Hogwarts: from Entry to Ascension

Water, the way of writing is surprising, arrogant, and efficiency is on the premise of safety. People who can solve problems with strength are led by the nose and restrained. It was a popular way of writing more than ten years ago. It looks very wise to analyze various things, but cannot solve things alone. Such a protagonist has the least style.

It's another Gryffindor book. If you blindly guess the follow-up story, you will follow the protagonist. Then the story will be the same thing. There are few original creations of your own. At most, you can add some immortality into it. During the sorting, the author gave me the feeling that the Sorting Hat can be completely ignored. Hogwarts is my home, and I can go wherever I want. It is ridiculous that I entered Gryffindor just because I wanted to be in the center of the storm. From the author's previous description of the protagonist, Ravenclaw or Slytherin are much better than Gryffindor.

After seeing the branch, I didn't really want to watch it The protagonist pursues immortality and knowledge. Resolutely went to Gryffindor in [Center of the Storm]... Go to Gryffindor to be a nanny for the Salvation Team? Isn't it good for you to go to Ravenclaw to seek knowledge? Wouldn't it be nice to go to Slytherin and collect books from various pure-blood families through Malfoy's network? Gryffindor... Is really busy🙄

Do you know? AI is really easy to use 1. Those who often play AI can see what's going on 2. For those who don't play AI, let me explain. Here is a random example. There is Peeves who was intimidated by the protagonist several times and then forgot about the protagonist. The protagonist also forgot about him The whole article appears many times with different characters who have known each other, forgotten and then met again. What, Alzheimer's disease? In AI, the memory summary is invalid The article is a bit AI-like and a bit like a living person. I should write a paragraph and just throw it in to continue the writing, or simply use an outline The whole novel highlights one personification

Let me see why this book is exempt. Sure enough, there are reasons why limited exemptions are unpopular.

The preface often does not match the postscript, and the settings are unclear. For example, when the protagonist drives away the gnomes in the garden of the Burrow with his front legs, he can hear the gnomes gnawing on cabbage with his hind legs. The setting is very vague. The protagonist is initially set to have strong mental strength. Then once he arrives at Hogwarts, the good guy can see everything from the principal's office to the secret room. You call this mental strength? Settings are often missed. For example, the protagonist worked hard to exchange magic power for aura, and then after a few months, the magic power should have been restored, but the aura has never been changed again The setting is extremely abstract, and the magic power is less when changing the aura, eh, after the school year is over, I still have less magic power The memory of the supporting character is not continued. The protagonist opened his eyes to the teacher as soon as he entered the school, and then nothing happened. The teacher turned around and forgot about it. There was no reaction at all The relationship between the characters was broken. The protagonist opened his eyes to the teacher when he entered the school. All the classmates looked at it. There was no reaction at all. Those who came up to chat with me did not come to ask for advice. One came up and said, "Brother, you are so awesome and you are so awesome. I don't even have one." There is a lack of supporting roles. There are many characters in Hogwarts, but a large part of the teachers and classmates who should appear in the plot only appear once or do not appear at all The protagonist's development system is vague. Normally, for a monk, his learning system is highly integrated, progressive and complementary to each other. For example, I learned the art of controlling objects today, tomorrow I learned the art of sword control, and the day after tomorrow I learned how to draw talismans. When fighting, I would use the talisman to open the shield while flying my sword to kill people. But in the article, the protagonist learned a lot of theoretical knowledge and applied it in practice, such as how to remove curses and protect against attacks. If he didn't learn it, he would fight like a Muggle The protagonist was extremely mentally abnormal and his thinking was illogical. When the protagonist met Quirrell in the wizard village, he rushed up to him without fighting or sneaking. He just provoked him. What the hell are you doing? Later in the Forbidden Forest, the physical body was forced to receive the Death Curse, just to try out an idea. Well, if you don't succeed, you'll die, right? Then the protagonist succeeds in the test, and then falls asleep. No, buddy, the boss is so close to his face that he hasn't left yet. Are you fucking asleep?

Did you delete the comment? I was just reading the comments and when I clicked in, it said the post did not exist.

In the first grade, he took on Voldemort, in the second grade, he took on the thousand-year-old monster, and then got madly jumped in the face by old Malfoy without any counterattack?

Chapter 19 You have already defeated Snape, oh no, you have defeated the entire wizard alchemy system. Why are you still coming to Hogwarts? Are you wasting your time? Also writes that Snape wants to accept the protagonist as a closed disciple? The author's description in vernacular is like a primary school student who can't even practice addition and subtraction. Want to accept Brooke Taylor as a student and prepare to impart all his knowledge to him? Why does everything feel weird? Could this really be written by someone with a basically fully developed brain?

The protagonist is too pretentious. You are better than those professors as soon as you enter. Then why are you going to school?

It feels like I copied the original work and added a few words to include the protagonist. . . Then I might as well read the original work

Replace the B of the original protagonist with you and pretend it again...

😅I've told you everything. Tang Cheng is like this. I even doubt whether the author went to high school.

In the first three chapters, the protagonist is written like a human being, but in chapters thirty or forty, it suddenly turns into a pretentious writing style. The protagonist is written as if he is completely impersonal and like a ghost wandering outside the world. It is too isolated.

After Chapter 64, he was persuaded to quit. The author previously described the protagonist as a arrogant and paranoid man, and also expressed that he did not want to participate in the affairs of the three little ones. However, in Chapter 64, it was so inexplicable that he became a nanny without explanation. Is it a split personality? If I wanted to be a nanny from the beginning, I would have nothing to say.

Chapter 9: The protagonist's branch persuaded me to quit. The hat is too powerful, and it's so verbose. I'm speechless. The hat can be read. What's the difference in stripping naked in front of that old bee?

Just like a newbie practicing his pen, it is not considered a good weed, nor is it a poisonous weed. It can only be said to be creative, but too blunt 1. In the early stage, the protagonist can learn all kinds of ancient languages ​​and various knowledge, but the power system is not clearly described. It feels like he looks tall and maimed at the touch of a touch. It is too contrasting 2. The description is blunt, always telling who he is, and then moving on as if nothing happened 3. I finally breathed in 3 strands of spiritual energy, what is next, of course I should continue to breathe, if I am not satisfied with 3 strands, then I won't do it 4. The plot is squeezed in, and the logic is not smooth.

What is it about? The protagonist looks like a loser, jumping around, talking and doing things in an awkward and embarrassing way.

The plot line is exactly the same as the original work, except that the system of cultivating immortals is forcibly integrated into it, and the protagonist is portrayed like an AI. He looks tall and noble, but in fact he is nothing.

I just read Chapter 54, and I feel like the left and right sides of my brain are fighting each other It's like there is a comparison chart of cultivating immortals in the wizarding world that is not very logical, and it is forced to follow the plot line of Harry Potter. Or to put it conversely, follow the small nodes of the plot line to write how I can pretend to be this wave, and how I can pretend to be the next node. If there is no opportunity, create an opportunity. If there is no motive, create a motive. As for whether it is reasonable or not, you don't care. Is it because you are worried about exposing the secret in front of others if you don't ask Old Deng for help? Then showing magic with unknown principles in every course will not expose it? Or silent and wandless? Or is it when Harry and I are in the same class and occasionally sit at the same table? Isn't this more thorough than asking Old Deng for help? Or after "discussing the Tao" with Old Dengtou? If Lao Dengtou has ten eyeballs, if not five of them are staring at the protagonist, Lao Dengtou will be regarded as senile. If you mention the White Devil, I can tell you that you ignore the risks and continue the installation, but are you blind? Who gave you the confidence to say that trouble in school was not done under the nose of Mr. Deng? What is the relationship with the Harry trio? It's okay. I don't know how to find the protagonist first when looking for something in the forbidden book area. But it's okay. The protagonist can get involved in the fire dragon egg thing. The behavioral logic of the trio was not affected by the protagonist at all. If they were just watching, it would be normal, but why did they get on the pole and move forward? If you move forward, it won't affect you? Why did Hermione call the protagonist the first time about the dragon egg? Why did the three of them act together the last time, but the protagonist was left behind? Going to the Forbidden Forest will require you to be fined, and do you need a reasonable identity? Do you still need a legitimate identity when you treat the forbidden book area as a night toilet? What is needed is not identity, but being eaten and bystanders, right? Furthermore, they were all taken advantage of, and Old Deng helped to weaken the influence, and they said they were not under Old Deng's nose? Even if you can stop eating a big melon, why are you worried about Lao Dengtou? What I'm worried about is that the progress of cultivating immortality is too fast, which also destroys the fundamental motivation of Lao Dengtou to test the savior. Harry's line deviates without reference, so there is nothing to write about, right?

After watching more than half of it, I can only say that the imaginary setting is okay. In the later stages, the storyline is sometimes reversed. For example, there are two versions of the notebook and two versions of the explanation of the mouse.

? The IQ has been trampled on in a modern society where there are not all the classics for cultivating Taoism, and they only cultivate the Yin God. After time travel, they do not explain the source of power, such as true essence and mana. The system is chaotic. You are also involved in the world of cultivation. It is purely that anyone who dares to see anything and is interested in it can write it in.

After laying the groundwork for a long time, I ended up going to Gryffindor and I was really drunk 🥵

Not recommended. The content is confusing and fragmented, and I almost thought I was seeing a non-linear circular narrative. I particularly like the descriptions of "Gu Jing Wu Bo" and "Pour a basin of cold water on it". I don't know what the obsession is.

The power does not match the personality, he is strong and weak at the same time, he thinks he is actually like a clown in a higher dimension, and does not understand why he willingly entered Azkaban. The plot is pushed bluntly, Sirius himself can come out, and there are conflicts. No matter how much Dumbledore follows the rules and treats someone who is almost the most important person in Hogwarts, it is impossible to be so unprotective. Besides, is Nick Flamel's background fake? I don't recommend subscribing. Spend every penny to eat it💩

The beginning is quite attractive. When I read this book, I also wanted to see the collision between cultivation and magic, or the use of cultivation to explain magic. It is indeed there at the beginning, but only the rest is seen, which looks boring like an AI analyzing the underlying logic, or writing a paper. Summary: I feel that writing novels can never be separated from emotions. Words are also an expression of emotions. Words separated from emotions will only make people feel boring and boring.

Love to watch. Hurry for more.

It feels like the protagonist is not cautious at all, it's like writing "I am a monster" on his face, no one has any idea about him, everyone is a fool

It looks good. Support the author. Although there are few people, I think it is quite interesting. I hope I can finish it completely.

A long paragraph of text that looks like the original work. After finishing the pig's feet, I was so shocked that I really couldn't stand it 😰