The key is that you make chocolate-flavored cakes and make them taste like delicacies. The free chapters made my scalp numb. Authors who have received the dividends of the times should reflect on whether they are not good enough. You authors cook, and readers eat. Who dares to eat the food you cook?

As the earliest reader, I would like to give you a piece of advice. As long as you skip the chapters about female characters, you will find that it is indeed a good book and it will not affect your reading.

At first I felt that the author's writing style was as good as ever, but the more I read, the more unsatisfied I became. A female has to have an affair with a pig's foot. I couldn't stand it any longer, so I retreated. Finally, I felt a little uncomfortable and couldn't write this quickly. Ha, bye.

Is this the level of a great person being praised by a bunch of bullies? The protagonist is an old pervert. How many women appear in just a few dozen chapters? The author should just go write a little yellow book.

One thing to say, this book is average. The plot is sluggish, the emotional lines are a mess, and there is no physical examination.

Write more heroines, don't listen to them, you're not a eunuch. Why don't you want a heroine? I have so much money, I want to find 10,000

As a long-time reader who has followed Regan for many years, the first memories that come to mind when mentioning Regan are always the smoky grassroots officialdom scenes in "The Official Way" and "Look at the Present Day", as well as the chaotic world unfolding in the early "Jiangshan Beauty Chronicles". In the golden period of the development of Internet literature, Regan's works can be regarded as one of the benchmarks of official literature in the minds of many readers. His core creative strength has never been the top-level political strategizing, but the realistic and tense description of the twists and turns of small people in the climb up the hierarchy and the trivial and complicated daily games in officialdom. That kind of delicate observation rooted in the perspective of the grassroots made the daily life of parents have hidden undercurrents. This was the most touching thing about him back then. Later on, the creative space of officialdom novels narrowed, and Regan also began to transform his themes, with martial arts, ancient fantasy, and time-traveling works being released one after another. But as you read along, you will find that even if the story background and subject matter shell are changed, his creative core and narrative logic have never changed. He is still accustomed to advancing the story in the way he is most familiar with: he is good at writing about daily fireworks and interpersonal dealings, and prefers to let the plot ferment naturally in the detailed flow of life. However, for subjects such as martial arts and fantasy, the core expectations of readers are a clear main line, a strong driving core conflict, and self-consistent operating rules for the world. These are precisely the shortcomings of Regan's creations. So there was a subtle sense of dislocation. He writes about the operation of ancient courts, the top-level rules of the fantasy world, and the logic of actions of high-ranking people. He always has traces of the imagination of "deducing the grand order from daily experience", which is quite a bit like "peasants imagine the emperor tilling the land with a golden hoe" - not because of lack of careful polishing, but because of the creative inertia rooted in the grassroots. After all, it is difficult to support a completely unfamiliar upper structure and worldview logic out of thin air. In addition, the slow-paced daily narrative placed in a subject with strong plot requirements will inevitably make readers feel that the content is "watery". Even with the reputation and reader base accumulated in the early years, the monthly votes and recommendation data on the list are still decent, but when you actually read the story, there is always a bit of tension and excitement that the subject matter should have. In the recent "The Boiling Era", Regan seems to have returned to the reality-oriented track that he is better at, writing about the growth of characters against the background of the era of reform and opening up. It is said that he can best use his strengths in realism and daily depiction, but he has hit the aesthetic turn of the current readers. Contemporary readers who have grown up in a rapidly changing environment have long lost their empathy and patience for slow-paced narratives of changing times and heavy expressions of grand waves. When people come into contact with cultural and entertainment works, they are increasingly pursuing direct and light emotional value: they want simple happiness and immediate positive feedback, and they do not want to sink their minds to appreciate the ups and downs of the times and understand the principles of life. As a result, works that are daily-oriented, light in size, and emotionally straightforward are becoming more and more popular, while solid but slow narratives of the times, even if the writing power remains the same, will inevitably appear "out of place" in the current market. In fact, to be fair, Regan's creative skills have not declined significantly. What he is best at - the precise capture of the survival logic of ordinary people and the delicate depiction of daily details - has never been lost. It's just that the path dependence brought about by the transformation made his strong points become inconsistent shortcomings when put into new themes; and the rapid iteration of the online literature ecology and readers' tastes made his familiar narrative rhythm gradually unable to keep up with the current reading needs. The old readers who followed him to read official articles gradually disappeared, and new readers couldn't catch his slow narrative. This led to the current situation where "monthly subscriptions are still decent, but subscriptions and comments are deserted." In the final analysis, this is more like the common dilemma of a generation of veteran online article writers. It's not that their writing is bad, it's that the expression system they have cultivated for many years has gradually become separated from the current market and current readers. As an old reader, rather than judging the merits, I feel a bit sad: The Regan who can write about the daily life of the grassroots is still there, but the memory of reading online articles that belongs to him has slowly turned the pages with the times.

To be honest, the book is still very good. Personally, I always felt that it was a bit uncomfortable. In terms of the emotional line, the long-term development of multiple threads makes people feel that this part of the protagonist always feels inappropriate.

Just write more female protagonists, there is a market for more female protagonists

The Grain and Oil Building has been secured. According to Zhang Jianchuan's previous practice. The next step is most likely to accept the renovation of the Grain and Oil Building. It's easy first and then it's difficult, break through point by point, and reach the surface from point to point. There is a high probability that this will be the case.

I've read dozens of chapters and still can't figure out whether it's an official document, a commercial war, or a state-owned enterprise. Anyway, it's all about this and that, without a clear direction. I'll never click here again.

I have read almost thirty chapters, and the plot is progressing very slowly. I don't know what to write, and I feel frustrated. Abandoned

I caught up to the latest chapter in one go. The plot is rigorous and the logic is reasonable. I couldn't stop reading. What a book! I offer you a monthly ticket of 19x2, please like the author😁

🙏

Every month's monthly pass is yours, come on, from Jiangshan Beauty Zhi to now, with nearly 500,000 words, I feel that Lao Rui has improved. It is very comfortable to watch, the rhythm is also very good, and the supporting characters are well portrayed. Come on, you are the fattest

Qin Yanshan (cheating goods)

How can brothers read this kind of novel that is blocked and cannot be seen in ordinary places? Or does the author have similar novels in the past?

Lao Rui, introducing state-owned assets is really a trap. Why are you obsessed with this? You can study the companies in Jiangsu and Zhejiang. I guess Lao Rui doesn't really understand 🙂

At present, this kind of article is a top-notch article that can pass the review. It is reasonable but not solidified by the secular world. It has pursuit but does not blindly indulge in pursuit. It has cheats but does not rely solely on cheats. It is still very good and suits my taste. I insist on subscribing to many chapters. No other book is so good. It would be great if the pace was a little faster and the updates were more punctual. Stable author. Calling for you, come on

Give it up, I'm losing money even if I read it on QQ

Throughout the story, the memory of the future is obviously not used, but the water needs to be dragged out from time to time. In the era of dog licking, why do you say that? First, when the mother is unable to walk, the female ticket chased by her friends is drawn into the circle for the first time. She hears about buying stocks, then asks her boyfriend to borrow money, but refuses to borrow, and finally comes to the male protagonist to borrow money to buy. The male protagonist lends her money, provides connections, helps with operations, and almost eats the food and pulls out S to her. Who is she obviously? Why bring her to make money? In the end, the male protagonist was not even given any dividends, and then another woman, who had a normal relationship with each other, heard about it and came to the male protagonist to help with purchases and operations. The male protagonist also agreed. Was he really on his knees? Isn't it okay to meet a female? There was an episode later where the woman questioned the male protagonist and even pretended to be his girlfriend in front of the boss. As a result, the male protagonist's general was silenced by her look and laughed. He couldn't tell who he was following? 2 It is said that a good horse will not turn back to eat grass, and this is the first time I have seen a horse that turns back to eat grass. In the early stage, the male protagonist was ordered to bring the feed factory back to life, and then the county immediately sent people to pick peaches. Finally, the male protagonist was sent to Qingshui Yamen. Later, the male protagonist started his own business and established a large instant noodle company. At this time, the contacts were all municipal leaders, but the county said that the feed factory was going to die. , I couldn't live with it by selling it to others, so I asked the male protagonist to buy it. I was so surprised that I went back to eat S. The male protagonist actually bought it. The reason given was that I wanted to make instant noodles with mushroom flavor, so I needed chicken fat. I have a chicken farm, so I need a slaughterhouse. And because the chickens need to eat feed, I need a feed mill. I laughed, so why not get a flour mill? Oil factory? Instant noodles, flour and oil are the key, right? In the end, he chose to buy oil and flour. Just buy more. So if instant noodles require flour, do you need a flour mill? If flour requires grains, do you need to farm? Does farming require fertilizers and pesticides? It's a pesticide and fertilizer factory, and this is a chemical raw material factory. Is there still a shortage of people? Should we build a school for training? The school has uniforms, books, and buildings. Does it also need a publishing house, a clothing factory, a construction company, and then sand and quarrying, a printing factory, and students? Does it need an educational institution, a milk powder factory, a baby products factory, and a health assurance and pharmaceutical factory? It also needs a doctor, a hospital, a medical equipment factory, a materials factory, a steel factory, and an electronics factory?

This is no longer twenty years ago, and there really isn't much market for harem literature except for its own obscenity. The male protagonist is just like a teddy. As long as he is good-looking in the description, he has to be fucked with him? I don't understand. Apart from the main character's obscenity, it doesn't advance the plot. It tears the plot apart and makes the whole novel very fragmented. The plot develops and develops, and suddenly you get a girl, and then the plot continues. I have read the third chapter. Forget about the Tang, Tang and Zhou Yuli in the front, there are two village girls in the back, five golden flowers, and five more golden flowers to replace. According to this plot, Tang Tang and her sister-in-law probably won't be able to escape. Let's just start a book and write about how the protagonist gets women, from a township to a county, to break through the combat power to get to the city, and then to the previous term, to build a country. The first part was okay, but in the second part there were more and more women, and I was speechless. By the third chapter, I couldn't stand it anymore, and I added five golden flowers... There were chapters in the previous chapter that talked about the growth of the protagonist, which I thought made sense, and then after one or two big chapters, the growth was to finally become a Teddy. This novel can get 2 points if it removes the heroine. The current number of heroines is already unbearable.

This book is going to open high and go low. There are many women who write historical articles and otherworldly articles. Nowadays, urban articles seem too embarrassing. Let's not talk about starting a business. There are several women in a city, and there are more than one in a day, and every one of them is treated with care. I think it's reasonable for you to go whoring. How can you develop without having a community of interests since you started your business? Writing about starting a business is a mess, but it's not that exciting at all. There are many women, and all of them are ambiguous. Every woman in the book can accept you having three wives and four concubines. But none of them can do without you. All the heroines have difficulties in their families and careers. The routines are basically the same. It makes me tired to watch them over and over again. The protagonist is considered a billionaire and a well-known local entrepreneur. As a result, my parents, brother, and sister-in-law worked two shifts in the factory. They live in a two-bedroom apartment. At first, the protagonist and his brother lived in the same room. After his brother got married, he couldn't even live in the house. The protagonist has not bought a house yet. Summary: Women are too procrastinating, starting a business is too vague, the family is too cold, and the people around them are too intellectual. If you continue writing in this style, the data will become worse and worse!

First, if you need talents, you can go to the university to find them. Previous food tasting activities and recent advertising effects are good publicity for the company Second, when you go to the class reunion, you can first explain your situation to the organizer in advance and explain your intention. Didn't there be business cards in that era? Then go on stage and explain your needs directly. Like the protagonist, if you directly poach people, everyone will think you are a liar and they don't know you at all. Who will follow you? These chapters of the author are simply intellectual, just like the current short plays, which are divorced from reality for the sake of fun

Is the author always licking dogs? That Yao Wei is disgusting to read. To put it bluntly, she is a female factory worker. The protagonist runs a sand factory and earns millions a year. She is also the boss of a state-owned factory. She was not her friend before. She was called out by a phone call, and she asked for help with a matter-of-fact attitude, just because she is beautiful??? Does it mean that the protagonist still lacks a woman now? The harem novel cannot be a beautiful one, so just lick it.

Do you only have one textile factory in your sights? In the outside world, there are a lot of women, a small textile factory, and five golden flowers. You have to write a few pictures for each woman. The key is to talk about the wheel, saying over and over again, crazy water. I suspect it was written by AI. The character of Zhou Yuli was well created, but now she is invisible again. She doesn't write what should be written, and writes crazily about what shouldn't be written. If I have that time, I might as well shape the protagonists who are stuck in the role. You really don't need to subscribe for the current chapter, just read the free words at the beginning. Having a harem or something is acceptable, but at least the heroine's personality should be more vivid in all aspects, and the character should be well-shaped. It would be good if you wrote four or five. You have written about 10, which is seriously stereotyped. It feels like there is no difference except for a name.

It's been more than thirty chapters, and the protagonist hasn't found the first pot of gold yet You would say that rebirth is the biggest golden finger, but the one you give me can only remember some vague things in a short time The main problem is still the first point, even if there is no golden finger, the protagonist has not found the first pot of gold yet, and he still chats with a woman, knowing that others don't like him, this character cannot be a heroine, why write all this, it seems that the protagonist has a high eye and a low hand.

In fact, Meng Ziyi is more like Zhou Yuli😃