Super God: What Is the Power of the Galaxy!

Ge Xiaolun is actually okay, although he was a coward for several seasons and finally died gloriously. Unlike next door Li Xingyun, he was reduced from a trash to a clown and became a tool in a group drama. It is impossible to end and can only be used as a tool and can't see the future. He can't take off the title of the best loser in Chinese comics.

The ultimate fear in "The Company" in my eyes: It is never a monster, but the ultimate test question that the universe gives to civilization After finishing the first season of "The Company", the "ultimate fear" was like a thorn in my heart - it was not a villain's ultimate move, nor an invasion by an alien civilization, but an unanswerable questionnaire spread out by the universe after the Kamigawa civilization disappeared. Only after completing the setting of the last two seasons did I understand that this fear was never the "space-eating monster" that was simplified in the later period, but the triple shackles hidden in every step of the survival of civilization: the paradox of survival, the cognitive barrier, and the trap of evolution, which forces every strong man to give the answer in his life. 1. The background of fear: from the demise of Kamigawa to the paradox of the "Case of Missing Civilizations" The starting point of ultimate fear is not a certain tragic war, but the "cosmic-level contradiction" that Karl first discovered: the universe was born 13.7 Billion years ago, and the conditions for nurturing life are not scarce. However, in the known universe, even top-level existences like the Kamigawa Civilization are only 200,000 years old, and there has never been a civilization that can last longer. The demise of the Kamigawa civilization is the most glaring footnote to this paradox. This civilization that was able to build a star network covering 96 billion light-years was not simply destroyed by the extinguishing of stars - they had already mastered space jumping technology and could have escaped from the gradually declining stars. However, the real destruction did not come from the stars, but when they explored the "boundary of the rules of the universe" before migrating, they triggered an unknown crisis that even a large clock could not analyze. In the end, this top civilization that had led two "physical wars" and expelled the triangular body and the beast body was wiped out as if it had never existed. This is the first truth of ultimate fear: it is not a force that is "unbeatable", but a death that "cannot find a reason". Just like a perfect "disappearance of civilization case", there is no murderer, no traces, only the question mark "why all civilizations cannot survive a certain period of time". Kesha refuses to believe it because she firmly believes that angelic civilization is "uniquely blessed" and can break fate; Morgana has been crazy for ten thousand years because she sees through Kesha's arrogance - if civilization will eventually "disappear", the rigid order is just a fig leaf for self-deception. This feeling of powerlessness of "not even knowing the cause of destruction" is the shadow engraved in the bones of all strong people. 2. The embodiment of fear: Void creatures are always just "keys", not "answers" The void creatures and black hole engines that appear in the last two seasons are often misread as "the ultimate fear itself", but if you look closely at the settings, you will find that they are just "tools" for Carl to pry open the door of fear, not the truth behind the door. Karl spent tens of thousands of years studying the void, essentially trying to solve the mystery of the demise of the Divine River. He used stars to cool the edges of black holes and extracted special substances to create void creatures—these beings made of void matter were neither naturally evolved monsters nor messengers of high-dimensional civilization, but experimental subjects that "simulated the boundary rules of the universe." Their "swallowing space" is actually the embodiment of "cognitive distortion": creatures approaching them will fall into confusion of consciousness. In essence, they are forcibly pulled to the "edge of rule failure" and experience the predicament of the Kamigawa civilization. Even Kesha's death was Karl's "experimental proof". He needs to use the fall of Holy Kesha to declare to the entire universe that "known rules are not omnipotent" - it is not the claws of void creatures that can tear apart the sacred body, but the void matter that breaks the cognitive inertia of "angel genes are indestructible". As for Hua Ye's black hole engine, it just turned this "rule distortion" into a weapon. The black hole it created was not simply swallowing, but a "crack" between the main biological plane and the secondary biological plane. It was Karl's probe to test the bottom line of the universe. Many people called Karl a "villain", but failed to understand his paranoia: the Kamigawa civilization died "inexplicably", so he personally created "tools that can cause the same chaos" and tried to deduce the "cause" from the "result". Void creatures have never been the ultimate fear, they are just "question papers" written by Karl to the universe. 3. The antidote to fear: Kesha, Morgana and Karl's "different paths to the same destination" The most fascinating thing about ultimate fear is not how mysterious it is, but that it forces out the most extreme survival wisdom of civilization. Kesha, Morgana, and Karl seem to be on opposite sides, but in fact they are all writing answers to the "missing civilization question." Kesha's answer is "use order to collect puzzles". She establishes a just order, not simply to "uphold justice", but to tie all civilizations into a "community of destiny" - if the Kamigawa civilization fails alone, then she will use rules to avoid internal friction and use the star network to share wisdom. Even if she encounters an unknown crisis, she can mobilize the power of the entire universe to deal with it. But when she discovered that this "puzzle" would make civilization lose the courage to explore (just like an angel relying on her judgment and never wanting to touch the boundaries of the rules), she chose to use death to dismantle the puzzle. Her self-sacrifice is never careless, but "self-destruction and strategic breakdown": forcing angels and other civilizations to step out of the greenhouse and touch the "border of fear" with their own hands. Morgana's answer is "trial and error with chaos." She believes that "degeneration and evil are the ultimate form of civilization". She is not born rebellious, but has seen through "order will lock evolution" - Kesha's rules protect civilization and also make it lose the possibility of "growing fangs in danger". She leads the demons on a rampage in the universe, which is essentially a "survival experiment": even if they are destroyed countless times by angels, as long as they can survive an unknown threat once, they can find a way to fight against fate. Her obsession with Rose and her emphasis on time and space genes hide the most sober calculation - time and space ability may be the key to "avoiding unknown risks". Karl's answer is "exchanging dimensions for survival". He turned himself into an illusory body and studied the void era, not pursuing immortality, but betting that "the fate of the main biological plane can be broken in a higher dimension." The Kamigawa civilization was trapped in the known rules, so he would cut through the dimensional wall with his own hands. Even if it attracted void creatures with confused consciousness, and even if it was regarded as the "god of death" by the entire universe, he would still find a way for the civilization to "jump out of the chessboard". These three people have never really opposed each other, they just chose different ways of solving problems: Kesha uses "collective wisdom", Morgana uses "individual trial and error", and Karl uses "dimensional breakthrough", but they are all responding to the same question - when civilization is destined to face "unknown demise", should we die in safety or survive in danger? 4. The regret of the plot: When the "philosophy test" turns into a "monster-fighting test" Why do old fans always miss the ultimate fear of the first season? Because in the later plot, the "unanswerable philosophy test questions" were changed into "defeatable monster test papers." When the void creatures changed from "cognitive probes" to "mere villains", and when the black hole engines changed from "dimensional rifts" to "demolition tools", the core of ultimate fear was lost. It should have been "self-questioning when civilization explores the boundaries": Ge Xiaolun's ambition should not be just "anti-void weapons", but an attempt to "use the wisdom of Kamigawa to reconstruct the rules", but it was reduced to a "mere combat prop"; He Xi took the initiative to enter the black hole, which was originally a great attempt to "use angel technology to measure the boundary of fear", but was partly interpreted as a "love brain". But the later plot was obsessed with "competition in combat power" and simplified these deep designs into "who can defeat the void monster", completely eliminating the weight of "asking questions to the unknown". But even so, the undertone of ultimate fear has not completely faded. It is hidden in the starry sky where the Kamigawa civilization disappeared, in Kesha's determination when she closed her eyes, in Morgana's slogan "for the queen", and in Karl's obsession to "let the highest wisdom come". It has never been a specific enemy, but the ultimate test question that the universe poses to all civilizations: When you reach the end of cognition, do you choose to arrogantly deny the unknown, or humbly take a step toward the darkness? This is the most precious thing about "The Company" - it allows us to see that the greatness of civilization is never "eternal security", but that even if you know that there is no solution to the fear ahead, you still have to do your best to light a lamp in the darkness for yourself and for those who come after you. This is the ultimate fear in my eyes and why it fascinates me to this day.

The protagonist in the previous book Hua Ye was funny. Angel Yan spat at the protagonist, and the protagonist opened his mouth and took it. It was so cheap 🙂

I finally waited for you. Fortunately, I didn't give up! I received a big @ from the operation officer and after reading 6 chapters, I can only say that the familiar taste is spicy again, and it is the most interesting second creation of Ge Xiaolun! Come on, come on, hurry up and post more updates, and the monthly tickets and rewards are all yours! Most importantly, don't be a eunuch for me!

When I saw the author, I knew he had been a force in the galaxy. I didn't take it for granted. I didn't have any reference materials. If it's not correct, it's not correct. Anyway, I'm from Wuhan University.

When I woke up, I glanced at the starting point and my eyes went blank. There were two books on the bookshelf

Looking back, are you a eunuch? Not buddy! I haven't read a single chapter. I wanted to raise more, but you didn't?

No, why don't you write an ending, tell me the reasons, misunderstandings, and correct them in the next book? If you go as far as you can with one sentence and cut it off, who would dare to read it in the next book? You are an old author, you have a criminal record in all this 😳😳

Kirin😍

This is what happens when you read genuine serialized books. No matter how good your grades are, you may still cut them off at any time 😄. I will never read serialized books again 😡

Daqian, you just want to innovate. I feel like you just want to innovate and write different things in the Super God Doujin Festival. I can understand this. But for us readers, it is actually not necessary. Like many Naruto fanfics, the same author is the harem, but there are slight changes in each harem, and the plot direction basically remains the same. There are still people reading it, and every book is basically a masterpiece. For me, and even most people who watch Super God, the important thing is to recruit girls, the plot direction does not need to change, and there is no need to write too many new things. You can interact more with female characters on a daily basis, and everyone will enjoy watching it. Xiao Lun's starting point is indeed too high and difficult to write

Dongfeng 5c ​​is out, it's gratifying, it covers the world

Cut after being put on the shelf, and get your money back if you order all with RNM

It is indeed not a surprise. Although the results are good, it is really difficult to write later. Ge Xiaolun's combat power increased too quickly at the beginning... At the beginning, the three-generation divine body ➕ Invincible Body ➕ Void Engine ➕ Silver Blade ➕ Foresight, I don't know how to lose with this configuration... Kesha can't go offline and can't expand later, and can't hold on after writing... The later script is invincible, and there is nothing to watch. If the plot kills, it will be a deus ex machina, and the impression will be even worse. I am still looking forward to what Daqian said in the comment area that day, what is the development path for an ordinary person to be able to thrive without a system. I wonder if Daqian can still write... Also, can the monthly vote I voted for be returned to me? 😆

You are treating this account as your last chance to make money, right?

Do you still want to read this book? There are too many about it. How about a different one? It would be interesting to pair Ge Xiaolun and Zhi Xin. With the character of the Axis God of War, it would be interesting to pair them up with the protagonist.

There is no way, this version is too high. As long as you avoid the poisonous points in the original play, use modern people's imagination, and learn from each other's strengths, you can beat the level quickly.

Do you plan to write a new book? I really have no books to read, especially Super God, you are so good.

Among the author's several books, this is the only one in which he travels back to Hua Ye and I can read it with confidence, because his identity is strong enough and there won't be any scenes of sadistic masters and bitter love dramas.

To be honest, I asked you to say that this book is too weak to be written. Try to finish it and finish the short film. We can understand if you start a new book later. But now you have reached the limit of one chapter announcement and can't write it. You are like saying "OK, run away, brothers are evacuating." This is not Are you kidding us? In fact, when I often asked for leave before it was put on the shelves, I roughly knew that the subsequent updates of this book would be intermittent. As a result, you did this. It's not like we are short of money. We spend money to read the genuine version. If you fool me like this, who will read the genuine version in the future? Isn't this a success?

No, just cut it! So uncomfortable

There is no plot to write, so just advance at light speed, complete the main plot, intersperse twenty or so daily chapters, and end at light speed. Don't be an eunuch. The protagonist Ge Xiaolun starts the game with foresight. It's too big to write. I understand that I can't continue writing. But don't be an eunuch. Write the ending. A bad ending is also an end. You can't be an eunuch.

Brother 7 Qian can actually add a few book friends as friends to provide ideas.

Why don't you write about other fans? Hua Ye has already written about them. There really isn't anyone worth writing about in Super God. If not, try Qin Shi

The result was that it was not secretly deleted! You can't escape the theory of true fragrance