
Azeroth Starting from the Cult of the Damned Morgue
从诅咒教派停尸房开始的艾泽拉斯
- Status
- Ongoing
- Length
- 139k Words
- Genre
- Gaming
- Audience
- Male
- Subgenre
- Game Otherworld
- Updated
- 1y ago
- Source
- Qidian
Stats
0Monthly votes
762Recommends
31Fans
58Chapters
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Have you ever been a mage? Some things are written randomly and taken for granted.
Since it was predicted, it's time to shut up and study other things.
If you don't come here for treatment, compensation, and status, then you should go to Karimduo
The scene felt too big. At first, I thought this article was about the adventure of a low-level member of the Cursed Cult in Azeroth. Now it is all about big scenes, but the protagonist is mainly responsible for evasion and deception.
After voting for the monthly ticket, you will become a eunuch 😭
Why don't these novels feature Alsace as the main character?
Are you going to write Alsace as a fool, a clown, and a crazy critic? After so many years of elite education in the Kingdom of Lordaeron, has it taught such a fragile and paranoid thing? As if Alsace has original sin inherent in his birth? Everyone has to step on him to show the protagonist's brilliance and foresight. It is meaningless to judge his behavior from God's perspective.
It felt nice, but too little.
Not enough to watch at all!
Monthly pass has been given
The protagonist is like a firefighter. If no one believes it, just let them fend for themselves.
1. What about the Bronze Dragon 2. The three golden chapters and the following changes are a bit big. They are all very good-looking. The writing in the back is quite smooth In the front, there is still a person with Goldfinger who has feelings and will be afraid. The back is like a warning light image that has been anchored. It is cold and efficient. It is hard to say whether the doctor has come through or the Lich has come through. Goldfinger has also disappeared. One is that the protagonist suddenly discovers that the enemy has a brain, and he can no longer just be a warning light, but coldness and efficiency have been anchored in the author's mind 3. Continuing the topic of Goldfinger, the world-ending crises are one after another. When to improve your strength? Until Chapter 54, there has been no research on improving your own strength. The only improvement was following Goldfinger to accept the force of death and change to a death knight. After that, he never used it except to absorb the plague. In the subsequent fight with Kel'Thuzad, I only used a magic counter to remove the Soul Siphon 4. After careful review 2, it seems reasonable to say that it is the influence of the Death Force on the protagonist. I can only say that I am looking forward to the next development. Let's see when there will be some talk and things other than the plot. I feel that I am guilty of being stupid and saying all this 5. If the author has his own ideas, please try not to be influenced by me. The most important thing is to write your own ideas.
The only chance for the high elves to survive is to go to war with Dalaran to take back the Guardian Forge and re-create the high elven guardians.
From beginning to end, the only enemy of Silvermoon City is Dalaran...
Welcome to the dirty land reincarnation. Please give the name of your last work. It's so well written. Hurry up and write it down.
The protagonist has no backing, so he can't say many things. As long as there is a force or backer that shakes out the Shadow Realm and the Void, and tells Sargeras the truth about the Dread Lord, you can see whether the Titan can do it to his eldest brother.
This writing power is suspected to be the author of "The Reincarnation of the Earth"
It's very well written. Let's start fighting right away. I want to see blood flowing like a river.
Is the main character's name a tribute to Camus' The Plague?
I feel that a bit of Plague's style can be seen in the writing. The dialogue in the opening paragraph is actually a bit too emotional. Personally, I feel that it is a bit stiff to read. This may be because there is insufficient foreshadowing and the conflict here seems to have no beginning or end. The dialogue description of the protagonist later can quite read a Camus-like sense of aloofness, which is worth supporting.