It Makes Sense for Me to Win the Palme D'or at the Age of 15.

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These authors will never be able to write about the high-spiritedness of successful directors. All the big directors in the industry are just as licking dogs as themselves. Successful directors in the entertainment industry are on the same level as capital, and most of them are still licked by capital. Starting from the beginning, the author will write the genius director as a fool who licks the dog. It can only be said that a young virgin cannot write about the style of the entertainment industry.

You don't even know who the entertainment audience is, so what are you writing about? You wrote 15 Cannes, so it's for middle school and high school students, right? Most of the people who watch entertainment are in their 20s to 40s. But you are 15 years old. If you don't pounce on me, I'll leave it at that. Supervision is welcome.

You will win a prize at 15, and then you will stop being a human being and start licking

I didn't want to comment at all, but after spending money to pursue the book, I really can't help but complain a few words! This book of yours has long been more than water-filled. Now it is just made up and made up, and the settings before and after have collapsed into a mess. Sometimes it just doesn't matter. The last few chapters are completely out of tune, and the plot is forced throughout. The most outrageous thing is the scene where Feng Xiaogang confronts the protagonist in public! Feng Xiaogang is not a fool! You wrote it clearly yourself. The protagonist is not only a Grand Slam director, but also controls the entire film and television ecosystem, the Internet sector, and a huge capital territory. Picking up any of these two identities, Feng Xiaogang would not have the guts to name him. Feng Xiaogang is a bit bad, but he is not stupid. There is also a plot of Huayi plotting against the protagonist, which is even more ridiculous! The protagonist's company is a top giant in the industry, and it has the entire film and television-related ecology. Huayi is a proper little Kalami in this worldview. According to normal logic, Huayi would like to kneel down and beg for resources and hug his thighs, so how could he take the initiative to provoke the protagonist? The strength gap that was laid out in more than 1.9 Million words was completely overturned by you and written blindly. There is another detail that I didn't want to take too seriously: with the voice of the protagonist's top director and his crushing commercial influence, the old and backward traffic star ecology in the book is simply impossible to develop like in real time and space, and has long been completely rewritten. But I'm too lazy to deal with such corner details, so I'll forget about it. But the core character design, capital structure, and character IQ have all collapsed. The more I watch, the more disappointed I become!

Everything else is fine, but the main character is too dramatic at his age. Some movies cannot be made by children of this age without the experience and thinking. This is completely different from the examples of those science tycoons.

Don't be ridiculous, Yang Mi and Liu Yifei have such a bad relationship. Will Liu Yifei look good on her even though they have never been in contact with each other? The most disgusting thing is a book about Liu and his old friend who are best friends. They tie you up again and again, and then they even pull the person who stepped on you. Would you have a good relationship with this kind of person? On the 20th Anniversary of Wagua, neither of them gave each other a good look and didn't say a word.

When I first read the title of the book, I was sure it would be rubbish. I clicked on it and kept up with the latest. The author combined the golden finger with the plot very well and the content was reasonable. Like one. I hope I can keep it up in the later stages and don't let it get bad.

The plot of this book develops too fast, and it's already 2012. A lot of content can actually be expanded. For example, the plot of the movie developed by my own company in China, the casting of each new movie, the reaction and influence of all parties after winning the award, the specifications of the events Lao Liu attended, the reactions from all walks of life, and so on. This series. You need to make these influences concrete and concrete. Write more plots of Lao Liu attending events or interacting with others. Hey, I have read so many entertainment articles about Lao Liu, and this one is the most in line with my ideas. I just want to use film resources to pile up Lao Liu and rest at a young age. Except for winning awards, winning awards is too fast and there is no suspense. The 20-23 years old will win the Golden Horse first, and the 24-30 years old will rush for the European three golds and the Golden Globe Oscar. I think it is the most ideal. The plot can be richer and fuller. I feel that the author is very anxious to finish the book. In fact, I have written 3 million words seriously. Write whatever comes to mind. It's rare to find an entertainment article by Lao Liu that I like.

It is simply unrealistic for Chinese-language films to achieve high box office in the United States, especially romance films like Your Name, which are overhyped.

China Entertainment just wants to see the main character go around shooting guns. This is in line with my stereotype of the entertainment industry. It has a single female protagonist. I really can't watch it and it feels very fake!

It's getting more and more embarrassing later on, and I always like to bring in private stuff, and I always write about my opinions on certain directors and actors in certain movies. Who's here to see this?

See the title. I want to make a complaint. You might as well write fantasy novels.

Many women will read it. What you wrote is bullshit and I'll give it a try. Forget it if you're a single woman, why are you still a single woman in the entertainment industry? I want to do it all. 😁

The bad movies that should have appeared still appeared. It seems that something has changed, but in fact nothing has changed. In 2020, movies will still be dead.

I found that many Chinese entertainment novels like to write that Chinese movies have high box office overseas, which is too fake. As of June 2026, among all the movies in the world, except for Hollywood movies, there are only 5 movies from all other countries that can exceed US$200 million in overseas box office. "The Intouchables" (box office outside France): $260 million "Your Name" (box office outside Japan): $240 million "Dangal!" "Dad" (box office outside India): US$206 million "Demon Slayer: Mugen Train" (box office outside Japan): US$210 million "Crouching Tiger, Hidden Dragon" (box office outside Chinese-speaking regions): US$206 million Strictly speaking, "Crouching Tiger, Hidden Dragon" is a Sino-US collaboration. The total number of American films with a box office of >$200 million outside the United States: 706! ! ! Why is this happening? Because the United States is still the cultural center of the world, most foreigners don't like to watch movies from other countries except for their own people. People in most countries around the world are willing to watch American movies. Although American movies have not done well at the box office in China in recent years, most other countries in the world still like to watch American movies. There are still many American movies outside the United States every year, with a box office of more than 200 million US dollars. The main reason is divided according to proportion. Cultural barriers account for 80%, Hollywood distribution capabilities account for 15%, and other reasons account for 5%.

Originally it was a vanity fair to make money. Being an actor is not a career or anything else. Who would go into the entertainment industry if you don't care about making money? It's really an ideal idea. I just want to act in a drama. What kind of entertainment industry can I join? It's even a dream. It's so nonsense. The author likes to express his own ideas and like to comment on the people, things, and things that appear in his works. On the one hand, the protagonist is a thief of his works. He has not created any works by himself, and he mainly makes money. On the other hand, he dislikes other people who only treat actors as a profession to make money.

Are you an American? You acquired Warner! U. S. Officials and the U. S. Tax Administration will keep you company until the end! Just use some common sense and think about the kill line!

I filmed "Love" when I was 14 years old. 666 Are you doing something abstract? Do 14-year-old children understand the love and life and death of the elderly? You can't even choose a movie that suits the character. Really?

In the TV series, Zhang Li and Zheng Xiaolong are both very good, plus the old drama stars from the Ming Dynasty. Chen Baoguo or Dao Mingshu came to Li Longji, Liang Guanhua came to Anlu Mountain, Wang Jinsong or Jin Shijie, Gao Lishi, Xin Baiqing and Li Bai, plus Ni Dahong, Wang Qingxiang, Wang Xueqi, Zhang Zhijian, Jiao Huang, the female ones were Yan Danchen and Yang Xue, and some young actors with professional classes.

The Zhenguan Reign in 2006 was also quite good, with Ma Jingwu, Prancing Horse, Ma Shaohua and Jin Shijie

Why not write about winning the Palme d'Or at one year old?

It was okay before, but since I started to develop after returning to China, it has become more and more rubbish. The plot is also very speechless. Things that have happened in the real world have not changed at all and can be written directly. The role of the protagonist is completely useless. I write whatever I think of.

You wrote it as if the male protagonist has no parents. I am not a feudal old man and I don't require that we must live together after marriage. If Liu Tianxian's parents divorced and they really got married, her mother would probably have to take care of her, but what about the protagonist's own parents? The protagonist's parents raised a son for the Liu family? The protagonist is not just a freeloader.

There are no childish and silly plots.

If you don't have anything to say, don't write it. It's anticlimactic. It's better to finish it as soon as possible and save everyone from scolding you. It's better to start a new book than to go down like this. At least your character has not been ruined yet. If you continue to go down like this, do you want old book friends to continue to support you when you open new books in the future?

The protagonist is purely a filming tool.

The main book is like an instruction manual, with constant narration and explanations. The interaction between the female protagonist and the male protagonist feels dispensable. If the female protagonist doesn't want to watch it, they will keep making movies. The male protagonist seems like he can't live without the movie. The female protagonist has to be filmed after she is pregnant, so she keeps filming and introduces this and other things. Most of them are introduced by narration and then filmed like an assembly line. I was shocked by the movie, film festivals, screenings, and repeats. I only interacted with a few people in the film industry, but I didn't interact with other Internet financial bigwigs. It was very boring. I can't write about daily life, so I just know how to write instructions. The male and female protagonists didn't feel sweet at all and everything was covered in one stroke. I couldn't hold on after reading hundreds of chapters. The pace at the front was like a rocket and the slow pace was like an instruction manual.

I found that the biggest difference between this Chinese entertainment novel and the top-ranked Chinese entertainment novel is that there is obviously less domestic content. The protagonist is obviously more familiar with foreign stars and foreign activities than local stars and local activities. Readers feel a bit fragmented when reading the book and cannot be brought in at all

I just saw that fans of the protagonist listen to the film every day before going to bed, but they are limited by their respective work lives and cannot participate in the creation of the film. I have an idea 🛎️The protagonist writes a script and posts it on YouTube, and it takes one year for fans to make a movie in the comment area 1. Casting, who to circle in the audience comment area, the protagonist is responsible for using relationships to secure the schedule, and invites corresponding stars, Chinese and foreign beauty circles, and even business celebrities to make cameos 2. Lines, the audience comment area gives suggestions for modifications for each line, and then takes the five options with the highest comments to ensure continuity 3. Storyboarding also It's a drawing in the audience's comment area, and the highest number is based on the number of likes 4. The lighting, costumes, and scenery of each scene are all crowdfunded by netizens 5. In the end, the protagonist does not participate in the director at all. Blind selection or selection of a fan who is a fan of the protagonist, or the fan with the highest contribution in the comment area, is responsible for taking the shots and making the movie 🤓 Consider it a performance art. It is fun to write, and it can also prove that the protagonist has many fans, and there are indeed many talents