Late Ming: The Fourth Calamity's Thousand-Mile Journey

It's not the fourth natural disaster, it's the fourth fool. Does the author think that everyone who plays the game is a fool?

The tail of the Knights of the White Bear, the cement seal, etc. The mentally retarded female gamer is really a loser. It would be better to write more idiotic comments to netizens.

My evaluation is that if you just copy him, it will be over. Your arrangement of the plot is really bad

The plot of a horse gun is fine once, but if it is too many, it will just feel stupid... And so many players have never thought of stabbing the horse's butt or setting it on fire to make it run towards the fortress, regardless of whether it can be caught or not. But if you run ten batches in that direction, there will always be a few batches of runway or Liu can pick it up, right?

At the end of the Ming Dynasty, it was still a journey of a thousand miles. Is there such a character?

Modern people's souls have traveled through the 23rd year of the late Ming Dynasty, and nothing has changed. They really think of themselves as ancients.

You chose between domestic pigs and wild boars to extend the lives of the Ming Dynasty. You have a family of eight, sold two, lost one, and left three. You really have no blood at all and you still want to extend the lives of the Ming Dynasty.

Is this protagonist really a time traveler? You are not sure of your status at the beginning, and you really introduce yourself like an ordinary NPC. The first image is very important. The identity introduction at the beginning of the game can allow players to confirm the importance of this NPC, which will lead to how much they value you. Your indigenous NPC introduction will make people think that you are not important. I also want to think about whether I can chop down unimportant NPCs. I give them my identity when I go out. Also, after being teased by the players (snowballs thrown in the face, being touched here and there like a monkey, trying to see if the NPC is immune to injury), the protagonist does not want to counterattack, and just sits still and lets them play with them (really treating himself as an NPC)? Did they seek death to stop them? ? Don't want to set the rules of the game at the beginning? ? ? Still want to use discipline to restrict their player behavior afterwards? ? ? ? Those who are really time travelers should know that the Fourth Natural Disaster is lawless and unrestrained. Others are so depressed in reality. They play virtual mode and think that they can make them obedient through discipline. Just dream, reality can use discipline because it has to be done right, there is no other way. The only thing that can restrain players is punishment rules. When players behave excessively, especially towards the protagonist, they should immediately use the system to formulate strict rules. In this way, players can be slightly restrained and players can understand the importance of the protagonist (not an ordinary NPC). Players can be resurrected wirelessly, but for the protagonist, you only have one life. At first, instead of removing the uncertain factors, you thought that you could use discipline to restrain yourself. Are you so ambitious? Your character design is unremarkable. I even think it's not a time traveler character, but an indigenous character design. . .

Trash, if you don't clean up the aristocratic family, just wait for it to be ignored later. Your regime is bullshit. There are already players, so you're scared. Abandoned.

Will we use the name of family and country to stir up emotions later? Too many sensational scenes always feel awkward, especially when they are done in the name of family and country. It always feels like you have been fed shit and have to wrap it with a layer of gold foil and put a red flag on it to make you dare not say it, and then force you to eat it. It's embarrassing to look at the unintelligent exaggeration, and the balance of the scenes feels like one leg is long and the other is short.