I Was the Emperor of Heaven in Ancient Times

This is such a great book, it's so amazing, it's hard to imagine how much the author spent to write this kind of story. It can be said that it is difficult for the human brain to imagine. It is so awesome that it makes my scalp numb.

Hurry up and open a new book, we are all waiting for it! Wait until you vomit blood, hurry up

It could have been as popular as "Xuan Jian Xian Clan". I asked you to scrap the writing on the gods. You were the best at writing the group portrait writing at the beginning.

In his books, the author often likes to write some characters who do whatever it takes to achieve their goals. These characters are obviously very disgusting, but in the end they can achieve what they want, such as the peach trees in this book, Zhou Shen Tong, I am the witch in Xianli, and the undead army in the previous low-dimensional games. His worldview gives people a sense that no matter how many people I kill or how many bad things I do, as long as I can prove that I am right, then I will definitely have a good result. Whose mythology can be messed up like this? Also, the history of the dynasties or dynasties he writes about is very short. In reality, there is no intervention of gods and demons. The ancient dynasties all appeared, such as Xia, Shang and Zhou, which lasted for four to five hundred years and were passed down for more than ten generations. Good guy, it is not in his book. If this generation dies, it is obviously a peaceful and prosperous era, so it will be killed immediately. Obviously readers hate this type of character, but in the eyes of the author, we seem to like this type of character very much

What I wrote before were all myths of the past. Now for the first time, I am running towards the universe and the future. If you can hold your breath at this time, slow down the pace and write slowly. There is a turning point. If you continue to accelerate at this time, you will be rushing to the end.

After reading I Am God, I felt that the author was not worth looking forward to. After reading the first few dozen chapters of Demon Emperor, I felt it was wrong and put it away. Sure enough, I cut it as soon as it was put on the shelf. I knew he had to cut it without even clicking on it. Next, I would either change my vest or open one book and continue to read it. There were many eunuchs at the beginning, but there were only a few eunuch supervisors. No one would object to the author sitting in this position.

Authors who write novels are like cultivators. They all hope to become gods with one book and reach the throne of gods. But most of them died on the way, some with talent but no luck, some with talent and luck. The author is the kind of monk who has talent but no destiny. He was hacked to death and fell after cultivating to the Mahayana to overcome the thunder tribulation.

Fortunately, it only cost more than ten yuan. I originally wanted to keep it, but it died. The author has nothing to say. He doesn't read book reviews anyway, or he won't change it after reading it. I can tell it from my god. Anyway, he is the best if he doesn't listen to good things. Readers are all on their knees begging for food. With that, Why support them, right?,,, This kind of author deserves it, but this is not the case if you listen to the opinions in the comment area. Brothers, just block him or block him. He will listen to him when he has no money. You are too rich. Feeding such people too much.

Compared with "I Am God", this book gives me the feeling that the protagonist is just a container of power, not the power itself like Yinsai. The myth comes and goes because of him. The Trileaf people burst out with bright light because of him, and because of losing him, the entire civilization went to destruction. This book is different. The power released by the protagonist of this book is more like a kind of pollution, which can be obtained by contacting him. Once the power is gained, the power itself will spread again, and then spread out. His source is uncontrollable. For details, you can see the sacred tree and the latest peach tree... He has no way to reverse it. He can only spread it passively or actively. With dual vision, I personally am not optimistic about the follow-up development. I even think this is not the creation flow at all, but a variant of doomsday biochemistry, or a resurgence of spiritual energy.

Blowing the wind makes people laugh more and more, and all the behind-the-scenes novels I write now look like this

I was puzzled that I could write "I am God!" How come the author of "Wonderful Endings" continues to fail

I can only say that you deserve to die. I will never forgive you for your madness in "I Am God". Don't come back to write online articles in this life. Just find a class in peace.

I Am God is so well written. I could have become a god in one book and gain freedom of wealth. However, it ended badly in the later period. Now I just won't write a book at all. Alas.

The protagonist is not so much the source of power as a vegetable parasitized by various parasites. The protagonist can only watch as these parasites gain power from him and continue to grow stronger, but the protagonist has nothing to do...

The writing is very good. It looks like someone who was an ancient Heavenly Emperor. The writing is very real and matches my experience of being a Heavenly Emperor. Come on!

The author is not suitable for writing about mortal protagonists and modern perspectives. It was frustrating to watch. He is obviously the best, but in ancient times he could not go here or touch there. We still need to save humanity in modern times. Nuclear powered donkey

Oh, it's over. I'll write about Peerless Yinsai in the next book.

As expected, it turned out to be a eunuch. Too utilitarian and not interested in small money.

Internal and external troubles and local forces that can be referenced in the background of Chinese mythology 😉 The White Lotus Sect, Wutong Shen, the great demon forces in "The Soul Conjuring" and "The Great Move" in Chuci... The ancestors and gods of local forces and ethnic minorities can all be used as inspiration😊🙂🙂🙂🙂🙂🙂 Nomadic Immortality Heaven Nomadic Barbarian Gods White Lotus Cult Evil God Forces😄 Lich Forces headed by Wutong God Chu Ci "The Soul Calling" The demonic forces in "Big Move" Some of the ancestors of our Chinese ethnic minorities and the Three Sovereigns and Five Emperors are related to each other (the ancestors of the Shanha Gods are still the sons-in-law of Emperor Ku), and some of them are the Heaven (center) in the human world. Extension of local forces😎 Northeast Shaman Baojia Immortal Gods😊 Central forces in heaven

Traveling back and forth between the two worlds, the ancient world is quite interesting, but I don't like the real world very much. Why? The protagonist in the ancient world is very awesome, but when he returns to the real world, the protagonist is just a loser. He is always led by others. The gap is too big, and it is a bit uncomfortable to watch.

If you really don't understand, why don't you reset it to God or Low Dimension? The former only needs to be changed in half, and the latter only needs to be deleted and expanded to fill out the plot. I really like Low Dimension, but other creation streams really don't have that flavor. If it doesn't work, I beg you to make a fuss.

The writing in this book is much better, the writing power and conception have really improved, and the plot is also very good. Unlike the previous one, which was a bit pretentious, this one is very strong, come on.

Let's reset the third era and write down all the grievances 😅 By the way, I agree with what a game producer said Don't listen to players' suggestions blindly, but you must read the negative reviews of players. It is recommended that non-professionals teach professionals to make selective references, but negative reviews are caused by players' negative emotions accumulating enough, and they must be dealt with in a timely manner.

Reading the previous chapters, a familiar smell came to my face. Sure enough, you are top-notch behind the scenes. No one else can write about you.

Ancient Astronomy: A "Dead Man's Sutra" that allows the Emperor of Heaven, the Emperor of Earth, and the Emperor of Humans to live toward death Ancient astronomy, if you say it is mysterious, it is indeed mysterious, because you don't know its origins; When I talked about ancient astronomy in the past, I often used the phrase "people can lie to others, but God cannot" to describe its role. After reading this article about ancient astronomy today, you will understand why this is the case. Because it is a realistic representation of the survival of the "Three Emperors" and a naked "Book of the Dead". Today's article may "open your eyes" and give you a deeper understanding of Chinese culture. It will also definitely solve many "ignorant" problems in your mind, such as: Why do some people find patterns such as Tai Chi Yin and Yang, Twenty-Eight Constellations, and Luoshu River Pictures scary? Why are the records before the Xia Dynasty always unclear in our history? Why did Zhuangzi, the real man of Nanhua, cry out sadly, saying that this is the "way of the inner sage and the outer king", and that after splitting into hundreds of schools, "they go back and forth but don't go back, and they will definitely be incompatible"? The following is the main text As long as you have read some history, there is a high probability that you only remember the earliest four words of Suiren's "drilling wood to make fire". This is our unified memory. Anyone can retell the stories of "Suiren's drilling wood to make fire", "Shennong tasted hundreds of herbs", and "Fuxi painted gossip". But, do you really believe that fire will pop out just by drilling a piece of wood? If that's the case, why don't you try drilling a piece of wood? Do you really believe that if a person tastes many plants, the medicinal properties of the plants will come out? If this is really the case, how many lives does he have to have? And Fuxi, was it really possible for one person to "open the sky with just one painting"? If this is the case, then you have underestimated the importance of the "Three Emperors". Which three emperors? That is, the Suiren clan of the Emperor of Heaven, the Shennong clan of the Earth Emperor, and the Fuxi clan of the Human Emperor. Their ability to have such a lofty status is absolutely linked to their deeds and their influence on future generations. They are definitely worthy of this title. If you look at the evolution of ancient astronomy, you can see all this clearly. You will find that the birth of ancient astronomy itself originated from an extremely tragic "Living towards Death" Sutra of the Dead, and the Taoist saying "Unless the heart dies, the Tao does not live" also comes from this! 01 Suirenshi's first interaction between heaven and man To understand things, you need "supernatural power". When you have Suirenshi's magical power, you will find that it is difficult to drill fire out of wood. Even if you use an electric drill to drill wood now, it is difficult to make a fire. Then the question is, since it is difficult to drill fire out of wood, why do you still need to drill? To put it bluntly, the real fire actually comes from the sky. Suiren's action of "drilling wood" itself is a simulation of the movement of celestial bodies. Drill, the axis does not move, and the wood rotates like the sun, moon and stars. The ancients "observed the celestial phenomena from above and followed the shapes below." The movement of drilling wood is very much like the rotation of the Beidou. The wood is heated by friction and energy is released - this is the first time that astronomical observation and personal practice have been "compared". So after Suirenshi, astronomical observation and daily survival merged. In modern terms, astronomy is instrumental rationality, and drilling wood to make fire is technological realization. Since then, our ancestors have begun to realize that changes in heaven can be replicated on earth through human actions. This is the first scene of mutual interaction between man and nature. We can fully imagine that Suiren's wizard simulated the world and drilled wood tirelessly, and finally discovered fire. But this is not the power of the Suiren clan. Their power is not that they can occasionally drill out sparks, but that they can preserve and distribute fire, giving the tribesmen control over life and death. With fire, we can gather. Only with gathering can we have society. Under the firelight, living in groups, keeping vigil, guarding against animals, division of labor and cooperation, the earliest order is all maintained by it. Fire is not just as simple as cooking rice and barbecue, it is the first link between heaven and man. So, why do we need to drill into the fire? Many people think that "drilling wood to make fire" is a fairy tale or a myth. No one will tell you that without fire, people will freeze to death in the middle of the night or be bitten to death by wild beasts. It is difficult for modern people to feel these things. According to current archeology, the so-called Suiren clan is nothing more than a group of flesh-and-blood mortals at the entrance of a cave and under the claws of wild beasts. They are not gods, they are human beings of bones and flesh. They need to face the survival threats of cold winter and dark night, and they have the desire not to die. In other words, behind the four words "drilling wood to make fire" are corpses blown cold by the cold wind and bones bitten by wild beasts in the dark nights of tens of thousands of years - but no one can see it again, and no one wants to look back. The reason why Suiren studied heaven and made fire is very simple. There is only one clue: People don't want to die 02 Shennong's "Book of the Dead" Suiren made a lot of progress in ancient astronomy. With fire, the survival rate of people has greatly increased, and the number of people has also increased greatly. When we arrived at the Shennong clan, the skyrocketing number of people made it very difficult to survive. We all know that "Shennong tasted a hundred herbs", but few of us really understand it. Let's first look at their results from today's perspective - Shennong advanced the astronomical system and unified heaven and earth; They used astronomical coordinates to unlock the grass and tree codes and discovered the growth, The medicinal properties are inseparable from the celestial phenomena; They do not eat blindly, but use the stars as a clock - when to bloom, when to bear fruit, when the medicinal properties are strongest, corresponding to the cyclic operation and position of the sun, Beidou, moon phases and other celestial phenomena. For example, some medicines can save lives if they sprout in spring, but can be fatal if they bear fruit in autumn. The changes in the medicinal efficacy of the roots, stems, leaves and fruits of plants throughout the year are directly linked to the position of the Big Dipper and the height and angle of the sun. It's not just a casual taste, but a record one by one according to astronomical rhythms. The "time, position, nature, and flavor" of traditional Chinese medicine are essentially a drug database marked with an astronomical perspective, and this is where it comes from. What they observed was not just individual plants, but also the climate, geography, and time of the plants—the intersection of these variables. It is like using a precise set of coordinate axes to embed every plant, every piece of land, and every human body into the astronomical system. When Shen Nong tasted hundreds of herbs, it looked like grass, but he was actually using celestial phenomena to infer the life and death cycles of vegetation on the ground, and then deduce the operation of the internal organs of the human body. This is not mysterious. Let me give you an example: Ancient Chinese medicine said that "spring nourishes the liver, summer nourishes the heart, autumn nourishes the lungs, and winter nourishes the kidneys." Why is it not made up? Because the wood energy rises in spring, it corresponds to the east, and corresponds to the rising of Qinglong Qisu; In summer, the fire energy is strongest, corresponding to the south, and Suzaku Qisu; in autumn, when the lungs are gold, it corresponds to the white tiger in the west; in winter, the essence is hidden, corresponding to the northern Xuanwu. The health regimen of each season actually uses astronomical logic to mark the laws of the human body. The so-called "harmony between man and nature" is not empty talk, but a guide to what people eat, what to use, and how to survive based on rhythm. Since Suiren's interaction between heaven and man created fire, in the era of Shennong, pharmacology, medicine, ecology, and astronomy were summarized into one system. If we want to understand this system, we must keep the celestial variables of "Polaris, Big Dipper, Sun and Moon" in mind. Behind every medicine, every plague, and every climate change is a reflection of celestial phenomena. For example, ancient astronomy says that when comets appear, plagues are likely to breed. They form phenomena in the sky and take shape on the ground, and history books can correspond to them. For example, when the two recent plagues occurred, Venus passed between the earth and Jupiter. By making predictions based on the star background of this celestial phenomenon, you can know what is about to happen on the earth. Shennong's discovery was not only about the herbal medicine itself, but also captured a big line of "astronomy→geography→life→pathology→therapy". The growth and death of plants and trees are the echoes of celestial phenomena; the birth, aging, sickness and death of the human body are the star map on the earth. Modern people who study Chinese medicine always want to memorize the "properties and indications of medicines" from a book, but the real roots - astronomy and time sequence - have been completely separated. Speaking of this, I might as well give another example to go in depth: Houttuynia Cordata and Fructus Fructus, everyone knows about it, right? People in Hunan and Guizhou eat it most, and it is also a traditional Chinese medicinal material. However, few people know that the fishy herbal medicine is most potent when picked at noon on the Dragon Boat Festival. The Houttuynia cordata picked at this point has the greatest anti-inflammatory effect when used as medicine. I believe that among Taoist friends in the world of cultivation, many of them have learned Master Ni's theory and some prescriptions, but when you go to the pharmacy and take the medicine, you find that it has no effect. What's the reason? Could it be that Master Ni was wrong? Or is it the theory of traditional Chinese medicine that doesn't work? Actually, it's not because the theory doesn't work, nor because Master Ni doesn't understand, but because the current medicine doesn't work. Most of today's medicines are grown in greenhouses, and the picking time is not right. It is strange that they are effective. But people who understand are not fools. They also know very well what is useful and what is useless, so their prices are very different. Let me give you another example. If you look at the medicine "ginseng", it costs one yuan a piece when grown in a greenhouse. But if you buy a wild ginseng in grams, it often costs thousands or even tens of thousands. The difference is so big, are the customers stupid? As for whether it is useful or not, and what the difference is, you can clearly understand by buying it yourself and trying it. Taking a step back, the vegetables grown in greenhouses taste different from the vegetables grown in the fields. How can we expect that the medicine grown in greenhouses will be effective? Therefore, only by returning to Shennong's holistic perspective and linking the trinity of vegetation, celestial phenomena, and the human body can we truly understand the ultimate meaning of "tasting a hundred herbs" and know the ultimate effect of traditional Chinese medicine. Okay, let's get down to business. So, there will be a question here: Is the Baicao tasted by Shennong reasonable? If you really understand the reasons behind it, you will find that they can no longer be simply described in black and white terms as "scientific" and "unscientific". "Shen Nong tasted a hundred herbs" was written in the textbook as a story of kindness and a fairy tale. In fact, how could there be any saintly feelings at that time? A very simple fact is that because the Suiren clan has mastered fire, people's ability to survive has been greatly enhanced, the number of people has increased, and more food is needed. So, what should I do if I don't have enough food? However, no one knows what can be eaten. There is no way to tell. We can only try it with people. If we encounter something poisonous, whoever eats it will die. To put it bluntly, the "source of traditional Chinese medicine" was dug out bit by bit by Shennong from among the dead. The flowers are bitter when they bloom and become sweet in autumn. When the Beidou turns around, the poison is gone and you can eat them. Rice, wheat, dandelions, Angelica dahuricae, Chonglou, etc., As long as you have seen them, whether you have seen them in real life, seen them on TV, or heard others mention them, they are all the same. They must have also eaten spring rice seedlings, roots, and leaves.... You may not have a concept when I say this. For example: In 1938, Chiang Kai-shek bombed the Yellow River, causing drought and locust plagues, causing tens of millions of hungry people in Henan to be like locusts. Wherever they went, there was no grass growing. During famine, they gnawed away the bark of trees and ate whatever they saw. Even Guanyin soil could fill their stomachs, so they ate it too! In 1942, Henan suffered a great famine, photos taken by British journalist Foreman 1942, don't think it was a long time, in fact it was 83 years ago, not even a hundred years People were like this decades ago, let alone people thousands or tens of thousands of years ago? So, Shen Nong's taste of herbs was actually the experience of hunger forcing people to eat. What to eat? Eat everything! Weeds, stones, sand, insects, snakes, birds and beasts, even... People! So you see, why is there a soul in Chinese medicine? People are yellow? Zihe car? Do you still know the efficacy? At that time, it was also an era when many tribes turned into cannibals. If there are Taoist friends in the [Cultivation World] who are engaged in the archaeological industry, they can support my point of view. In other words, if there are too many hungry people, people are forced to eat whatever they want and try everything. When too many people die, it becomes experience, and those who are still alive record these experiences. But there is no basis for experience. We can only rely on celestial phenomena. Look at the height of the sun and the direction of the Beidou. The growth and withering of grass must be recorded. When the grass is poisonous and when it is edible, it is all based on observing the celestial phenomena, recording the seasons, and counting the days. Therefore, ancient astronomy is a law derived from hunger. To understand astronomy and find laws, there is only one purpose--                                                                                                                                                                                                                                             <br If it was of no use, it would have been lost to history long ago. The story of Shen Nong tasting a hundred herbs is not a myth, it is not seeking knowledge, it is not some sage sentiment, but a very simple "seeking for a way to survive". Countless people are "trying"... Look at the word "try", why is it "taste"? Not "seeing and testing", "touching and testing", and "stepping on and testing"? Many memories also exist in words. At that time, no one knew which grass was edible, which grass would die on the spot after eating, which grass would die a few days after eating, and whoever was too hungry would gamble his life. Hungry, let the Shennong family try it one by one, generation by generation. The dead are buried or eaten, and the living remember it. We now have many prions, which probably came from that time; we have cannibal genes, which also came from that time. Why does Taoism value life? It is because we have inherited the core and simple pursuit of ancient astronomy: people don't want to die. When this concept is implemented on the individual, it is the Golden Elixir Way; When it is implemented on the royal power, it is the way of the emperor; If it falls on the company, it is the business path... No matter what the path is, it is inseparable from the path of "not wanting to die"  If it deviates from it, it is a crooked way If it is for the sake of being arty and the purpose is not around this, then it has become a heretic and a side path So you see, the world is complicated, but from the perspective of ancient astronomy, it is immediately clear People can deceive others, and often even deceive themselves without knowing it But, God will not I'll stop here, and in the future I will continue to use ancient astronomy to dismantle our culture, human nature, and Taoism When the experience is passed down, it is called "what can be eaten and what cannot be touched at what time". In the early days, it was "where, at what time, so and so ate something, died, or had some reaction." So, Shennong's earliest "pharmacopoeia" is actually a list of dead people. Every medicinal property is built up by human lives. No one has "pharmacological" knowledge, no one can remember all the experiences, and can only rely on observing astronomical phenomena to speculate on bad luck: ——"After the vernal equinox, the sun rises high, and this kind of grass blooms in the mountains. You can eat a little, and you will not die. People. At the summer solstice, the grass becomes bitter, and eating it will cause diarrhea. After that, it will turn red, and whoever touches it will die." ——"At the autumnal equinox, the Big Dipper turns around, and the fruit becomes sweet. If you eat it at this time, you will not die. If you don't, you will have stomachache." In other words, the earliest Chinese medicine (witch doctor) was based on astronomy, which was a thread connecting heaven, earth, and people with human life and celestial phenomena. Whoever does not believe will die. When too many people die, experience must be classified and passed on. As I remember more and more stars in the sky and recognize more and more flowers and plants on the earth, how can I remember them? Relying on oral experience alone? When there are too many people, it becomes chaotic. Who can remember clearly? So some people began to use stones to carve, bones to carve, and knotted ropes to record events. Behind every piece of rope and every notch, the lives of the dead and the living were connected. These can be seen in the murals. When you can go out, when you can harvest, when you can't enter the mountains, and when there are poisonous insects and beasts, you have to write them all down. Over time, these marks began to be classified, and we learned that there are twenty-eight constellations in the sky (perhaps they were not called that at that time, and they were called "28 constellations" during the Warring States Period). There are ten months in a year (in the early days, there was a ten-month system, and now some ethnic minorities still have the tradition of "one year is divided into ten months"), which happened to correspond to the cycle of Jupiter, so there were ten heavenly stems and twelve earthly branches, and all the rhythms were in the stars. Because it comes from this way, history books cannot clearly record who invented the twenty-eight constellations and the heavenly stems and earthly branches. There is no way to verify them.

[First of all, let me explain that this is really a novel worth reading. Although there may be some flaws in the early stage, the more you read later, the better and better the writing becomes.] [Many people say that we should write less about modern times and more about ancient times. I think we should follow the current progress. The current framework is that when things happen in modern times, then go to ancient times to reverse the consequences. Although ancient times are indeed better than modern times. But as the modern era progresses more and more, the modern era looks good] [Then there is the matter of closing the author's other books. I have read "I Am God", but I probably haven't finished the book. Many of the first parts are really good, and the latter part seems a bit boring, but I have to say, it is indeed the first time I read this book, and it is really shocking] [Then there is "The Demon Emperor" ", I read what the author said in the last chapter, and I can feel that the author wants to try a new style and make changes, which is worthy of admiration. The setting of "The Demon Emperor" is very novel, and it can be seen that the author has worked hard, but it is a pity to cut it] [Then the setting of "I Am an Immortal" is equally novel and very beautiful, which shows that the author is really powerful] [Finally, Ming, I hope that the book will become more readable and the results will get better and better. Many readers in the article have some behaviors about the protagonist. They think it is cheap, unqualified, etc. In my opinion, it is okay. The protagonist's majesty as the Emperor of Heaven is still a bit substitutive. It is not the kind of domineering that the words express, but the kind that is reflected through other descriptions. OK, finished]

Hold still, write slowly, write slowly. Don't be too impatient. You are impatient when writing a book, so it collapses later on. Write slowly, just like the end of Volume 2 of I Am God. The ending of the second volume of I Am God is perfect. But I still have to tell the truth, my current level is not to the point where I am a god.

Less than 380,000 words in 50 days. I am very satisfied with your quality and content. The only shortcoming is that there are too many typos. I hope you can upgrade Rebirth well.

The author has finally returned to his comfort zone, and group portrait writing is what suits him best. Very well written. Actually, when I Am God was serialized, I felt that the author should write a group portrait novel of Eastern fantasy. However, I would like to give some suggestions to the author. You can make up the system of I Am God by yourself. After all, it is considered a Western fantasy. Oriental mythology is different. The traditional system does not need to be used, but the oriental characteristics must be thematic elements. If it is used as an excuse, it will be easily dissuaded. By the way, the modern line is actually written both well and poorly. The bad thing is that the modern line and the ancient line go from the ordinary to the extraordinary. There is a sense of repetition between the two, which is a taboo in novels. Fortunately, the modern line can also use the spiritual energy recovery flow, which is a different kind of coolness. But author, don't you think the concept of immortality is a bit too awesome? The protagonist has just created the Peach Ghost, and he immediately knows the concept of immortality, and the protagonist has no way to affect the concept of immortality. This is very discouraging. If the next step is to create something, the concept of immortality is directly understood and it is still not affected by the modern protagonist, that will be a very big poisonous point. The protagonist must remain aloof, at least a few versions higher than other modern people. The protagonist's witch power is still too low. I feel that the rhythm should be controlled after the protagonist fully possesses the authority of the peach ghost before using the Immortality View. In this way, the government is one version ahead of ordinary people, the Immortality View is one version ahead of the government, and the protagonist is one version ahead.

The dual perspective is good, hold on, I've seen so many things about going back to the past to be a big boss, and being a little bit extraordinary to the next life, it's not like going back to the original future life, it's still good, there's always something different.